℗ 2022 Cedille
Released | May 13, 2022 |
Duration | 1h 13m 40s |
Record Label | Cedille |
Catalogue No. | CDR90000-210 |
Genre | Classical (Percussion) |
Perspectives
Third Coast Percussion, Flutronix
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Percussion Quartet
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1.1
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I. —
Danny Elfman; Third Coast Percussion |
5:08 | |||
1.2
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II. —
Danny Elfman; Third Coast Percussion |
6:22 | |||
1.3
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III. —
Danny Elfman; Third Coast Percussion |
4:06 | |||
1.4
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IV. —
Danny Elfman; Third Coast Percussion |
4:17 | |||
1.5
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Metamorphosis No. 1 (Arr. S. Connors, R. Dillion, P. Martin & D. Skidmore for Percussion Ensemble)
Philip Glass; Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Third Coast Percussion |
9:33 | |||
Perspective
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1.6
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I. Paradigm
Jlin; Third Coast Percussion |
5:11 | |||
1.7
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II. Obscure
Jlin; Third Coast Percussion |
4:37 | |||
1.8
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III. Derivative
Jlin; Third Coast Percussion |
4:30 | |||
1.9
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IV. Fourth Perspective
Jlin; Third Coast Percussion |
3:47 | |||
1.10
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V. Dissonance
Jlin; Third Coast Percussion |
2:47 | |||
1.11
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VI. Duality
Jlin; Third Coast Percussion |
5:53 | |||
1.12
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VII. Embryo
Jlin; Third Coast Percussion |
3:33 | |||
Rubix
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1.13
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I. Go
Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Allison Loggins-Hull; Nathalie Joachim; Third Coast Percussion; Flutronix |
3:37 | |||
1.14
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II. Play
Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Allison Loggins-Hull; Nathalie Joachim; Third Coast Percussion; Flutronix |
4:21 | |||
1.15
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III. Still
Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Allison Loggins-Hull; Nathalie Joachim; Third Coast Percussion; Flutronix |
5:58 |
Grammy Award Nomination, 2023 – Producer Of The Year, Classical
Elaine Martone
Perspectives (Third Coast Percussion) (A)
Grammy Award Nomination, 2023 – Best Chamber Music/Small Ensemble Performance
Perspectives
Third Coast Percussion
Grammy Award-winning Third Coast Percussion, whose artistry blends “creative fearlessness with reverent precision” (BBC Music Magazine), offers an album of enterprising collaborations and world-premiere recordings of works written or arranged expressly for the Chicago-based percussion quartet, representing four different approaches to composing concert music. Danny Elfman’s Percussion Quartet, structured like a four-movement symphony, shares distinctive traits heard in his Grammy-winning, Oscar-nominated films scores, as well as hints of African balofon, Indonesian gamelan, and Shostakovich. Great admirers of composer Philip Glass, Third Coast arranged Glass’s solo piano Metamorphosis No. 1 for marimba, vibraphone, glockenspiel, and melodica. Rubix emerged from Third Coast Percussion’s improvisational collaboration with virtuosic, cutting-edge flute duo Flutronix, who also perform on the recording. Critically acclaimed electronic musician and composer Jlin (Jerrilynn Patton) composed her seven-movement Perspective as electronic tracks, without music notation. Third Coast transformed this work of “beautiful complexity” into a version they could perform live as a quartet.
96 kHz / 24-bit PCM – Cedille Studio Masters
Tracks 1-4 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-4 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.32 -1.41 to -1.24 | -17.42 -20.65 to -14.58 | -14.99 -19.10 to -12.00 | 9 7 to 13 | |
1 | I. — | -1.29 | -15.77 | -13.4 | 8 |
2 | II. — | -1.29 | -20.23 | -17.6 | 12 |
3 | III. — | -1.29 | -14.58 | -12.0 | 7 |
4 | IV. — | -1.29 | -16.86 | -13.6 | 8 |
5 | Metamorphosis No. 1 (Arr. S. Connors, R. Dillion, P. Martin & D. Skidmore for Percussion Ensemble) | -1.31 | -17.51 | -13.9 | 8 |
6 | I. Paradigm | -1.29 | -16.63 | -14.7 | 10 |
7 | II. Obscure | -1.39 | -16.27 | -15.0 | 10 |
8 | III. Derivative | -1.31 | -16.85 | -14.8 | 9 |
9 | IV. Fourth Perspective | -1.39 | -20.65 | -19.1 | 13 |
10 | V. Dissonance | -1.24 | -16.64 | -14.9 | 10 |
11 | VI. Duality | -1.41 | -17.70 | -14.8 | 9 |
12 | VII. Embryo | -1.32 | -15.91 | -13.8 | 8 |
13 | I. Go | -1.31 | -18.00 | -15.3 | 9 |
14 | II. Play | -1.31 | -18.48 | -15.5 | 10 |
15 | III. Still | -1.31 | -19.21 | -16.5 | 11 |