℗ 2022 Signum Records
| Released | June 3, 2022 |
| Duration | 2h 22m 12s |
| Record Label | Signum Records |
| Catalogue No. | SIGCD713 |
| Genre | Classical (Opera) |
Handel: Caio Fabbricio
London Early Opera, Bridget Cunningham
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sinfonia Concerto No. 2 in D Major, Op. 4
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1.1
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Allegro assai – Allegretto – Allegro assai
GeorgeFrideric Handel; London Early Opera; Bridget Cunningham |
5:27 | |||
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Caio Fabbricio, HWV A9, Act I
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1.2
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"Popolo tarentino, qual’è cotesta"
GeorgeFrideric Handel; Fleur Barron; Helen Charlston; London Early Opera; Bridget Cunningham |
0:38 | |||
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1.3
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"In così lieto giorno" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Helen Charlston; London Early Opera; Bridget Cunningham |
4:00 | |||
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1.4
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"Quanto profondo il lusso, e quanto salde"
GeorgeFrideric Handel; Fleur Barron; Helen Charlston; Jess Dandy; Morgan Pearse; London Early Opera; Bridget Cunningham |
2:50 | |||
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1.5
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"Fissa ne’ sguardi miei" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Fleur Barron; London Early Opera; Bridget Cunningham |
4:27 | |||
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1.6
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"Figlia, Volusio"
GeorgeFrideric Handel; Morgan Pearse; Miriam Allan; Helen Charlston; Hannah Poulsom; London Early Opera; Bridget Cunningham |
2:44 | |||
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1.7
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"Il trono, il regno" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Miriam Allan; London Early Opera; Bridget Cunningham |
3:57 | |||
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1.8
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"Tutte ella dunque … Vezzi, lusinghe e sguardi" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Hannah Poulsom; Helen Charlston; London Early Opera; Bridget Cunningham |
3:31 | |||
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1.9
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"Io vivo ancora, o Dèi Quirini, e vivo"
GeorgeFrideric Handel; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
0:56 | |||
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1.10
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"Per amor se il cor sospira" (after Leonardo Vinci)
GeorgeFrideric Handel; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
5:55 | |||
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1.11
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"Vien’ Pirro, e seco il padre"
GeorgeFrideric Handel; Anna Gorbachyova-Ogilviel; Fleur Barron; Morgan Pearse; London Early Opera; Bridget Cunningham |
0:53 | |||
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1.12
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"Quando verrà quel giorno" (after Antonio Pollarolo)
GeorgeFrideric Handel; Fleur Barron; London Early Opera; Bridget Cunningham |
6:20 | |||
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1.13
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"Pirro amante di Sestia!"
GeorgeFrideric Handel; Morgan Pearse; Miriam Allan; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
2:12 | |||
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1.14
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"Caro sposo, amato oggetto" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Miriam Allan; London Early Opera; Bridget Cunningham |
8:46 | |||
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Caio Fabbricio, HWV A9, Act II
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1.15
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"Io Bircenna, io di Glaucia"
GeorgeFrideric Handel; Hannah Poulsom; Fleur Barron; Morgan Pearse; London Early Opera; Bridget Cunningham |
1:24 | |||
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1.16
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"Amore a lei giurasti" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Hannah Poulsom; London Early Opera; Bridget Cunningham |
4:00 | |||
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1.17
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"Inopportuno incontro! ... Non ha più pace l’amor geloso" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Fleur Barron; Morgan Pearse; London Early Opera; Bridget Cunningham |
8:12 | |||
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1.18
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"Numidico lione, ircana tigre … Giovani cori amanti" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Jess Dandy; London Early Opera; Bridget Cunningham |
4:50 | |||
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1.19
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"Caro Volusio, o tu dei voti miei"
GeorgeFrideric Handel; Miriam Allan; Helen Charlston; Morgan Pearse; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
0:28 | |||
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2.1
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"Al legato roman Turio"
GeorgeFrideric Handel; Helen Charlston; Morgan Pearse; Miriam Allan; London Early Opera; Bridget Cunningham |
1:34 | |||
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2.2
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"Tanto, Volusio, temi l’aspetto mio?"
GeorgeFrideric Handel; Miriam Allan; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
1:27 | |||
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2.3
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"Troppo fiere, disdegnose" (after Francesco Corselli)
GeorgeFrideric Handel; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
4:40 | |||
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2.4
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"Che Volusio sia estinto"
GeorgeFrideric Handel; Fleur Barron; Miriam Allan; Anna Gorbachyova-Ogilvie; Helen Charlston; Hannah Poulsom; London Early Opera; Bridget Cunningham |
2:49 | |||
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2.5
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"Al foco del mio amore" (after Tomaso Albinoni)
GeorgeFrideric Handel; Fleur Barron; London Early Opera; Bridget Cunningham |
5:06 | |||
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2.6
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"Se in vani contrasti anco indugiate"
GeorgeFrideric Handel; Helen Charlston; Anna Gorbachyova-Ogilvie; Miriam Allan; London Early Opera; Bridget Cunningham |
1:06 | |||
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2.7
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"Non mi chiamar crudele " (after Johann Adolf Hasse)
GeorgeFrideric Handel; Miriam Allan; London Early Opera; Bridget Cunningham |
4:17 | |||
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2.8
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"Torna la speme in seno … Nocchier che teme assorto" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
6:16 | |||
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Caio Fabbricio, HWV A9, Act III
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2.9
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"Quanto ti deggio!"
GeorgeFrideric Handel; Hannah Poulsom; Helen Charlston; London Early Opera; Bridget Cunningham |
0:45 | |||
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2.10
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"È grande e bella quella mercede" (after Giuseppe Sellito)
GeorgeFrideric Handel; Helen Charlston; London Early Opera; Bridget Cunningham |
5:02 | |||
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2.11
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"Principessa, nel tuo giusto dolor veggo il mio torto"
GeorgeFrideric Handel; Fleur Barron; Hannah Poulsom; London Early Opera; Bridget Cunningham |
0:46 | |||
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2.12
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"Volgi a me gl’affetti tuoi" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Hannah Poulsom; London Early Opera; Bridget Cunningham |
4:14 | |||
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2.13
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"Sestia manca a la fede"
GeorgeFrideric Handel; Fleur Barron; Morgan Pearse; London Early Opera; Bridget Cunningham |
0:37 | |||
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2.14
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"Quella è mia figlia e’l mio" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Morgan Pearse; London Early Opera; Bridget Cunningham |
3:00 | |||
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2.15
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"Poiché lunge è’l mio bene, nulla si tema"
GeorgeFrideric Handel; Miriam Allan; Fleur Barron; Jess Dandy; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
1:52 | |||
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2.16
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"Vedrai morir costante" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Fleur Barron; London Early Opera; Bridget Cunningham |
5:15 | |||
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2.17
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"Giovane incauto"
GeorgeFrideric Handel; Morgan Pearse; Miriam Allan; Fleur Barron; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
1:56 | |||
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2.18
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"Volusio avverti che il giudice di Pirro in me ti ascolta"
GeorgeFrideric Handel; Morgan Pearse; Miriam Allan; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
0:54 | |||
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2.19
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"Lo sposo va a morte" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Miriam Allan; London Early Opera; Bridget Cunningham |
3:56 | |||
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2.20
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"Qualche a l’amor, qualche fiacchezza al sesso … Varcherò le flebil onde" (after Johann Adolf Hasse)
GeorgeFrideric Handel; Morgan Pearse; Anna Gorbachyova-Ogilvie; London Early Opera; Bridget Cunningham |
5:37 | |||
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2.21
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"Nel da me condannato Volusio"
GeorgeFrideric Handel; Morgan Pearse; Fleur Barron; Helen Charlston; Miriam Allan; Anna Gorbachyova-Ogilvie; Hannah Poulsom; London Early Opera; Bridget Cunningham |
1:50 | |||
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2.22
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"Teco morir vo’ anch’io"
GeorgeFrideric Handel; Miriam Allan; Anna Gorbachyova; Fleur Barron; Hannah Poulsom; London Early Opera; Bridget Cunningham |
1:43 | |||
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2.23
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"Vorrei da lacci sciogliere" (after Leonardo Leo)
GeorgeFrideric Handel; Fleur Barron; London Early Opera; Bridget Cunningham |
5:13 | |||
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2.24
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"Con la Pace, le Grazie e il Piacere" (after Francesco Ciampi)
GeorgeFrideric Handel; Morgan Pearse; Fleur Barron; Helen Charlston; Miriam Allan; Anna Gorbachyova-Ogilvie; Hannah Poulsom; Jess Dandy; London Early Opera; Bridget Cunningham |
0:47 | |||
The conductor and harpsichordist, Bridget Cunningham brings back to life Handel’s pasticcio opera, Caio Fabbricio first performed in London in 1733 and based on an earlier opera by Johann Adolf Hasse (1732) Caio Fabbricio is London Early Opera’s eighth album in the prestigious Handel Series with Signum Records and is a pasticcio opera, a brilliant and well-considered collection of some of the finest 18th century Neapolitan arias by different composers, including Leonardo Vinci and Leonardo Leo, selected and arranged by Handel who composed his own dramatic recitatives.
London Early Opera (LEO) is a vibrant, baroque group of instrumentalists, singers, music teachers, researchers, historians and musicologists on a voyage of rediscovery making glorious baroque music and opera relevant today. As Artistic Director of London Early Opera, Bridget Cunningham is a leading exponent of baroque music and continues to create these outstanding recordings with Signum Records exploring Handel’s colourful life, influences and experiences which inspired his magnificent musical legacy.
96 kHz / 24-bit PCM – Signum Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.30 -9.99 to -0.33 | -27.33 -32.43 to -22.42 | -23.29 -28.10 to -18.20 | 15 12 to 17 | |
| 1.1 | Allegro assai – Allegretto – Allegro assai | -9.99 | -29.47 | -26.6 | 13 |
| 1.2 | "Popolo tarentino, qual’è cotesta" | -8.26 | -31.82 | -28.1 | 12 |
| 1.3 | "In così lieto giorno" (after Johann Adolf Hasse) | -1.61 | -27.79 | -24.1 | 17 |
| 1.4 | "Quanto profondo il lusso, e quanto salde" | -5.60 | -30.32 | -26.3 | 15 |
| 1.5 | "Fissa ne’ sguardi miei" (after Johann Adolf Hasse) | -6.23 | -28.65 | -25.6 | 15 |
| 1.6 | "Figlia, Volusio" | -2.20 | -30.32 | -25.9 | 14 |
| 1.7 | "Il trono, il regno" (after Johann Adolf Hasse) | -2.25 | -25.34 | -21.5 | 15 |
| 1.8 | "Tutte ella dunque … Vezzi, lusinghe e sguardi" (after Johann Adolf Hasse) | -0.43 | -24.37 | -20.1 | 15 |
| 1.9 | "Io vivo ancora, o Dèi Quirini, e vivo" | -4.04 | -27.17 | -23.1 | 15 |
| 1.10 | "Per amor se il cor sospira" (after Leonardo Vinci) | -0.43 | -23.85 | -19.6 | 16 |
| 1.11 | "Vien’ Pirro, e seco il padre" | -6.68 | -30.84 | -26.8 | 15 |
| 1.12 | "Quando verrà quel giorno" (after Antonio Pollarolo) | -5.56 | -27.95 | -24.6 | 14 |
| 1.13 | "Pirro amante di Sestia!" | -3.50 | -29.59 | -24.4 | 15 |
| 1.14 | "Caro sposo, amato oggetto" (after Johann Adolf Hasse) | -0.33 | -24.00 | -19.8 | 16 |
| 1.15 | "Io Bircenna, io di Glaucia" | -2.18 | -27.93 | -24.2 | 15 |
| 1.16 | "Amore a lei giurasti" (after Johann Adolf Hasse) | -0.43 | -23.78 | -19.9 | 15 |
| 1.17 | "Inopportuno incontro! ... Non ha più pace l’amor geloso" (after Johann Adolf Hasse) | -0.43 | -25.59 | -22.2 | 15 |
| 1.18 | "Numidico lione, ircana tigre … Giovani cori amanti" (after Johann Adolf Hasse) | -3.27 | -26.32 | -22.3 | 15 |
| 1.19 | "Caro Volusio, o tu dei voti miei" | -6.31 | -28.17 | -22.1 | 12 |
| 2.1 | "Al legato roman Turio" | -6.38 | -30.93 | -26.1 | 15 |
| 2.2 | "Tanto, Volusio, temi l’aspetto mio?" | -2.84 | -27.48 | -23.2 | 15 |
| 2.3 | "Troppo fiere, disdegnose" (after Francesco Corselli) | -0.33 | -22.42 | -18.5 | 15 |
| 2.4 | "Che Volusio sia estinto" | -0.33 | -27.19 | -23.0 | 17 |
| 2.5 | "Al foco del mio amore" (after Tomaso Albinoni) | -8.64 | -28.92 | -25.7 | 14 |
| 2.6 | "Se in vani contrasti anco indugiate" | -6.01 | -31.05 | -27.0 | 14 |
| 2.7 | "Non mi chiamar crudele " (after Johann Adolf Hasse) | -1.88 | -23.17 | -19.2 | 14 |
| 2.8 | "Torna la speme in seno … Nocchier che teme assorto" (after Johann Adolf Hasse) | -0.43 | -23.66 | -20.0 | 15 |
| 2.9 | "Quanto ti deggio!" | -4.90 | -29.12 | -25.4 | 15 |
| 2.10 | "È grande e bella quella mercede" (after Giuseppe Sellito) | -2.62 | -28.47 | -24.4 | 15 |
| 2.11 | "Principessa, nel tuo giusto dolor veggo il mio torto" | -2.36 | -28.22 | -24.0 | 15 |
| 2.12 | "Volgi a me gl’affetti tuoi" (after Johann Adolf Hasse) | -0.43 | -23.64 | -20.4 | 15 |
| 2.13 | "Sestia manca a la fede" | -1.90 | -28.64 | -24.1 | 15 |
| 2.14 | "Quella è mia figlia e’l mio" (after Johann Adolf Hasse) | -4.72 | -27.17 | -22.5 | 16 |
| 2.15 | "Poiché lunge è’l mio bene, nulla si tema" | -4.58 | -30.48 | -26.6 | 16 |
| 2.16 | "Vedrai morir costante" (after Johann Adolf Hasse) | -0.43 | -24.52 | -20.7 | 14 |
| 2.17 | "Giovane incauto" | -2.51 | -30.10 | -25.9 | 16 |
| 2.18 | "Volusio avverti che il giudice di Pirro in me ti ascolta" | -7.84 | -32.43 | -28.0 | 14 |
| 2.19 | "Lo sposo va a morte" (after Johann Adolf Hasse) | -0.54 | -24.32 | -20.0 | 15 |
| 2.20 | "Qualche a l’amor, qualche fiacchezza al sesso … Varcherò le flebil onde" (after Johann Adolf Hasse) | -0.43 | -23.23 | -18.9 | 15 |
| 2.21 | "Nel da me condannato Volusio" | -1.73 | -28.46 | -24.1 | 15 |
| 2.22 | "Teco morir vo’ anch’io" | -6.26 | -30.78 | -27.3 | 14 |
| 2.23 | "Vorrei da lacci sciogliere" (after Leonardo Leo) | -1.72 | -24.75 | -21.2 | 15 |
| 2.24 | "Con la Pace, le Grazie e il Piacere" (after Francesco Ciampi) | -2.29 | -22.83 | -18.2 | 12 |