Federico Moreno Torroba: Guitar Concertos, Vol. 2
Pepe Romero, Vicente Coves, Orquesta de Extremadura, Manuel Coves
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Homenaje a la seguidilla
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1.1
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I. Andante - Allegretto
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
13:02 | |||
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1.2
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II. Andante
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
9:59 | |||
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1.3
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III. Allegretto - Andante - Sostenuto
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
7:30 | |||
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Tonada concertante
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1.4
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I. Andante - Allegro
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
10:30 | |||
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1.5
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II. Andante
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
10:12 | |||
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1.6
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III. Allegro moderato
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
2:18 | |||
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1.7
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IV. Allegro
Federico Moreno Torroba; Pepe Romero; Orquesta de Extremadura; Manuel Coves |
3:17 | |||
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Concierto de Castilla
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1.8
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I. Adagio - Allegretto moderato
Federico Moreno Torroba; Vicente Coves; Orquesta de Extremadura; Manuel Coves |
8:29 | |||
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1.9
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II. Andante
Federico Moreno Torroba; Vicente Coves; Orquesta de Extremadura; Manuel Coves |
6:20 | |||
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1.10
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III. Andante - Allegro moderato
Federico Moreno Torroba; Vicente Coves; Orquesta de Extremadura; Manuel Coves |
8:03 | |||
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Digital Booklet
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Spanish guitarist Vicente Coves continues his series dedicated to Federico Moreno Torroba, one of Spain’s great 20th century composers with roughly 100 works for guitar to his credit. Together with his teacher and fellow guitarist Pepe Romero and the Orquesta de Extremadura led by his brother Manuel, Coves presents the Homenaje a la seguidilla, a lively tribute to that characteristically Spanish song and dance. The Tonada concertante is in turns playful and introspective while the Concierto de Castilla features a free-spirited lyricism evocative of the folklore of Castile, a vast expanse in the middle of Spain with which the composer strongly identified.
96 kHz / 24-bit PCM – Naxos Studio Masters
Tracks 1 - 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Recorded at the Palacio de Congresos, Badajoz, Spain, July 13 - 16, 2015 Producers: José Luis Sánchez (Cheluis Salmerón) and Thomas Bößl Engineer and editor: José Luis Sánchez Booklet notes: Walter Aaron Clark and William Craig Krause Publishers: Cantabrian Music (tracks 1 - 7), UME (Unión Musical Española) (tracks 8 - 10) Cover: Castilian windmill by David Acosta Allely (123RF.com)
Tracks 1 - 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Recorded at the Palacio de Congresos, Badajoz, Spain, July 13 - 16, 2015 Producers: José Luis Sánchez (Cheluis Salmerón) and Thomas Bößl Engineer and editor: José Luis Sánchez Booklet notes: Walter Aaron Clark and William Craig Krause Publishers: Cantabrian Music (tracks 1 - 7), UME (Unión Musical Española) (tracks 8 - 10) Cover: Castilian windmill by David Acosta Allely (123RF.com)
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.65 -5.66 to -0.60 | -24.05 -28.95 to -20.98 | -20.90 -25.90 to -18.10 | 14 13 to 17 | |
| 1 | I. Andante - Allegretto | -0.60 | -22.69 | -19.3 | 14 |
| 2 | II. Andante | -1.85 | -27.46 | -24.3 | 17 |
| 3 | III. Allegretto - Andante - Sostenuto | -0.60 | -20.98 | -18.1 | 13 |
| 4 | I. Andante - Allegro | -0.60 | -22.65 | -19.6 | 14 |
| 5 | II. Andante | -4.79 | -28.95 | -25.9 | 15 |
| 6 | III. Allegro moderato | -5.66 | -27.19 | -24.6 | 14 |
| 7 | IV. Allegro | -0.60 | -21.86 | -18.4 | 13 |
| 8 | I. Adagio - Allegretto moderato | -0.60 | -22.16 | -19.2 | 14 |
| 9 | II. Andante | -0.60 | -24.28 | -20.5 | 15 |
| 10 | III. Andante - Allegro moderato | -0.60 | -22.26 | -19.1 | 14 |