℗ 2022 Tactus
| Released | May 6, 2022 |
| Duration | 1h 34m 13s |
| Record Label | Tactus |
| Catalogue No. | TC720790 |
| Genre | Classical (Chamber) |
Gervasio: 6 Duets for 2 Mandolins, Op. 5, Gimo ?
De bon parole, Marco Giacintucci, Francesco Marranzino, Luca Dragani
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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6 Duets for 2 Mandolins, Op. 5, Gimo ?
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1.1
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No. 1, Allegretto gustoso
Giovanni Battista Gervasio; De bon parole; Marco Giacintucci; Francesco Marranzino |
16:37 | |||
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1.2
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No. 2, Andantino
Giovanni Battista Gervasio; De bon parole; Marco Giacintucci; Francesco Marranzino |
16:12 | |||
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1.3
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No. 3, Andantino
Giovanni Battista Gervasio; De bon parole; Marco Giacintucci; Francesco Marranzino |
24:49 | |||
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2.1
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No. 4, Andante
Giovanni Battista Gervasio; De bon parole; Marco Giacintucci; Luca Dragani |
15:34 | |||
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2.2
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No. 5, Allegretto
Giovanni Battista Gervasio; De bon parole; Marco Giacintucci; Luca Dragani |
13:15 | |||
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2.3
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No. 6, Allegro
Giovanni Battista Gervasio; De bon parole; Marco Giacintucci; Luca Dragani |
7:46 | |||
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Digital Booklet
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Giovanni Battista Gervasio was a significant personality in the musical scene of ‘stile galante’ of the second half of 18th century; composer, virtuoso and teacher, he studied and improved the four-courses mandolin, which was first built in Naples in that period. Thanks to him this instrument became popular and technically refined as it is nowadays. The mandolinist Marco Giacintucci, after the production of the sonatas for solo mandolin (Tactus TC720702), faces the repertoire dedicated to the six duets for two mandolins published in Amsterdam in 1786, in this world premiere recording. The instruments used for this work are of careful philological conception: an original Neapolitan mandolin by Vincentius Vinaccia 1764 and a copy of the time.
44.1 kHz / 24-bit PCM – Tactus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.75 to -0.08 | -25.35 -26.14 to -24.09 | -21.23 -22.20 to -19.70 | 17 16 to 18 | |
| 1.1 | No. 1, Allegretto gustoso | -0.44 | -25.92 | -21.7 | 17 |
| 1.2 | No. 2, Andantino | -0.75 | -26.01 | -22.0 | 16 |
| 1.3 | No. 3, Andantino | -0.20 | -26.14 | -22.2 | 18 |
| 2.1 | No. 4, Andante | -0.23 | -24.09 | -19.7 | 16 |
| 2.2 | No. 5, Allegretto | -0.08 | -24.98 | -20.9 | 17 |
| 2.3 | No. 6, Allegro | -0.08 | -24.98 | -20.9 | 17 |