℗ 2022 CPO
Released May 20, 2022
Duration 1h 14m 45s
Record Label CPO
Catalogue No. 555507-2
Genre Classical
 

Two Passion Oratorios

Elena Harsanyi, Elvira Bill, Mirko Ludwig, Kölner Akademie, Michael Alexander Willens, Andreas Wolf

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!  
1.1
Coro "come? S'imbrune il ciel"
Johann David Heinichen; Elena Harsanyi; Elvira Bill; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
2:41
1.2
Coro "e lumi e cor non ha chi lagrimar"
Johann David Heinichen; Elena Harsanyi; Elvira Bill; Mirko Ludwig; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
0:51
1.3
Recitativo "ben ha cor di Giudeo"
Johann David Heinichen; Elena Harsanyi; Kölner Akademie; Michael Alexander Willens
1:21
1.4
Aria "mio Gesu, dolce adorato"
Johann David Heinichen; Elena Harsanyi; Kölner Akademie; Michael Alexander Willens
3:42
1.5
Recitativo "che miro?"
Johann David Heinichen; Elena Harsanyi; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
1:06
1.6
Recitativo accompagnato "o qual dura penar!"
Johann David Heinichen; Elvira Bill; Kölner Akademie; Michael Alexander Willens
1:10
1.7
Aria "genti, genti"
Johann David Heinichen; Elvira Bill; Kölner Akademie; Michael Alexander Willens
3:09
1.8
Recitativo "addolorata ed adorate Madre"
Johann David Heinichen; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
2:26
1.9
Aria "madre, non isdegnar"
Johann David Heinichen; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
4:45
1.10
Recitativo "madre in Amor"
Johann David Heinichen; Elvira Bill; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
1:22
1.11
Aria "lato, mani, pie forati"
Johann David Heinichen; Elvira Bill; Kölner Akademie; Michael Alexander Willens
4:07
1.12
Recitativo "o ciel?"
Johann David Heinichen; Elena Harsanyi; Kölner Akademie; Michael Alexander Willens
1:45
1.13
Duetto "croce mal nata"
Johann David Heinichen; Elena Harsanyi; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
1:50
1.14
Recitativo "qual rigore di padre!"
Johann David Heinichen; Elena Harsanyi; Elvira Bill; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
0:34
1.15
Recitativo "miseri ch'habbiam fatto?"
Johann David Heinichen; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
1:09
1.16
Aria "mia Sion, che facesti?"
Johann David Heinichen; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
2:41
1.17
Recitativo "piani popolo mio"
Johann David Heinichen; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
1:13
1.18
Coro "alla croce alme redente"
Johann David Heinichen; Elena Harsanyi; Elvira Bill; Mirko Ludwig; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
2:41
Passion Oratorio "l'aride tempie ignude"  
1.19
Siinfonia
Johann David Heinichen; Kölner Akademie; Michael Alexander Willens
3:07
1.20
Recitativo "l'aride tempie ignude"
Johann David Heinichen; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
1:07
1.21
Aria "di mia vittoria su questa tomba"
Johann David Heinichen; Andreas Wolf; Kölner Akademie; Michael Alexander Willens
4:23
1.22
Recitativo "non dir superbo Gloria dell'armi tue d'un dio la morte"
Johann David Heinichen; Elvira Bill; Kölner Akademie; Michael Alexander Willens
0:51
1.23
Aria "di Giesu tenere viscere"
Johann David Heinichen; Elvira Bill; Kölner Akademie; Michael Alexander Willens
5:23
1.24
Aria "e non ti sfacci cuor dispietato"
Johann David Heinichen; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
4:37
1.25
Accompagnato "marmi, ch'estino il sommo ben chiudete"
Johann David Heinichen; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
1:31
1.26
Recitativo "lagrime avventurose"
Johann David Heinichen; Elvira Bill; Kölner Akademie; Michael Alexander Willens
0:40
1.27
Aria "qual pianta"
Johann David Heinichen; Elena Harsanyi; Kölner Akademie; Michael Alexander Willens
5:44
1.28
Recitativo accompagnato "erger ti ardisci al favellar di spene"
Johann David Heinichen; Elena Harsanyi; Kölner Akademie; Michael Alexander Willens
1:53
1.29
Recitativo "per accendere altrui del vivo zelo"
Johann David Heinichen; Elvira Bill; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
0:53
1.30
Coro "quel core sincere sol giunge"
Johann David Heinichen; Elena Harsanyi; Elvira Bill; Mirko Ludwig; Kölner Akademie; Michael Alexander Willens
6:03
Digital Booklet
The Passion music Johann David Heinichen wrote for the Dresden court is a document of cultural and confessional openness of the Saxon residence, and his two Italian oratorios heard here are surrogates of large-scale Passion music. "Come? S'imbruna il ciel" - composed in 1728 - is the latest of the sepolcri, his other Passion "L'aride tempie ignude" the first of the sepolcri to survive from Heinichen in Dresden. Both texts are by Stefano Pallavicino, who had been active at the Dresden court since 1719. In the first-mentioned Passion, the meditation on the Passion event recurs to the experience of the earthquake that, according to biblical accounts, occurred immediately after the death of Jesus. The description of the violent natural events gives Mary the Mother of God, John (Jesus' favorite disciple), and Mary Magdalene an opportunity to reflect on their relationship to the Crucified. Different aspects of affection and love are thematized. The meditation on the Passion event in the second-named Passion is designed as an allegorical play of death (Morte) and hope (Speranza), divine love (Amor divino) and penance (Poenitenza), and follows an easily comprehensible dramaturgy. The affinity to opera seria is evident in both passions not only in the arrangement of the pieces. The keys, gestures and instrumentation also correspond to the models familiar from baroque musical theater. Full of affect!
96 kHz / 24-bit PCM – CPO Studio Masters
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-5.71
-13.15 to -0.43
-27.58
-32.81 to -23.79
14
9 to 16
1
Coro "come? S'imbrune il ciel"
-5.69-27.2813
2
Coro "e lumi e cor non ha chi lagrimar"
-4.76-24.0811
3
Recitativo "ben ha cor di Giudeo"
-6.11-27.1813
4
Aria "mio Gesu, dolce adorato"
-3.88-25.7516
5
Recitativo "che miro?"
-3.48-27.3014
6
Recitativo accompagnato "o qual dura penar!"
-6.66-27.3913
7
Aria "genti, genti"
-8.95-30.6814
8
Recitativo "addolorata ed adorate Madre"
-7.21-28.8514
9
Aria "madre, non isdegnar"
-6.28-25.9914
10
Recitativo "madre in Amor"
-7.54-30.9713
11
Aria "lato, mani, pie forati"
-5.46-28.2915
12
Recitativo "o ciel?"
-4.86-27.0214
13
Duetto "croce mal nata"
-1.91-25.2315
14
Recitativo "qual rigore di padre!"
-4.61-27.5114
15
Recitativo "miseri ch'habbiam fatto?"
-2.48-25.4913
16
Aria "mia Sion, che facesti?"
-1.73-24.6716
17
Recitativo "piani popolo mio"
-8.79-30.0414
18
Coro "alla croce alme redente"
-3.85-23.7913
19
Siinfonia
-9.37-28.4912
20
Recitativo "l'aride tempie ignude"
-7.68-29.2513
21
Aria "di mia vittoria su questa tomba"
-0.56-24.9116
22
Recitativo "non dir superbo Gloria dell'armi tue d'un dio la morte"
-5.75-28.229
23
Aria "di Giesu tenere viscere"
-7.96-28.0214
24
Aria "e non ti sfacci cuor dispietato"
-7.30-27.7713
25
Accompagnato "marmi, ch'estino il sommo ben chiudete"
-7.81-28.5913
26
Recitativo "lagrime avventurose"
-13.15-32.8112
27
Aria "qual pianta"
-0.43-25.8816
28
Recitativo accompagnato "erger ti ardisci al favellar di spene"
-3.25-26.7015
29
Recitativo "per accendere altrui del vivo zelo"
-9.36-32.6412
30
Coro "quel core sincere sol giunge"
-4.56-26.7415

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