℗ 2022 Zefir Records
Released | April 15, 2022 |
Duration | 1h 01m 21s |
Record Label | Zefir Records |
Catalogue No. | ZEF9688 |
Genre | Classical (Chamber) |
Stolen Schubert
Ásdís Valdimarsdóttir, Edward Janning, Katharine Dain
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Arpeggione Sonata, D. 821
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1.1
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I. Allegro moderato
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
11:40 | |||
1.2
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II. Adagio
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
3:35 | |||
1.3
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III. Allegretto
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
9:22 | |||
1.4
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Auf dem Strom, Op. Posth. 119, D. 943
Franz Schubert; Ludwig Rellstab; Katharine Dain; Ásdís Valdimarsdóttir; Edward Janning |
9:01 | |||
Winterreise, Op. 89, D. 911 (Excerpts)
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1.5
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No. 10, Rast
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
3:33 | |||
1.6
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No. 11, Frühlingstraum
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
3:59 | |||
1.7
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No. 14, Der greise Kopf
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
2:30 | |||
1.8
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No. 19, Täuschung
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
1:29 | |||
1.9
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No. 20, Der Wegweiser
Franz Schubert; Ásdís Valdimarsdóttir; Edward Janning |
4:20 | |||
1.10
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Der Hirt auf dem Felsen, Op. Posth. 129, D. 965
Franz Schubert; Wilhelm Müller; Helmina von Chézy; Katharine Dain; Ásdís Valdimarsdóttir; Edward Janning |
11:52 | |||
Digital Booklet
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To anyone who plays chamber music of any sort Schubert’s music is a wonderful world to enter. It lifts our spirit to a dreamlike state of awe that is quite unique, with it’s sweeping long lines and pure poetry. The masterpieces on this album were ‘Stolen’ from Schubert’s original instrumentation. Start with the Arpeggione sonata, originally written for the ‘Arpeggione’, a bowed instrument with six strings and frets, tuned like a guitar but played like a gamba. But here, it is played on the viola (with gut strings) and an Erard piano (1851). The mellow timbre of the Erard removes any struggle for balance and wonderfully compliments the warmth of the viola sound. Schubert wrote an immense amount of Lieder; songs for voice and piano. Only two of them are written for voice and piano with an extra instrument; ‘Hirt auf dem Felsen’ with clarinet and ‘Auf dem Strom’ with French horn. Since both of these instruments have a similar range to the viola, Ásdís Valdimarsdóttir decided to steal them both for her instrument, the viola. It may seem rather audacious to attempt to play the vocal part of any of Schubert’s iconic Lieder on the viola, however ‘Die Winterreise’ is so strong on it’s own; it can have a life without the text. Please listen and then judge.
96 kHz / 24-bit PCM – Zefir Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.28 -7.47 to -1.10 | -25.88 -29.39 to -21.55 | -22.38 -26.60 to -18.20 | 14 11 to 17 | |
1 | I. Allegro moderato | -2.05 | -24.75 | -21.5 | 15 |
2 | II. Adagio | -6.14 | -29.39 | -26.6 | 15 |
3 | III. Allegretto | -5.34 | -26.19 | -23.2 | 14 |
4 | Auf dem Strom, Op. Posth. 119, D. 943 | -1.26 | -21.55 | -18.2 | 12 |
5 | No. 10, Rast | -4.54 | -26.76 | -22.4 | 14 |
6 | No. 11, Frühlingstraum | -1.10 | -26.84 | -22.9 | 17 |
7 | No. 14, Der greise Kopf | -6.91 | -27.40 | -23.5 | 12 |
8 | No. 19, Täuschung | -6.89 | -25.23 | -22.0 | 12 |
9 | No. 20, Der Wegweiser | -7.47 | -27.58 | -24.0 | 11 |
10 | Der Hirt auf dem Felsen, Op. Posth. 129, D. 965 | -1.10 | -23.10 | -19.5 | 14 |