℗ 2022 Cedille
Released May 13, 2022
Duration 1h 13m 40s
Record Label Cedille
Catalogue No. CDR90000-210
Genre Classical (Percussion)
 

Perspectives

Third Coast Percussion, Flutronix

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
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Percussion Quartet  
1.1
I. —
Danny Elfman; Third Coast Percussion
5:08
1.2
II. —
Danny Elfman; Third Coast Percussion
6:22
1.3
III. —
Danny Elfman; Third Coast Percussion
4:06
1.4
IV. —
Danny Elfman; Third Coast Percussion
4:17
1.5
Metamorphosis No. 1 (Arr. S. Connors, R. Dillion, P. Martin & D. Skidmore for Percussion Ensemble)
Philip Glass; Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Third Coast Percussion
9:33
Perspective  
1.6
I. Paradigm
Jlin; Third Coast Percussion
5:11
1.7
II. Obscure
Jlin; Third Coast Percussion
4:37
1.8
III. Derivative
Jlin; Third Coast Percussion
4:30
1.9
IV. Fourth Perspective
Jlin; Third Coast Percussion
3:47
1.10
V. Dissonance
Jlin; Third Coast Percussion
2:47
1.11
VI. Duality
Jlin; Third Coast Percussion
5:53
1.12
VII. Embryo
Jlin; Third Coast Percussion
3:33
Rubix  
1.13
I. Go
Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Allison Loggins-Hull; Nathalie Joachim; Third Coast Percussion; Flutronix
3:37
1.14
II. Play
Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Allison Loggins-Hull; Nathalie Joachim; Third Coast Percussion; Flutronix
4:21
1.15
III. Still
Sean Connors; Peter Martin; Robert Dillon; David Skidmore; Allison Loggins-Hull; Nathalie Joachim; Third Coast Percussion; Flutronix
5:58
Grammy Award Nomination, 2023 – Producer Of The Year, Classical Elaine Martone Perspectives (Third Coast Percussion) (A) Grammy Award Nomination, 2023 – Best Chamber Music/Small Ensemble Performance Perspectives Third Coast Percussion Grammy Award-winning Third Coast Percussion, whose artistry blends “creative fearlessness with reverent precision” (BBC Music Magazine), offers an album of enterprising collaborations and world-premiere recordings of works written or arranged expressly for the Chicago-based percussion quartet, representing four different approaches to composing concert music. Danny Elfman’s Percussion Quartet, structured like a four-movement symphony, shares distinctive traits heard in his Grammy-winning, Oscar-nominated films scores, as well as hints of African balofon, Indonesian gamelan, and Shostakovich. Great admirers of composer Philip Glass, Third Coast arranged Glass’s solo piano Metamorphosis No. 1 for marimba, vibraphone, glockenspiel, and melodica. Rubix emerged from Third Coast Percussion’s improvisational collaboration with virtuosic, cutting-edge flute duo Flutronix, who also perform on the recording. Critically acclaimed electronic musician and composer Jlin (Jerrilynn Patton) composed her seven-movement Perspective as electronic tracks, without music notation. Third Coast transformed this work of “beautiful complexity” into a version they could perform live as a quartet.
96 kHz / 24-bit PCM – Cedille Studio Masters

Tracks 1-4 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.32
-1.41 to -1.24
-17.42
-20.65 to -14.58
-14.99
-19.10 to -12.00
9
7 to 13
1
I. —
-1.29-15.77-13.48
2
II. —
-1.29-20.23-17.612
3
III. —
-1.29-14.58-12.07
4
IV. —
-1.29-16.86-13.68
5
Metamorphosis No. 1 (Arr. S. Connors, R. Dillion, P. Martin & D. Skidmore for Percussion Ensemble)
-1.31-17.51-13.98
6
I. Paradigm
-1.29-16.63-14.710
7
II. Obscure
-1.39-16.27-15.010
8
III. Derivative
-1.31-16.85-14.89
9
IV. Fourth Perspective
-1.39-20.65-19.113
10
V. Dissonance
-1.24-16.64-14.910
11
VI. Duality
-1.41-17.70-14.89
12
VII. Embryo
-1.32-15.91-13.88
13
I. Go
-1.31-18.00-15.39
14
II. Play
-1.31-18.48-15.510
15
III. Still
-1.31-19.21-16.511

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