℗ 2022 Sono Luminus
Released April 22, 2022
Duration 38m 27s
Catalogue No. DSL-92256
Genre Classical (Chamber)
 

Confluence

Mina Gajić, Zachary Carrettin

Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 88.2 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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    • AIFF 88.2 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • AIFF 352.8 kHz | 24-bit
    • DSF 2.8224 MHz
    • DSF 5.6448 MHz
    • FLAC 88.2 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
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1.1
Maureen
Ray Granlund; Mina Gajić; Zachary Carrettin
3:39
7 Balkan Dances  
1.2
No. 1, Con moto
Marko Tajčević; Mina Gajić
1:39
1.3
Tangovals
Ray Granlund; Mina Gajić; Zachary Carrettin
5:28
1.4
No. 2, Rustico
Marko Tajčević; Mina Gajić
1:39
1.5
No. 3, Vivo
Marko Tajčević; Mina Gajić
0:54
1.6
Sollozo Perpetuo
Ray Granlund; Mina Gajić; Zachary Carrettin
6:23
1.7
No. 4, Sostenuto e cantabile
Marko Tajčević; Mina Gajić
2:59
1.8
Tango Peregrino
Ray Granlund; Mina Gajić; Zachary Carrettin
5:17
1.9
No. 5, Allegro ritmico
Marko Tajčević; Mina Gajić
1:07
1.10
No. 6, Allegretto
Marko Tajčević; Mina Gajić
0:48
1.11
Tangonometria
Ray Granlund; Mina Gajić; Zachary Carrettin
3:18
1.12
No. 7, Allegro quasi pesante
Marko Tajčević; Mina Gajić
1:12
1.13
Tango du joli printemps (After Poulenc's FP 117)
Ray Granlund; Mina Gajić; Zachary Carrettin
4:04
Digital Booklet
“After many years of performing these works in recitals, we wanted to record them—not as two separate sets but as a confluence of dance-inspired music influenced by two distinct regions and cultures. We chose to travel back and forth between duo and solo, interweaving Balkan dances and tango nuevo in the way we have done in live performances. During the Covid-19 pandemic, which continues at the time we write these words, we’ve repeatedly found ourselves performing for audiences virtually, separated from one another by the computer screen and yet connected to one another by that same screen. In recording this album we sought to bring some of the live concert experience to the listener. The track order, tempos, pacing between selections, the improvisatory nature of some of the phrasing, dynamics, articulations, and embellishments, were elements in our process that we felt could contribute to providing some of the live concert feeling that we’ve all been missing during periods of lockdown. This music is especially close to each of us: The tangos were composed for me (Zachary) to play, and like the sonatas of the Italian violinist-composers of the Baroque Era, these compositions provide an environment for exploration, an invitation to embrace improvisation as part of the process… The Balkan Dances are a musical reflection of the cultural influences in my (Mina’s) childhood, in what was then Yugoslavia. Certain rhythms, melodic fragments, and harmonic progressions conjure visceral memories from traveling throughout the rich cultural landscapes across the region, and of singing and dancing traditional songs in several dialects as a child and music student...” - Mina Gajic & Zachary Carrettin
352.8 kHz / 24-bit, 192 kHz / 24-bit, 88.2 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-0.69
-2.95 to -0.30
-18.93
-23.61 to -14.50
11
9 to 13
1
Maureen
-0.30-17.2511
2
No. 1, Con moto
-2.95-20.6410
3
Tangovals
-1.08-20.8013
4
No. 2, Rustico
-0.41-17.4810
5
No. 3, Vivo
-0.38-19.4310
6
Sollozo Perpetuo
-0.41-18.9113
7
No. 4, Sostenuto e cantabile
-0.41-23.6113
8
Tango Peregrino
-0.41-18.8312
9
No. 5, Allegro ritmico
-0.41-18.9511
10
No. 6, Allegretto
-0.96-22.6810
11
Tangonometria
-0.41-16.4211
12
No. 7, Allegro quasi pesante
-0.41-14.509
13
Tango du joli printemps (After Poulenc's FP 117)
-0.41-16.6011

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