℗ 2022 BR-Klassik
Released April 22, 2022
Duration 53m 43s
Record Label BR-Klassik
Catalogue No. 900814
Genre Classical (Orchestral)
 

Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts)

Friedrich Schloffer, Bavarian Radio Symphony Orchestra, Mariss Jansons

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Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts)  
1.1
I. Adagio - Allegro non troppo (Dirigenten bei der Probe. Einleitung)
Friedrich Schloffer; Bavarian Radio Symphony Orchestra; Mariss Jansons
1:48
1.2
Die russische Literatur
Friedrich Schloffer
1:16
1.3
I. Adagio - Allegro non troppo (Die letzte Coda. Das Nachwort)
Bavarian Radio Symphony Orchestra; Mariss Jansons
5:04
1.4
I. Adagio - Allegro non troppo (Eine Bitte an alle Bläser)
Bavarian Radio Symphony Orchestra; Mariss Jansons
3:21
1.5
I. Adagio - Allegro non troppo (Ich bin nicht ganz glücklich mit unserem Pizzicato)
Bavarian Radio Symphony Orchestra; Mariss Jansons
2:55
1.6
Sie folgen fantastisch dem Dirigente
Mariss Jansons
3:40
1.7
I. Adagio - Allegro non troppo (Mehr träumerisch)
Bavarian Radio Symphony Orchestra; Mariss Jansons
2:51
1.8
Das Leise, das Tragische
Friedrich Schloffer
0:28
1.9
Der Anfang der Symphonie
Mariss Jansons
4:23
1.10
I. Adagio - Allegro non troppo (Allegro)
Bavarian Radio Symphony Orchestra; Mariss Jansons
3:53
1.11
I. Adagio - Allegro non troppo (Warten, eins, zwei, drei)
Bavarian Radio Symphony Orchestra; Mariss Jansons
4:25
1.12
Eine musikalische Beichte der Seele
Friedrich Schloffer
0:52
1.13
I. Adagio - Allegro non troppo
Friedrich Schloffer; Bavarian Radio Symphony Orchestra; Mariss Jansons
18:47
Digital Booklet
What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. "Conductors in Rehearsal" is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The first set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie im Gasteig, taken from different phases of the collaboration between Mariss Jansons’ work with the BRSO.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters

Tracks 2, 8, 12 – contains material which has been processed by a perceptual audio coding algorithm
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.50
-5.28 to -0.50
-24.77
-27.77 to -18.29
-21.12
-24.60 to -14.80
15
11 to 18
1
I. Adagio - Allegro non troppo (Dirigenten bei der Probe. Einleitung)
-0.54-24.52-21.116
2
Die russische Literatur
-3.85-24.13-20.814
3
I. Adagio - Allegro non troppo (Die letzte Coda. Das Nachwort)
-0.85-26.34-22.816
4
I. Adagio - Allegro non troppo (Eine Bitte an alle Bläser)
-3.03-26.68-23.317
5
I. Adagio - Allegro non troppo (Ich bin nicht ganz glücklich mit unserem Pizzicato)
-4.58-27.77-24.616
6
Sie folgen fantastisch dem Dirigente
-4.73-27.45-24.115
7
I. Adagio - Allegro non troppo (Mehr träumerisch)
-1.70-26.98-23.318
8
Das Leise, das Tragische
-5.28-24.54-21.114
9
Der Anfang der Symphonie
-2.35-27.03-23.217
10
I. Adagio - Allegro non troppo (Allegro)
-0.50-18.29-14.811
11
I. Adagio - Allegro non troppo (Warten, eins, zwei, drei)
-0.50-20.57-16.712
12
Eine musikalische Beichte der Seele
-4.08-24.31-20.715
13
I. Adagio - Allegro non troppo
-0.50-23.37-18.114

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