℗ 2022 PENTATONE
Released May 27, 2022
Duration 2h 14m 51s
Record Label PENTATONE
Catalogue No. PTC5186956
Genre Classical (Opera)
 

Verdi: La traviata

Lisette Oropesa, René Barbera, Lester Lynch, Dresdner Philharmonie, Sachsischer Staatsopernchor Dresden, Daniel Oren

Available in 192 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
  • Select Format
    • AIFF 192 kHz | 24-bit
    • DSF 2.8224 MHz
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price
 
La traviata, Act I  
1.1
Preludio
Giuseppe Verdi; Daniel Oren; Dresdner Philharmonie
3:49
La traviata, Act I Scene 1  
1.2
Dell'invito trascorsa è già l'ora
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; René Barbera; Ilseyar Khayrullova; Francesco Pittari; Biagio Pizzuti; Allen Boxer; Alexander Köpeczy; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
4:40
1.3
La traviata, Act I Scene 2 Libiamo ne' lieti calici
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; René Barbera; Ilseyar Khayrullova; Francesco Pittari; Biagio Pizzuti; Allen Boxer; Alexander Köpeczy; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
3:00
La traviata, Act I Scene 2  
1.4
Che è ciò
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; René Barbera; Ilseyar Khayrullova; Francesco Pittari; Biagio Pizzuti; Allen Boxer; Alexander Köpeczy; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
7:21
La traviata, Act I Scene 4  
1.5
Si ridesta in ciel l’aurora
Giuseppe Verdi; Francesco Maria Piave; Ilseyar Khayrullova; Francesco Pittari; Biagio Pizzuti; Allen Boxer; Alexander Köpeczy; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
1:45
La traviata, Act I Scene 5  
1.6
È strano
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; René Barbera; Daniel Oren; Dresdner Philharmonie
11:35
La traviata, Act II Scene 1  
1.7
Lunge da lei
Giuseppe Verdi; Francesco Maria Piave; René Barbera; Menna Cazel; Daniel Oren; Dresdner Philharmonie
7:27
La traviata, Act II Scene 4  
1.8
Alfredo?
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Lester Lynch; Menna Cazel; Tobias Schrader; Daniel Oren; Dresdner Philharmonie
21:32
La traviata, Act II Scene 6  
1.9
Dammi tu forza
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Menna Cazel; René Barbera; Daniel Oren; Dresdner Philharmonie
4:36
La traviata, Act II Scene 7  
2.1
Ah, vive sol quel core
Giuseppe Verdi; Francesco Maria Piave; Lester Lynch; René Barbera; Tobias Schrader; Alexander Födisch; Daniel Oren; Dresdner Philharmonie
11:10
La traviata, Act II Scene 9  
2.2
Avrem lieta di maschere la notte
Giuseppe Verdi; Francesco Maria Piave; Alexander Köpeczy; Ilseyar Khayrullova; Biagio Pizzuti; Daniel Oren; Dresdner Philharmonie
1:02
La traviata, Act II Scene 10  
2.3
Noi siamo zingarelle
Giuseppe Verdi; Francesco Maria Piave; Alexander Köpeczy; Ilseyar Khayrullova; Biagio Pizzuti; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
2:54
La traviata, Act II Scene 11  
2.4
Di Madride noi siam mattadori
Giuseppe Verdi; Francesco Maria Piave; Alexander Köpeczy; Ilseyar Khayrullova; Biagio Pizzuti; Francesco Pittari; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
2:51
La traviata, Act II Scene 12  
2.5
Alfredo! Voi!
Giuseppe Verdi; Francesco Maria Piave; René Barbera; Allen Boxer; Alexander Köpeczy; Ilseyar Khayrullova; Biagio Pizzuti; Francesco Pittari; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
0:34
2.6
Qui desiata giungi
Giuseppe Verdi; Francesco Maria Piave; René Barbera; Allen Boxer; Lisette Oropesa; Ilseyar Khayrullova; Francesco Pittari; Reinhold Schreyer-Morlock; Biagio Pizzuti; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
3:49
La traviata, Act II Scene 13  
2.7
Invitato a qui seguirmi
Giuseppe Verdi; Francesco Maria Piave; René Barbera; Allen Boxer; Lisette Oropesa; Alexander Köpeczy; Ilseyar Khayrullova; Biagio Pizzuti; Francesco Pittari; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
4:00
La traviata, Act II Scene 15  
2.8
Oh, infamia orribile
Giuseppe Verdi; Francesco Maria Piave; Allen Boxer; Alexander Köpeczy; Biagio Pizzuti; Francesco Pittari; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
0:31
2.9
Di sprezzo degno
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Lester Lynch; René Barbera; Allen Boxer; Alexander Köpeczy; Ilseyar Khayrullova; Biagio Pizzuti; Francesco Pittari; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
6:34
La traviata, Act III Scene 1  
2.10
Andante
Giuseppe Verdi; Daniel Oren; Dresdner Philharmonie
3:42
2.11
Annina?
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Menna Cazel; Alexander Köpeczy; Daniel Oren; Dresdner Philharmonie
4:43
La traviata, Act III Scene 4  
2.12
Teneste la promessa
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Daniel Oren; Dresdner Philharmonie
1:44
2.13
Addio, del passato
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Daniel Oren; Dresdner Philharmonie
6:22
2.14
Largo al quadrupede sir della festa
Giuseppe Verdi; Francesco Maria Piave; Daniel Oren; Dresdner Philharmonie; Sachsischer Staatsopernchor Dresden
0:54
La traviata, Act III Scene 5  
2.15
Signora...
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; René Barbera; Menna Cazel; Daniel Oren; Dresdner Philharmonie
11:54
La traviata, Act III Scene 6  
2.16
Ah Violetta!
Giuseppe Verdi; Francesco Maria Piave; Lisette Oropesa; Lester Lynch; René Barbera; Menna Cazel; Alexander Köpeczy; Daniel Oren; Dresdner Philharmonie
6:22
Digital Booklet
The Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden and conductor Daniel Oren present Verdi’s masterpiece La Traviata, together with a stellar cast including René Barbera as Alfredo, Lester Lynch as Germont, and world star soprano Lisette Oropesa as Violetta. Verdi’s opera from 1853 was revolutionary in the sense that it presented a subject of its own time, rather than the usual historically remote stories. Interestingly enough, this tragic story of a woman sacrificing her love to save the honour of her beloved’s family still feels as fresh and topical as ever before, explaining its unrelenting popularity. La Traviata is an endless outpour of memorable melodies with a gripping dramatic pace, as well as a tale that is both heartrending and provocative. The main soprano role gradually shifts from coloratura virtuosity to a more lyrical, dramatic idiom when the tragedy progresses, and this performance shows Oropesa’s fluency in both styles. After having sung the title role in the greatest opera houses worldwide, this studio recording captures her unparalleled interpretation for generations to come. Star soprano Lisette Oropesa made her PENTATONE debut with Ombra Compagna; Mozart Concert Arias in 2021. Lester Lynch has a vast PENTATONE discography, including Puccini’s Madama Butterfly, La Fanciulla del West (both 2021) and Il Tabarro (2020), as well as Mascagni’s Cavalleria rusticana (2020) and Verdi’s Otello (2017). The Dresdner Philharmonie featured on those recordings of Puccini’s Il Tabarro and Mascagni’s Cavalleria rusticana, while also releasing acclaimed recordings of Beethoven’s Fidelio (2021) and Weber’s Der Freischütz (2019) on PENTATONE. Daniel Oren and René Barbera, who both enjoy a thriving career on the operatic stage, make their PENTATONE debut.
192 kHz / 24-bit PCM and 2.8224 MHz DSD – PENTATONE Studio Masters
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-2.91
-14.21 to -0.30
-24.94
-37.04 to -14.61
13
8 to 16
1.1
Preludio
-14.21-36.2712
1.2
Dell'invito trascorsa è già l'ora
-0.54-22.6313
1.3
La traviata, Act I Scene 2 Libiamo ne' lieti calici
-0.54-21.7313
1.4
Che è ciò
-5.10-28.8415
1.5
Si ridesta in ciel l’aurora
-0.48-17.5610
1.6
È strano
-1.42-23.7613
1.7
Lunge da lei
-1.09-23.6613
1.8
Alfredo?
-0.30-23.9615
1.9
Dammi tu forza
-1.12-23.3113
2.1
Ah, vive sol quel core
-1.03-26.7116
2.2
Avrem lieta di maschere la notte
-2.62-26.6914
2.3
Noi siamo zingarelle
-1.18-27.4516
2.4
Di Madride noi siam mattadori
-0.98-21.4312
2.5
Alfredo! Voi!
-3.27-25.5513
2.6
Qui desiata giungi
-2.41-25.0113
2.7
Invitato a qui seguirmi
-0.94-22.1613
2.8
Oh, infamia orribile
-0.51-14.618
2.9
Di sprezzo degno
-0.41-20.1811
2.10
Andante
-13.20-37.0412
2.11
Annina?
-5.84-31.5215
2.12
Teneste la promessa
-4.62-27.9213
2.13
Addio, del passato
-4.16-25.6810
2.14
Largo al quadrupede sir della festa
-5.58-24.9811
2.15
Signora...
-0.88-23.6714
2.16
Ah Violetta!
-0.30-21.1911

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions