℗ 2022 BR-Klassik
Released | May 6, 2022 |
Duration | 1h 18m 05s |
Record Label | BR-Klassik |
Catalogue No. | 900201 |
Genre | Classical (Choral) |
Pärt, Poulenc & Stravinsky: Works for Choir & Orchestra (Live)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons, Genia Kühmeier
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Berliner Messe (Version for Choir & String Orchestra)
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1.1
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I. Kyrie (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:34 | |||
1.2
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II. Gloria (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:53 | |||
1.3
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III. Alleluiavers I (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
0:52 | |||
1.4
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IV. Alleluiavers II (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:14 | |||
1.5
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V. Veni sancte spiritus (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
5:32 | |||
1.6
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VI. Credo (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:20 | |||
1.7
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VII. Sanctus (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:47 | |||
1.8
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VIII. Agnus Dei (Live)
Arvo Pärt; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:31 | |||
Stabat Mater, FP 148
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1.9
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I. Stabat mater dolorosa (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:38 | |||
1.10
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II. Cujus animam gementem (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:06 | |||
1.11
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III. O quam tristis (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:46 | |||
1.12
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IV. Quæ mœrebat (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:18 | |||
1.13
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V. Quis est homo (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:33 | |||
1.14
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VI. Vidit suum (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:21 | |||
1.15
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VII. Eja mater (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:11 | |||
1.16
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VIII. Fac ut ardeat (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:38 | |||
1.17
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IX. Sancta mater (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:21 | |||
1.18
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X. Fac ut portem (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:41 | |||
1.19
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XI. Inflammatus et accensus (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:02 | |||
1.20
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XII. Quando corpus (Live)
Francis Poulenc; Jacopone da Todi; Genia Kühmeier; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:37 | |||
Symphony of Psalms, K052
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1.21
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I. Exaudi orationem meam (Live)
Igor Stravinsky; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:14 | |||
1.22
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II. Expectans expectavi dominum (Live)
Igor Stravinsky; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:14 | |||
1.23
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III. Alleluja (Live)
Igor Stravinsky; Bavarian Radio Chorus; Bavarian Radio Symphony Orchestra; Mariss Jansons |
12:42 | |||
Digital Booklet
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Three great choral and orchestral works of the 20th century are gathered together in outstanding interpretations on the new album from BR-KLASSIK: Arvo Pärt's "Berlin Mass" for choir and string orchestra from 1990, Francis Poulenc's "Stabat mater" for soprano, mixed choir and orchestra from 1950, and Igor Stravinsky's "Symphony of Psalms" for choir and orchestra from 1930. The soprano Genia Kühmeier, the incomparable Bavarian Radio Chorus and the Bavarian Radio Symphony Orchestra - two undisputedly world-class ensembles! - under the direction of Mariss Jansons guarantee the highest listening pleasure. The Estonian composer Arvo Pärt, famed for his magical sounds, created his "Berlin Mass" as a commission for the 90th German Catholic Convention in Berlin. It was premiered in 1990 for four mixed solo voices and organ. In 1997, Pärt reworked his Mass, written in the so-called "Tintinnabuli" style, for choir and string orchestra. Francis Poulenc wrote his "Stabat mater" in response to the unexpected death of his friend, the artist Christian Bérard. Like other sacred works written after his visit to the Black Madonna of Rocamadour, where he found his Catholic faith, this one ranks among his most important compositions. Igor Stravinsky's well-known "Symphony of Psalms", a three-movement symphonic work for choir and orchestra, was written in 1930 as a commission for the Boston Symphony Orchestra. The unusual orchestration – with strong woodwind and brass, percussion instruments, two pianos and only the bass strings (violoncellos, double basses) without violins or violas – gives the work its distinctive sound.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Tracks 21-23 – 44.1 kHz / 24-bit PCM
Tracks 21-23 – 44.1 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.98 -16.50 to -0.81 | -27.43 -37.39 to -20.33 | -23.32 -34.30 to -15.80 | 13 10 to 18 | |
1 | I. Kyrie (Live) | -2.45 | -31.43 | -26.4 | 18 |
2 | II. Gloria (Live) | -1.59 | -21.79 | -17.9 | 12 |
3 | III. Alleluiavers I (Live) | -2.89 | -24.72 | -18.4 | 11 |
4 | IV. Alleluiavers II (Live) | -12.39 | -36.32 | -32.0 | 10 |
5 | V. Veni sancte spiritus (Live) | -10.82 | -37.28 | -34.3 | 16 |
6 | VI. Credo (Live) | -0.95 | -21.08 | -17.7 | 12 |
7 | VII. Sanctus (Live) | -15.29 | -35.07 | -32.3 | 11 |
8 | VIII. Agnus Dei (Live) | -16.50 | -37.39 | -33.9 | 12 |
9 | I. Stabat mater dolorosa (Live) | -5.92 | -28.20 | -25.1 | 13 |
10 | II. Cujus animam gementem (Live) | -2.31 | -22.18 | -17.8 | 12 |
11 | III. O quam tristis (Live) | -5.00 | -30.38 | -24.9 | 13 |
12 | IV. Quæ mœrebat (Live) | -7.52 | -27.85 | -24.9 | 11 |
13 | V. Quis est homo (Live) | -0.81 | -20.33 | -16.4 | 13 |
14 | VI. Vidit suum (Live) | -7.50 | -29.54 | -26.1 | 13 |
15 | VII. Eja mater (Live) | -1.43 | -23.34 | -20.2 | 12 |
16 | VIII. Fac ut ardeat (Live) | -9.54 | -32.43 | -28.2 | 13 |
17 | IX. Sancta mater (Live) | -1.59 | -25.15 | -20.7 | 14 |
18 | X. Fac ut portem (Live) | -3.32 | -27.34 | -23.2 | 13 |
19 | XI. Inflammatus et accensus (Live) | -0.81 | -20.84 | -15.8 | 12 |
20 | XII. Quando corpus (Live) | -0.81 | -25.54 | -20.3 | 14 |
21 | I. Exaudi orationem meam (Live) | -1.40 | -21.45 | -17.6 | 12 |
22 | II. Expectans expectavi dominum (Live) | -1.59 | -25.02 | -20.0 | 14 |
23 | III. Alleluja (Live) | -2.00 | -26.35 | -22.2 | 15 |