℗ 2022 Delos
Released | May 6, 2022 |
Duration | 2h 38m 47s |
Record Label | Delos |
Catalogue No. | DE3597 |
Genre | Classical (Piano) |
J.S. Bach: Partitas, BWV 825-830
Eleonor Bindman
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Partita No. 1 in B-Flat Major, BWV 825
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1.1
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I. Prelude
Johann Sebastian Bach; Eleonor Bindman |
2:27 | |||
1.2
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
3:21 | |||
1.3
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
2:56 | |||
1.4
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
5:57 | |||
1.5
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V. Menuets I & II
Johann Sebastian Bach; Eleonor Bindman |
3:32 | |||
1.6
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
2:10 | |||
Partita No. 2 in C Minor, BWV 826
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1.7
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I. Sinfonia
Johann Sebastian Bach; Eleonor Bindman |
5:01 | |||
1.8
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
5:50 | |||
1.9
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
2:30 | |||
1.10
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
3:45 | |||
1.11
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V. Rondeau
Johann Sebastian Bach; Eleonor Bindman |
1:36 | |||
1.12
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VI. Capriccio
Johann Sebastian Bach; Eleonor Bindman |
3:41 | |||
Partita No. 6 in E Minor, BWV 830
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1.13
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I. Toccata
Johann Sebastian Bach; Eleonor Bindman |
10:23 | |||
1.14
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
3:56 | |||
1.15
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
4:56 | |||
1.16
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IV. Air
Johann Sebastian Bach; Eleonor Bindman |
1:56 | |||
1.17
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V. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
6:04 | |||
1.18
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VI. Tempo di gavotta
Johann Sebastian Bach; Eleonor Bindman |
2:09 | |||
1.19
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VII. Gigue
Johann Sebastian Bach; Eleonor Bindman |
7:00 | |||
Partita No. 3 in A Minor, BWV 827
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2.1
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I. Fantasia
Johann Sebastian Bach; Eleonor Bindman |
2:32 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
3:10 | |||
2.3
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
3:17 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
5:39 | |||
2.5
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V. Burlesca
Johann Sebastian Bach; Eleonor Bindman |
2:23 | |||
2.6
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VI. Scherzo
Johann Sebastian Bach; Eleonor Bindman |
1:40 | |||
2.7
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VII. Gigue
Johann Sebastian Bach; Eleonor Bindman |
3:21 | |||
Partita No. 4 in D Major, BWV 828
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2.8
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I. Ouverture
Johann Sebastian Bach; Eleonor Bindman |
6:21 | |||
2.9
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
9:56 | |||
2.10
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
3:52 | |||
2.11
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IV. Aria
Johann Sebastian Bach; Eleonor Bindman |
2:52 | |||
2.12
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V. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
5:20 | |||
2.13
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VI. Menuet
Johann Sebastian Bach; Eleonor Bindman |
1:39 | |||
2.14
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VII. Gigue
Johann Sebastian Bach; Eleonor Bindman |
3:43 | |||
Partita No. 5 in G Major, BWV 829
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2.15
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I. Preambulum
Johann Sebastian Bach; Eleonor Bindman |
2:27 | |||
2.16
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
5:40 | |||
2.17
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
2:33 | |||
2.18
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
4:25 | |||
2.19
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V. Tempo di minuetto
Johann Sebastian Bach; Eleonor Bindman |
2:42 | |||
2.20
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VI. Passepied
Johann Sebastian Bach; Eleonor Bindman |
1:57 | |||
2.21
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VII. Gigue
Johann Sebastian Bach; Eleonor Bindman |
4:08 | |||
Digital Booklet
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The profound and delightful Partitas, Bach’s Opus 1, sparkle in Eleonor Bindman’s brilliant performance. Her unhurried tempos bring out the twists, turns and quick modulations of the dance movements and preludes of this unparalleled set of six suites — famous in Bach’s day and today for their vitality and depth. Bindman’s spirited recording enriches the listener’s experience by revealing the power and emotional nuances of the suites. One of Bach’s favorite forms, the suite, or partita, incorporates lively, stately, graceful and stirring dances introduced by an opening movement — with a different title in each suite: Praeludium, Sinfonia, Toccata, Fantasia, Ouverture and Praeambulum. The scope of these works is vast — melody, harmony and counterpoint blending in sonorous combinations that surprise, fascinate and enchant. According to Bach’s first biographer, J.N. Forkel, “Such excellent compositions for the clavier [keyboard] had never been seen and heard before. Anyone who had learnt to perform well some pieces out of them could make his fortune in the world thereby.”
96 kHz / 24-bit PCM – Delos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.83 -8.66 to -0.56 | -20.16 -26.88 to -16.45 | -17.47 -24.10 to -13.80 | 12 11 to 14 | |
1.1 | I. Prelude | -2.17 | -21.21 | -18.4 | 12 |
1.2 | II. Allemande | -1.80 | -18.73 | -16.0 | 11 |
1.3 | III. Courante | -1.73 | -19.14 | -16.5 | 12 |
1.4 | IV. Sarabande | -2.23 | -22.41 | -19.5 | 13 |
1.5 | V. Menuets I & II | -2.49 | -21.08 | -18.4 | 13 |
1.6 | VI. Gigue | -1.31 | -19.49 | -16.7 | 12 |
1.7 | I. Sinfonia | -0.76 | -19.01 | -16.0 | 12 |
1.8 | II. Allemande | -3.30 | -21.60 | -19.1 | 12 |
1.9 | III. Courante | -0.67 | -17.72 | -15.0 | 11 |
1.10 | IV. Sarabande | -8.66 | -26.88 | -24.1 | 12 |
1.11 | V. Rondeau | -2.16 | -19.08 | -16.4 | 11 |
1.12 | VI. Capriccio | -0.60 | -16.45 | -13.8 | 11 |
1.13 | I. Toccata | -0.87 | -21.31 | -18.4 | 13 |
1.14 | II. Allemande | -2.23 | -21.46 | -18.8 | 12 |
1.15 | III. Courante | -1.81 | -20.37 | -17.8 | 12 |
1.16 | IV. Air | -3.41 | -20.87 | -18.2 | 12 |
1.17 | V. Sarabande | -2.06 | -22.50 | -19.1 | 13 |
1.18 | VI. Tempo di gavotta | -0.86 | -17.83 | -15.3 | 11 |
1.19 | VII. Gigue | -0.79 | -18.93 | -16.3 | 12 |
2.1 | I. Fantasia | -3.05 | -20.44 | -17.9 | 12 |
2.2 | II. Allemande | -1.48 | -20.12 | -17.5 | 12 |
2.3 | III. Courante | -1.03 | -19.17 | -16.7 | 12 |
2.4 | IV. Sarabande | -1.92 | -23.65 | -20.6 | 14 |
2.5 | V. Burlesca | -0.81 | -18.68 | -16.1 | 12 |
2.6 | VI. Scherzo | -1.27 | -18.94 | -16.4 | 12 |
2.7 | VII. Gigue | -0.56 | -17.53 | -15.0 | 11 |
2.8 | I. Ouverture | -0.75 | -17.83 | -15.2 | 12 |
2.9 | II. Allemande | -2.31 | -22.05 | -19.4 | 13 |
2.10 | III. Courante | -0.95 | -17.98 | -15.5 | 12 |
2.11 | IV. Aria | -1.29 | -20.38 | -17.8 | 12 |
2.12 | V. Sarabande | -4.22 | -23.90 | -20.9 | 12 |
2.13 | VI. Menuet | -1.68 | -18.95 | -16.3 | 11 |
2.14 | VII. Gigue | -0.59 | -16.74 | -14.2 | 11 |
2.15 | I. Preambulum | -0.93 | -18.11 | -15.3 | 12 |
2.16 | II. Allemande | -2.96 | -21.81 | -19.3 | 12 |
2.17 | III. Courante | -2.05 | -21.18 | -18.6 | 13 |
2.18 | IV. Sarabande | -1.06 | -22.30 | -19.5 | 14 |
2.19 | V. Tempo di minuetto | -2.02 | -25.09 | -22.4 | 14 |
2.20 | VI. Passepied | -1.58 | -18.42 | -15.9 | 12 |
2.21 | VII. Gigue | -0.76 | -16.92 | -14.3 | 11 |