℗ 2022 Toccata Classics
| Released | May 6, 2022 |
| Duration | 1h 10m 47s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0639 |
| Genre | Classical (Solo Instrumental) |
Elisabeth Lutyens: Organ Music
Philippa Boyle, Tom Winpenny, Dewi Rees
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Epithalamion, Op. 67 No. 5
Edmund Spenser; Elisabeth Lutyens; Philippa Boyle; Tom Winpenny |
7:48 | |||
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3 pièces brèves
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1.2
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No. 1, Conte
Elisabeth Lutyens; Tom Winpenny |
4:23 | |||
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1.3
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No. 2, Berceuse
Elisabeth Lutyens; Tom Winpenny |
2:47 | |||
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1.4
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No. 3, Rondes
Elisabeth Lutyens; Tom Winpenny |
2:39 | |||
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1.5
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Plenum IV, Op. 100
Elisabeth Lutyens; Dewi Rees; Tom Winpenny |
7:48 | |||
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1.6
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Nativity (Version for Soprano & Organ)
W.R. Rodgers; Elisabeth Lutyens; Philippa Boyle; Tom Winpenny |
6:22 | |||
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1.7
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Sinfonia, Op. 32
Elisabeth Lutyens; Tom Winpenny |
6:52 | |||
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Suite, Op. 17
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1.8
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I. Prelude
Elisabeth Lutyens; Tom Winpenny |
1:17 | |||
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1.9
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II. Palindrome
Elisabeth Lutyens; Tom Winpenny |
1:32 | |||
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1.10
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III. Pastorale
Elisabeth Lutyens; Tom Winpenny |
1:29 | |||
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1.11
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IV. Chorale
Elisabeth Lutyens; Tom Winpenny |
1:32 | |||
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1.12
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Music from "A Sleep of Prisoners"
Elisabeth Lutyens; Tom Winpenny |
11:16 | |||
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1.13
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Chorale Prelude
Elisabeth Lutyens; Tom Winpenny |
4:14 | |||
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1.14
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Temenos, Op. 72
Elisabeth Lutyens; Tom Winpenny |
10:48 | |||
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Digital Booklet
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The organ music of Elisabeth Lutyens (1906–83) presents a meeting of contrasts: it can at the same time be both angular and lyrical, and it spans an enormous dynamic range, from intimate delicacy to sheer, raw, hieratic power. Her reputation as one of Britain’s leading serial composers is belied, too, by the direct appeal, the range of color, and the narrative instinct of many of the pieces recorded here, most of them for the first time. Born in London in 1906 Elisabeth Lutyens influenced serialism in British music both past and present. Highly regarded by her peers, not least by Igor Stravinsky, Lutyens was and remains a respected avant-garde artist and an innovator of serialism itself.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -12.91 -25.77 to -0.71 | -34.94 -42.77 to -28.52 | -30.94 -40.40 to -22.90 | 12 9 to 18 | |
| 1 | Epithalamion, Op. 67 No. 5 | -1.71 | -28.52 | -22.9 | 17 |
| 2 | No. 1, Conte | -24.05 | -41.28 | -38.3 | 10 |
| 3 | No. 2, Berceuse | -25.77 | -42.77 | -40.4 | 10 |
| 4 | No. 3, Rondes | -16.85 | -36.42 | -32.5 | 11 |
| 5 | Plenum IV, Op. 100 | -5.09 | -31.68 | -24.1 | 15 |
| 6 | Nativity (Version for Soprano & Organ) | -0.71 | -31.35 | -26.1 | 16 |
| 7 | Sinfonia, Op. 32 | -16.53 | -39.16 | -36.0 | 13 |
| 8 | I. Prelude | -13.45 | -32.96 | -29.0 | 10 |
| 9 | II. Palindrome | -17.33 | -35.91 | -33.1 | 10 |
| 10 | III. Pastorale | -18.10 | -36.03 | -33.4 | 9 |
| 11 | IV. Chorale | -16.99 | -35.91 | -31.5 | 9 |
| 12 | Music from "A Sleep of Prisoners" | -7.46 | -33.63 | -29.5 | 15 |
| 13 | Chorale Prelude | -11.13 | -30.01 | -27.8 | 10 |
| 14 | Temenos, Op. 72 | -5.56 | -33.58 | -28.6 | 18 |