℗ 2022 Naxos
| Released | May 27, 2022 |
| Duration | 52m 06s |
| Record Label | Naxos |
| Catalogue No. | 8.574360 |
| Genre | Classical (Chamber) |
Saint-Georges: 6 Quartetto concertans
Arabella Quartet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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6 Quartetto concertans, No. 1 in B-Flat Major
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1.1
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I. Allegro assai
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
4:31 | |||
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1.2
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II. Gratioso
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
2:42 | |||
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6 Quartetto concertans, No. 2 in G Minor
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1.3
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I. Adagio
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
4:48 | |||
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1.4
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II. Aria andantino
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
5:21 | |||
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6 Quartetto concertans, No. 3 in C Major
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1.5
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I. Allegro
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
5:21 | |||
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1.6
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II. Rondeau. Moderato
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
2:01 | |||
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6 Quartetto concertans, No. 4 in F Major
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1.7
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I. Allegro
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
4:47 | |||
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1.8
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II. Rondeau
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
2:00 | |||
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6 Quartetto concertans, No. 5 in G Major
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1.9
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I. Allegro assai
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
5:49 | |||
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1.10
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II. Gratioso
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
4:54 | |||
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6 Quartetto concertans, No. 6 in B-Flat Major
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1.11
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I. Allegro
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
6:46 | |||
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1.12
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II. Aria con variazione
Joseph Bologne, Chevalier de Saint-Georges; Arabella Quartet |
3:06 | |||
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Digital Booklet
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A brilliant swordsman, athlete, violin virtuoso and composer, Joseph Bologne, Chevalier de Saint-Georges might well lay claim to being the most talented figure in an age of remarkable individuals. The string quartet was still in its infancy in France in the 1770s, but while these pieces are small in scale they are exceptionally rewarding. Saint-Georges appreciated the intimate nature of this genre, avoiding overt soloistic virtuosity and exploring chamber music timbres, amply demonstrating his rich lyrical gifts and a natural ability to delight performers and audiences alike.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.42 -1.16 to -0.32 | -20.65 -22.49 to -18.88 | -17.37 -19.00 to -15.40 | 13 12 to 14 | |
| 1 | I. Allegro assai | -0.32 | -19.63 | -16.6 | 13 |
| 2 | II. Gratioso | -0.32 | -21.47 | -18.2 | 12 |
| 3 | I. Adagio | -0.32 | -22.05 | -18.8 | 13 |
| 4 | II. Aria andantino | -0.69 | -21.40 | -18.2 | 14 |
| 5 | I. Allegro | -0.32 | -19.41 | -16.5 | 13 |
| 6 | II. Rondeau. Moderato | -0.32 | -20.71 | -17.3 | 13 |
| 7 | I. Allegro | -0.32 | -19.01 | -15.4 | 12 |
| 8 | II. Rondeau | -0.32 | -22.43 | -18.8 | 14 |
| 9 | I. Allegro assai | -0.32 | -20.13 | -16.8 | 14 |
| 10 | II. Gratioso | -1.16 | -22.49 | -19.0 | 14 |
| 11 | I. Allegro | -0.32 | -18.88 | -15.7 | 12 |
| 12 | II. Aria con variazione | -0.32 | -20.23 | -17.1 | 13 |