℗ 2017 BR-Klassik
Released | February 3, 2017 |
Duration | 2h 58m 21s |
Record Label | BR-Klassik |
Genre | Classical |
Bach: Mass in B Minor (With an Introduction to the Work)
Christina Landshamer, Anke Vondung, Kenneth Tarver, Andreas Wolf, Chor des Bayerischen Rundfunks, Concerto Köln, Peter Dijkstra
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Mass in B Minor, BWV 232
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1.1
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Kyrie eleison (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
9:02 | |||
1.2
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Christe eleison (Soprano 1 and 2)
Christina Landshamer; Anke Vondung; Concerto Köln; Peter Dijkstra |
4:34 | |||
1.3
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Kyrie eleison (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
3:19 | |||
1.4
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Gloria in excelsis Deo (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
1:37 | |||
1.5
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Et in terra pax (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
4:15 | |||
1.6
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Laudamus te (Soprano 2)
Anke Vondung; Concerto Köln; Peter Dijkstra |
3:55 | |||
1.7
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Gratias agimus tibi (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:31 | |||
1.8
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Domine Deus (Soprano 1, Tenor)
Christina Landshamer; Kenneth Tarver; Concerto Köln; Peter Dijkstra |
5:03 | |||
1.9
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Qui tollis peccata mundi (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:39 | |||
1.10
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Qui sedes ad dextram Patris (Alto)
Anke Vondung; Concerto Köln; Peter Dijkstra |
4:14 | |||
1.11
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Quoniam tu solus Sanctus (Bass)
Andreas Wolf; Concerto Köln; Peter Dijkstra |
4:26 | |||
1.12
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Cum Sancto Spiritu (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
3:59 | |||
2.1
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Credo in unum Deum (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:02 | |||
2.2
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Patrem omnipotentem (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
1:55 | |||
2.3
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Et in unum Dominum (Soprano 1, Alto)
Christina Landshamer; Anke Vondung; Concerto Köln; Peter Dijkstra |
4:13 | |||
2.4
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Et incarnatus est (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:55 | |||
2.5
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Crucifixus (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:43 | |||
2.6
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Et resurrexit (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
4:11 | |||
2.7
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Et in Spiritum Sanctum Dominum (Bass)
Andreas Wolf; Concerto Köln; Peter Dijkstra |
4:54 | |||
2.8
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Confiteor unum baptisma (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:46 | |||
2.9
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Et expecto resurrectionem mortuorum (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
1:40 | |||
2.10
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Et expecto resurrectionem mortuorum: Vivace e allegro (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:10 | |||
2.11
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Sanctus (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:50 | |||
2.12
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Pleni sunt coeli (Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:07 | |||
2.13
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Osanna (Double Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:40 | |||
2.14
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Benedictus (Tenor)
Kenneth Tarver; Concerto Köln; Peter Dijkstra |
3:26 | |||
2.15
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Osanna da capo (Double Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
2:41 | |||
2.16
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Agnus Dei (Alto)
Anke Vondung; Concerto Köln; Peter Dijkstra |
5:20 | |||
2.17
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Dona nobis pacem (Double Chorus)
Chor des Bayerischen Rundfunks; Concerto Köln; Peter Dijkstra |
3:04 | |||
Ein Werk als Lebensbilanz
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3.1
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Et incarnatus
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:55 | |||
3.2
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Das Vermächtniswerk
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
4:04 | |||
3.3
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Aus alt mach neu
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
2:56 | |||
3.4
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"Weinen, Klagen, Sorgen, Zagen“
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:03 | |||
3.5
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"Geplärr und Geleyer“
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
6:30 | |||
Karriereschub und Glaubensbekenntnis
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3.6
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Der erste Umschlag
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
4:12 | |||
3.7
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"Compositeur bey der Königlichen HoffCapelle“
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:02 | |||
3.8
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Das "Neu’ Leipziger Gesangbuch“
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
3:23 | |||
3.9
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Glaubensbekenntnis und Klangreise
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:25 | |||
3.10
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Stile und Affekte
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
3:41 | |||
3.11
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Komponierte Theologie
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:40 | |||
Herrschaft und Verherrlichung
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3.12
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Göttliche Allmacht und weltliche Macht
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:18 | |||
3.13
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Ratswahlkantate
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:25 | |||
3.14
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Die "himmelaufjauchzende Tonart“
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
6:15 | |||
3.15
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Letzte Dinge
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
2:54 | |||
3.16
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Das Erbstück
Christian Baumann; Gert Heidenreich; Hans Jürgen Stockerl |
5:27 | |||
Digital Booklet
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“This is a classy, large-scale Bach, a live recording with real depth and passion. The choral singing and orchestral playing both possess tremendous heft and shape – the Gloria, in particular, is a thrilling experience – while the soloists are uniformly excellent. One for the library.”
- BBC Music Magazine
“Dijkstra’s compelling live performance, full of insights and detail, can take its place alongside the finest recordings… he conducts an achingly beautiful live performance of the Mass B minor conveying a considerable depth of sacred expression, making this a highly desirable addition to a collection.”
- MusicWeb International
Soloists Christina Landshamer, Anke Vondung, Kenneth Tarver, and Andreas Wolf shine in this live performance of J.S. Bach’s Mass in B Minor, conducted by Peter Dijkstra with the Chor des Bayerischen Rundfunks and Concerto Köln, recorded at the renowned Herkulessaal concert hall in Munich. The orchestral accompaniment on period instruments adds an engaging transparency to the mass, complementing the assured sound of the choir and soloists. The musical recordings are supplemented by a German-language introduction to the work.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.78 -10.23 to -0.65 | -24.36 -31.69 to -18.20 | -21.20 -28.80 to -15.00 | 14 10 to 19 | |
1.1 | Kyrie eleison (Chorus) | -0.65 | -23.10 | -20.3 | 15 |
1.2 | Christe eleison (Soprano 1 and 2) | -3.81 | -27.60 | -24.7 | 15 |
1.3 | Kyrie eleison (Chorus) | -2.44 | -22.58 | -19.8 | 13 |
1.4 | Gloria in excelsis Deo (Chorus) | -0.80 | -20.56 | -17.7 | 13 |
1.5 | Et in terra pax (Chorus) | -0.90 | -22.18 | -19.1 | 13 |
1.6 | Laudamus te (Soprano 2) | -5.24 | -28.63 | -25.8 | 13 |
1.7 | Gratias agimus tibi (Chorus) | -0.65 | -18.42 | -15.4 | 11 |
1.8 | Domine Deus (Soprano 1, Tenor) | -6.16 | -29.14 | -26.1 | 14 |
1.9 | Qui tollis peccata mundi (Chorus) | -8.42 | -26.84 | -24.1 | 12 |
1.10 | Qui sedes ad dextram Patris (Alto) | -8.29 | -29.60 | -26.5 | 14 |
1.11 | Quoniam tu solus Sanctus (Bass) | -5.47 | -25.84 | -23.3 | 13 |
1.12 | Cum Sancto Spiritu (Chorus) | -0.65 | -20.36 | -17.2 | 12 |
2.1 | Credo in unum Deum (Chorus) | -2.63 | -20.90 | -18.0 | 12 |
2.2 | Patrem omnipotentem (Chorus) | -0.65 | -20.03 | -17.1 | 12 |
2.3 | Et in unum Dominum (Soprano 1, Alto) | -5.16 | -27.58 | -24.7 | 15 |
2.4 | Et incarnatus est (Chorus) | -6.32 | -27.58 | -24.8 | 11 |
2.5 | Crucifixus (Chorus) | -5.53 | -27.08 | -24.2 | 11 |
2.6 | Et resurrexit (Chorus) | -1.05 | -22.74 | -19.5 | 14 |
2.7 | Et in Spiritum Sanctum Dominum (Bass) | -8.66 | -29.59 | -26.2 | 14 |
2.8 | Confiteor unum baptisma (Chorus) | -2.63 | -23.97 | -21.2 | 13 |
2.9 | Et expecto resurrectionem mortuorum (Chorus) | -10.23 | -28.88 | -26.3 | 11 |
2.10 | Et expecto resurrectionem mortuorum: Vivace e allegro (Chorus) | -0.65 | -18.76 | -15.6 | 11 |
2.11 | Sanctus (Chorus) | -0.65 | -19.03 | -16.0 | 12 |
2.12 | Pleni sunt coeli (Chorus) | -1.71 | -20.73 | -17.8 | 12 |
2.13 | Osanna (Double Chorus) | -0.66 | -21.24 | -18.2 | 13 |
2.14 | Benedictus (Tenor) | -6.71 | -30.25 | -27.1 | 16 |
2.15 | Osanna da capo (Double Chorus) | -0.65 | -21.09 | -18.0 | 13 |
2.16 | Agnus Dei (Alto) | -7.45 | -31.69 | -28.8 | 14 |
2.17 | Dona nobis pacem (Double Chorus) | -0.65 | -18.20 | -15.0 | 10 |
3.1 | Et incarnatus | -1.65 | -25.64 | -22.2 | 19 |
3.2 | Das Vermächtniswerk | -0.65 | -22.14 | -18.4 | 13 |
3.3 | Aus alt mach neu | -0.90 | -22.72 | -19.3 | 13 |
3.4 | "Weinen, Klagen, Sorgen, Zagen“ | -2.17 | -25.54 | -22.1 | 16 |
3.5 | "Geplärr und Geleyer“ | -1.51 | -27.21 | -23.6 | 18 |
3.6 | Der erste Umschlag | -1.63 | -24.50 | -20.9 | 16 |
3.7 | "Compositeur bey der Königlichen HoffCapelle“ | -1.54 | -23.23 | -19.7 | 15 |
3.8 | Das "Neu’ Leipziger Gesangbuch“ | -1.59 | -25.10 | -21.6 | 17 |
3.9 | Glaubensbekenntnis und Klangreise | -1.73 | -23.63 | -20.2 | 13 |
3.10 | Stile und Affekte | -1.47 | -24.86 | -21.5 | 17 |
3.11 | Komponierte Theologie | -0.65 | -25.46 | -22.1 | 17 |
3.12 | Göttliche Allmacht und weltliche Macht | -0.68 | -22.83 | -19.3 | 15 |
3.13 | Ratswahlkantate | -0.65 | -23.40 | -19.7 | 14 |
3.14 | Die "himmelaufjauchzende Tonart“ | -0.66 | -23.58 | -20.1 | 15 |
3.15 | Letzte Dinge | -1.56 | -28.11 | -24.5 | 18 |
3.16 | Das Erbstück | -0.65 | -24.07 | -20.5 | 16 |