℗ 2022 Naxos
Released | April 22, 2022 |
Duration | 54m 52s |
Record Label | Naxos |
Catalogue No. | 8.574351 |
Genre | Classical (Chamber) |
Leclair: Violin Sonatas, Op. 5 Nos. 5-8
Adrian Butterfield, Sarah McMahon, Silas Wollston
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata in B Minor, Op. 5 No. 5
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1.1
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I. Allegro ma non troppo
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
4:41 | |||
1.2
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II. Largo
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
2:42 | |||
1.3
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III. Allegro - Prestissimo
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
5:37 | |||
Violin Sonata in C Minor, Op. 5 No. 6 "Tombeau"
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1.4
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I. Grave
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
2:24 | |||
1.5
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II. Allegro ma non troppo
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
3:41 | |||
1.6
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III. Gavotta
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
4:17 | |||
1.7
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IV. Allegro
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
3:38 | |||
Violin Sonata in A Minor, Op. 5 No. 7
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1.8
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I. Largo
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
5:45 | |||
1.9
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II. Allegro
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
1:59 | |||
1.10
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III. Adagio
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
3:55 | |||
1.11
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IV. Tempo gavotta
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
2:59 | |||
Violin Sonata in D Major, Op. 5 No. 8
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1.12
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I. Allegro ma non troppo
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
4:28 | |||
1.13
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II. Aria
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
2:54 | |||
1.14
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III. Andante
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
2:19 | |||
1.15
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IV. Allegro
Jean-Marie Leclair; Adrian Butterfield; Sarah McMahon; Silas Wollston |
3:33 | |||
Digital Booklet
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Jean-Marie Leclair’s violin sonatas embody a stylistic fusion known as les goûts réunis in which the lyricism and the virtuosity of the Italian school are integrated with the dance idioms of French Baroque music. In this volume, the music reaches new heights of technical complexity in its filigree ornamentation and continuous multiple stopping while still incorporating much wistful beauty. In the Sonata in D major, however, Leclair’s ambition expands yet further, as he combines innate lyricism and rustic drones in a prototype concerto form.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.86 -10.24 to -2.78 | -25.97 -29.20 to -23.54 | -22.65 -25.90 to -20.20 | 13 11 to 14 | |
1 | I. Allegro ma non troppo | -6.49 | -26.55 | -23.1 | 13 |
2 | II. Largo | -8.64 | -28.31 | -24.5 | 13 |
3 | III. Allegro - Prestissimo | -6.31 | -25.30 | -21.9 | 13 |
4 | I. Grave | -5.64 | -24.56 | -21.3 | 11 |
5 | II. Allegro ma non troppo | -4.89 | -24.85 | -21.5 | 13 |
6 | III. Gavotta | -4.64 | -25.13 | -21.9 | 14 |
7 | IV. Allegro | -4.00 | -24.49 | -21.4 | 12 |
8 | I. Largo | -5.69 | -26.38 | -23.1 | 13 |
9 | II. Allegro | -2.78 | -23.54 | -20.2 | 14 |
10 | III. Adagio | -5.61 | -26.84 | -23.6 | 13 |
11 | IV. Tempo gavotta | -4.06 | -25.34 | -22.1 | 13 |
12 | I. Allegro ma non troppo | -6.08 | -26.10 | -22.9 | 13 |
13 | II. Aria | -10.24 | -29.20 | -25.9 | 13 |
14 | III. Andante | -6.20 | -26.86 | -23.3 | 12 |
15 | IV. Allegro | -6.56 | -26.17 | -23.0 | 14 |