℗ 2022 SOMM Recordings
Released April 15, 2022
Duration 1h 04m 43s
Record Label SOMM Recordings
Catalogue No. SOMMCD0650
Genre Classical (Piano)
 

Beethoven: Symphonies, Vol. 2

Tessa Uys, Ben Schoeman

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Symphony No. 5 in C Minor, Op. 67 (Arr. F.X. Scharwenka for Piano Duet)  
1.1
I. Allegro con brio
Franz Xaver Scharwenka; Ludwig van Beethoven; Tessa Uys; Ben Schoeman
7:32
1.2
II. Andante con moto
Ludwig van Beethoven; Franz Xaver Scharwenka; Tessa Uys; Ben Schoeman
9:04
1.3
III. Scherzo. Allegro
Ludwig van Beethoven; Franz Xaver Scharwenka; Tessa Uys; Ben Schoeman
4:50
1.4
IV. Allegro
Ludwig van Beethoven; Franz Xaver Scharwenka; Tessa Uys; Ben Schoeman
11:33
1.5
Andante & Variations in B-Flat Major, Op. 46
Robert Schumann; Tessa Uys; Ben Schoeman
13:28
1.6
Variations on a Theme of Beethoven in E-Flat Major, Op. 35, R. 66
Camille Saint-Saëns; Ben Schoeman; Tessa Uys
18:16
Digital Booklet
SOMM Recordings is delighted to announce the eagerly-awaited second volume of the Tessa Uys and Ben Schoeman Piano Duo’s ground-breaking series exploring Franz Xaver Scharwenka’s transcriptions of Beethoven Symphonies. A composer of no mean stature in his own right, Scharwenka’s transcriptions were once widely admired, his treatments of Beethoven’s symphonies a high-watermark of the genre. Volume 1 (SOMMCD 0637) met with universal acclaim; Gramophone praising the “mastery” of the performances, BBC Music finding it “utterly beguiling” and MusicWeb International declaring “I was blown away by this magnificent recording”. Volume 2 features the first recording of Scharwenka’s transcription of Beethoven’s iconic Fifth Symphony for piano duet. Claiming a direct connection to Beethoven via his teacher Franz Kullak, who had studied with Beethoven’s pupil Carl Czerny, Scharwenka provides a virtuosic re-imagining of the Fifth’s tremendous scale, organic growth and seething energy. The Variations on a Theme of Beethoven by Saint-Saëns show him, Robert Matthew-Walker says in his informative booklet notes, “at his most brilliant and searching... beautiful, imposing and elegant, as well as humorous”. Robert Schumann’s Andante and Variations in B-flat reveal Romanticism’s quintessential musical poet at his most emotionally acute: “overhung with a pervading sense of intimacy, the music unfolds as a series of reflections upon the Andante theme, refracted in genuine variation styles of tempo, rhythm, tonalities (beautifully implied) and character”.
88.2 kHz / 24-bit PCM – SOMM Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.49
-3.30 to -0.42
-23.63
-26.05 to -20.46
-19.58
-23.00 to -16.90
14
13 to 15
1
I. Allegro con brio
-0.65-21.27-17.314
2
II. Andante con moto
-1.65-25.43-20.514
3
III. Scherzo. Allegro
-1.52-24.03-18.813
4
IV. Allegro
-1.39-20.46-16.913
5
Andante & Variations in B-Flat Major, Op. 46
-3.30-26.05-23.015
6
Variations on a Theme of Beethoven in E-Flat Major, Op. 35, R. 66
-0.42-24.53-21.015

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