℗ 2022 BR-Klassik
| Released | April 15, 2022 |
| Duration | 1h 15m 16s |
| Record Label | BR-Klassik |
| Catalogue No. | 900813 |
| Genre | Classical (Orchestral) |
Stravinsky: Petrushka, K012 (Rehearsal Excerpts)
Dieter Traupe, Bavarian Radio Symphony Orchestra, Mariss Jansons
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Dirigenten bei der Probe - Einleitung
Dieter Traupe; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:32 | |||
|
Petrushka, K012 (Rehearsal Excerpts)
|
|||||
|
1.2
|
Pt. 1, The Shrovetide Fair (Beginn der Probe)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:22 | |||
|
1.3
|
Pt. 1, The Shrovetide Fair (Könnten wir bitte einmal schauen, wie das klingt??)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:40 | |||
|
1.4
|
Pt. 1, The Shrovetide Fair (Die Gefahr hier ist…)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:34 | |||
|
1.5
|
Pt. 1, The Shrovetide Fair (Eine große Linie)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:20 | |||
|
1.6
|
Pt. 1, The Shrovetide Fair (Sie spielen. Die Ballerina tanzt)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:34 | |||
|
1.7
|
Pt. 1, The Shrovetide Fair (Und jetzt die letzte Bitte)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:25 | |||
|
1.8
|
Pt. 1, The Shrovetide Fair (Schreiben Sie ein bitte)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:50 | |||
|
1.9
|
Pt. 1, The Shrovetide Fair (Alle bitte)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:25 | |||
|
1.10
|
Pt. 1, The Shrovetide Fair (Großes Cresendo)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:22 | |||
|
1.11
|
Pt. 1, The Shrovetide Fair (Ich glaube alle diese Kleinigkeiten spielen in dieser Musik eine große Rolle!)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
5:52 | |||
|
1.12
|
Pt. 1, The Shrovetide Fair (Manchmal ist es wunderbar)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:31 | |||
|
1.13
|
Pt. 1, The Shrovetide Fair (Drei wichtige Akzente)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:36 | |||
|
1.14
|
Pt. 1, The Shrovetide Fair (Das ist eine wichtige Szene)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:00 | |||
|
1.15
|
Pt. 1, The Shrovetide Fair (Jetzt kommt die Ballerina auf Zehenspitzen)
Dieter Traupe; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:13 | |||
|
Digital Booklet
|
|||||
What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. "Conductors in Rehearsal" is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The first set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie im Gasteig, taken from different phases of the collaboration between Mariss Jansons’ work with the BRSO.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Tracks 1-15 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-15 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.06 -1.81 to -1.00 | -24.10 -26.66 to -21.82 | -19.81 -22.20 to -17.10 | 15 13 to 18 | |
| 1 | Dirigenten bei der Probe - Einleitung | -1.81 | -24.86 | -21.5 | 18 |
| 2 | Pt. 1, The Shrovetide Fair (Beginn der Probe) | -1.02 | -24.07 | -20.0 | 14 |
| 3 | Pt. 1, The Shrovetide Fair (Könnten wir bitte einmal schauen, wie das klingt??) | -1.01 | -24.87 | -20.9 | 15 |
| 4 | Pt. 1, The Shrovetide Fair (Die Gefahr hier ist…) | -1.01 | -21.96 | -17.3 | 14 |
| 5 | Pt. 1, The Shrovetide Fair (Eine große Linie) | -1.00 | -24.54 | -20.8 | 17 |
| 6 | Pt. 1, The Shrovetide Fair (Sie spielen. Die Ballerina tanzt) | -1.01 | -26.12 | -21.5 | 18 |
| 7 | Pt. 1, The Shrovetide Fair (Und jetzt die letzte Bitte) | -1.00 | -22.56 | -18.5 | 15 |
| 8 | Pt. 1, The Shrovetide Fair (Schreiben Sie ein bitte) | -1.01 | -25.57 | -21.8 | 16 |
| 9 | Pt. 1, The Shrovetide Fair (Alle bitte) | -1.00 | -21.82 | -17.1 | 13 |
| 10 | Pt. 1, The Shrovetide Fair (Großes Cresendo) | -1.01 | -26.66 | -22.2 | 18 |
| 11 | Pt. 1, The Shrovetide Fair (Ich glaube alle diese Kleinigkeiten spielen in dieser Musik eine große Rolle!) | -1.00 | -24.70 | -20.4 | 16 |
| 12 | Pt. 1, The Shrovetide Fair (Manchmal ist es wunderbar) | -1.00 | -23.90 | -19.9 | 15 |
| 13 | Pt. 1, The Shrovetide Fair (Drei wichtige Akzente) | -1.00 | -23.02 | -18.4 | 13 |
| 14 | Pt. 1, The Shrovetide Fair (Das ist eine wichtige Szene) | -1.00 | -23.38 | -18.9 | 14 |
| 15 | Pt. 1, The Shrovetide Fair (Jetzt kommt die Ballerina auf Zehenspitzen) | -1.00 | -23.50 | -17.9 | 14 |