℗ 2022 DUX
| Released | April 15, 2022 |
| Duration | 57m 46s |
| Record Label | DUX |
| Catalogue No. | DUX1803 |
| Genre | Classical (Orchestral) |
Meyer: Canti Amadei, Op. 63 & Symphony No. 5 for String Orchestra, Op. 44
Bartosz Koziak, Polish Chamber Philharmonic Orchestra Sopot, Rafał Janiak
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Canti Amadei, Op. 63
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1.1
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I. Quarter Note = 112
Krzysztof Meyer; Bartosz Koziak; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
5:39 | |||
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1.2
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II. Dotted Quarter Note = 138
Krzysztof Meyer; Bartosz Koziak; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
5:14 | |||
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1.3
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III. Quarter Note = 58
Krzysztof Meyer; Bartosz Koziak; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
6:59 | |||
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1.4
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IV. Quarter Note = 132
Krzysztof Meyer; Bartosz Koziak; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
5:38 | |||
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1.5
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V. Quarter Note = 112
Krzysztof Meyer; Bartosz Koziak; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
2:56 | |||
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Symphony No. 5 for String Orchestra, Op. 44
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1.6
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I. Gaio
Krzysztof Meyer; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
3:26 | |||
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1.7
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II. Maestoso
Krzysztof Meyer; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
8:01 | |||
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1.8
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III. Scherzando
Krzysztof Meyer; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
3:10 | |||
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1.9
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IV. Con pazzia
Krzysztof Meyer; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
2:42 | |||
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1.10
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V. Lento
Krzysztof Meyer; Polish Chamber Philharmonic Orchestra Sopot; Rafał Janiak |
14:01 | |||
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Digital Booklet
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Solo concertos are often a fruit of musical friendships between composers and performers. This is the case of Canti Amadei, and the inspirer, great Russian cellist Ivan Monighetti, once described the circumstances in which it happened. ‘I have always been attracted to the idea of receiving music from the composer himself; the opportunity to work with a composer, a wizard who brings entire worlds to life from non-existence, weaves a fairy-tale net of note lines and signs. In the early 1980s, quite by accident [together with Krzysztof Meyer], we listened to and compared several performances of Mozart’s symphonies. Both for Krzysztof and for me, Mozart is one of the continuous lines of life, an inexhaustible topic to which we constantly want to come back. “What would you say about variations on Mozartean themes for cello and orchestra?” I asked him casually. (...) Krzysztof liked the idea and after some time I received a score called Canti Amadei. I was happy that, in a way, I had my share in the creation of this piece.”
96 kHz / 24-bit PCM – DUX Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.32 -6.99 to -0.16 | -26.57 -31.43 to -21.86 | -22.28 -27.20 to -17.50 | 14 13 to 15 | |
| 1 | I. Quarter Note = 112 | -0.16 | -22.79 | -18.8 | 14 |
| 2 | II. Dotted Quarter Note = 138 | -1.37 | -25.72 | -22.9 | 15 |
| 3 | III. Quarter Note = 58 | -1.59 | -26.32 | -22.5 | 14 |
| 4 | IV. Quarter Note = 132 | -0.16 | -21.86 | -18.8 | 14 |
| 5 | V. Quarter Note = 112 | -0.16 | -23.37 | -17.5 | 14 |
| 6 | I. Gaio | -6.99 | -31.43 | -25.4 | 14 |
| 7 | II. Maestoso | -6.93 | -31.07 | -27.2 | 15 |
| 8 | III. Scherzando | -5.12 | -26.76 | -22.8 | 13 |
| 9 | IV. Con pazzia | -6.12 | -27.61 | -23.9 | 13 |
| 10 | V. Lento | -4.60 | -28.75 | -23.0 | 15 |