℗ 2022 Songbroker
| Released | May 20, 2022 |
| Duration | 36m 07s |
| Record Label | Songbroker |
| Catalogue No. | SB2022 |
| Genre | Soundtracks (Film Soundtracks) |
Fiona Clark: Unafraid (Original Motion Picture Soundtrack)
Frances Libeau
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Indecent Exposure
Frances Libeau |
1:09 | |||
|
1.2
|
Natasha
Frances Libeau |
2:26 | |||
|
1.3
|
Bitsy
Frances Libeau |
4:09 | |||
|
1.4
|
Taranaki Vista
Frances Libeau |
1:47 | |||
|
1.5
|
Waitara Rivermouth
Frances Libeau |
5:20 | |||
|
1.6
|
Ruby & Pearl
Frances Libeau |
2:13 | |||
|
1.7
|
Just After That Half-light
Frances Libeau |
3:32 | |||
|
1.8
|
Crash
Frances Libeau |
3:42 | |||
|
1.9
|
A Good Thing
Frances Libeau |
1:35 | |||
|
1.10
|
All Alive (extended)
Frances Libeau |
5:30 | |||
|
1.11
|
Here Tomorrow
Frances Libeau |
4:44 |
48 kHz / 24-bit PCM – Songbroker Studio Masters
Tracks 3, 7, 8, 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 3, 7, 8, 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.94 -4.70 to -2.20 | -17.71 -21.07 to -14.85 | -15.34 -18.70 to -12.50 | 9 6 to 12 | |
| 1 | Indecent Exposure | -2.70 | -18.03 | -17.5 | 10 |
| 2 | Natasha | -2.70 | -17.01 | -15.4 | 7 |
| 3 | Bitsy | -2.20 | -16.12 | -13.8 | 8 |
| 4 | Taranaki Vista | -4.00 | -17.81 | -14.5 | 8 |
| 5 | Waitara Rivermouth | -2.40 | -17.52 | -15.0 | 9 |
| 6 | Ruby & Pearl | -2.40 | -21.07 | -18.7 | 11 |
| 7 | Just After That Half-light | -2.40 | -19.98 | -16.4 | 10 |
| 8 | Crash | -4.70 | -14.85 | -12.5 | 6 |
| 9 | A Good Thing | -2.40 | -19.20 | -17.9 | 12 |
| 10 | All Alive (extended) | -2.30 | -18.18 | -14.4 | 8 |
| 11 | Here Tomorrow | -4.10 | -15.06 | -12.6 | 6 |