℗ 2022 PENTATONE
| Released | May 13, 2022 |
| Duration | 41m 47s |
| Catalogue No. | PTC5187002 |
| Genre | Classical (Chamber) |
Minne
Holland Baroque, Bastarda, Marie van Luijk
Available in 192 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
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1.1
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Gaude (After Anonymous Gaudeamus Omnes)
Bastarda; Holland Baroque; Bastarda |
4:30 | |||
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1.2
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Introduction for Chamber Ensemble
Judith Steenbrink; Holland Baroque; Bastarda |
2:48 | |||
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1.3
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Orewoet
Judith Steenbrink; Holland Baroque; Bastarda |
4:21 | |||
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1.4
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Nigra sum (After G. Palestrina)
Bastarda; Holland Baroque; Bastarda |
4:09 | |||
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1.5
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Spiritus sanctus (After H. Bingen's D 157r)
Judith Steenbrink; Holland Baroque; Bastarda |
3:33 | |||
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O decus ecclesiae
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1.6
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No. 2, Te laudant omnes (Arr. J. Steenbrink & Bastarda for Chamber Ensemble)
Heinrich Isaac; Judith Steenbrink; Marie van Luijk; Holland Baroque; Bastarda |
4:24 | |||
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1.7
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Media vita (Arr. J. Steenbrink for Chamber Ensemble)
Judith Steenbrink; Bastarda; Anonymous; Holland Baroque; Bastarda |
8:34 | |||
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Geistliche gesäng und melodeyen
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1.8
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No. 19, Er küsse mich (Arr. J. Steenbrink for Chamber Ensemble)
Melchior Franck; Judith Steenbrink; Holland Baroque; Bastarda |
3:27 | |||
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1.9
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Minne
Judith Steenbrink; Holland Baroque; Bastarda |
6:01 | |||
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Digital Booklet
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Holland Baroque presents Minne, an improvised programme inspired by the love poetry of medieval mystic Hadewijch from Brabant. Hadewijch was a 13th-century beguine who wrote an impressive oeuvre of love poetry, providing an original, female perspective on medieval life. For this project, Holland Baroque works together with Bastarda Trio, a folk-jazz group combining the unique sonorities of clarinet, cello and contrabass clarinet. Inspired by medieval poetry, the result is a playful, passionate, truly contemporary album.
Holland Baroque is an original and innovative baroque orchestra that approaches baroque repertoire through a fresh and contemporary approach, with a focus on improvisation and collaborations with outstanding artists from different traditions. Minne is their fourth PENTATONE album, after having released Brabant 1653, Polonoise (both 2021) and Silk Baroque (2019) with the label. Bastarda Trio makes its PENTATONE debut.
192 kHz / 24-bit PCM and 2.8224 MHz DSD – PENTATONE Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.74 -8.68 to -0.30 | -24.82 -28.26 to -19.34 | -21.77 -25.10 to -15.40 | 11 10 to 13 | |
| 1 | Gaude (After Anonymous Gaudeamus Omnes) | -0.40 | -19.82 | -16.6 | 12 |
| 2 | Introduction for Chamber Ensemble | -6.33 | -25.95 | -23.0 | 10 |
| 3 | Orewoet | -4.34 | -25.18 | -22.2 | 11 |
| 4 | Nigra sum (After G. Palestrina) | -7.98 | -24.69 | -23.4 | 10 |
| 5 | Spiritus sanctus (After H. Bingen's D 157r) | -0.30 | -19.34 | -15.4 | 11 |
| 6 | No. 2, Te laudant omnes (Arr. J. Steenbrink & Bastarda for Chamber Ensemble) | -6.75 | -26.10 | -22.7 | 11 |
| 7 | Media vita (Arr. J. Steenbrink for Chamber Ensemble) | -3.43 | -27.32 | -24.3 | 12 |
| 8 | No. 19, Er küsse mich (Arr. J. Steenbrink for Chamber Ensemble) | -4.49 | -26.68 | -23.2 | 13 |
| 9 | Minne | -8.68 | -28.26 | -25.1 | 11 |