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Debussy: Piano Works, Vol. 3

Jacopo Salvatori

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1.1
Rêverie, L. 68
Claude Debussy; Jacopo Salvatori
5:24
1.2
Danse bohémienne, L. 9
Claude Debussy; Jacopo Salvatori
2:15
1.3
Ballade, L. 70
Claude Debussy; Jacopo Salvatori
7:05
1.4
Berceuse héroïque, L. 132
Claude Debussy; Jacopo Salvatori
4:44
1.5
Mazurka, L. 67
Claude Debussy; Jacopo Salvatori
3:32
1.6
Danse, L. 69 "Tarantelle styrienne"
Claude Debussy; Jacopo Salvatori
5:34
1.7
D'un cahier d'esquisses, L. 99
Claude Debussy; Jacopo Salvatori
5:05
1.8
Pièce pour le vêtement du blessé, L. 133
Claude Debussy; Jacopo Salvatori
1:23
2 Arabesques, L. 66  
1.9
No. 1 in E Major
Claude Debussy; Jacopo Salvatori
4:05
1.10
No. 2 in G Major
Claude Debussy; Jacopo Salvatori
3:51
1.11
Le petit nègre, L. 114
Claude Debussy; Jacopo Salvatori
1:38
1.12
Valse romantique, L. 71
Claude Debussy; Jacopo Salvatori
3:41
1.13
Nocturne, L. 82
Claude Debussy; Jacopo Salvatori
6:35
1.14
Élégie, L. 138
Claude Debussy; Jacopo Salvatori
2:11
1.15
Pour le piano, L. 95
Claude Debussy; Jacopo Salvatori
1:05
1.16
Hommage à Haydn, L. 115
Claude Debussy; Jacopo Salvatori
2:29
Images oubliées, L. 87  
1.17
I. Lent (melancolique et doux)
Claude Debussy; Jacopo Salvatori
4:16
1.18
II. Dans le mouvement d'une Sarabande
Claude Debussy; Jacopo Salvatori
4:34
1.19
III. Quelques aspects de nous n'irons plus au bois
Claude Debussy; Jacopo Salvatori
4:46
Total Playing Time    74:13
Italian pianist Jacopo Salvatori continues his Debussy series with this third volume, featuring a number of short pieces, most of which were written by the composer during the first years of his career. Debussy’s way of writing for piano at this early stage is less articulated yet it contains a certain degree of complexity in his inner structures, a clear indication how he had already taken his own path. The choice of subjects and the manner in which he presents his ideas also show a stronger connection with the traditional repertoire: the most interesting example here is the suite Images oubliées, literally a first version of Pour le piano, where his preliminary sketches would later appear in his most important works.
88.2 kHz / 24-bit PCM – OnClassical Studio Masters

Recorded at Saletta acustica 'Eric James', Pove del Grappa, 2016
Sound engineer: Alessandro Simonetto
Photo/paint on cover: Sara Gianguzza
Artwork © OnClassical

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