℗ 2022 Gramola Records
| Released | May 13, 2022 |
| Duration | 53m 07s |
| Record Label | Gramola Records |
| Catalogue No. | Gramola99264 |
| Genre | Classical (Solo Instrumental) |
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Divertimento in A-Flat Major, Hob. XVI:46 (Arr. for Accordion)
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1.1
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I. Allegro moderato
Franz Joseph Haydn; Bogdan Laketic |
6:55 | |||
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1.2
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II. Adagio
Franz Joseph Haydn; Bogdan Laketic |
4:37 | |||
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1.3
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III. Finale. Presto
Franz Joseph Haydn; Bogdan Laketic |
2:39 | |||
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6 Little Piano Pieces, Op. 19 (Arr. for Accordion)
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1.4
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No. 1, Leicht, zart
Arnold Schoenberg; Bogdan Laketic |
1:28 | |||
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1.5
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No. 2, Langsam
Arnold Schoenberg; Bogdan Laketic |
0:51 | |||
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1.6
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No. 3, Sehr langsame
Arnold Schoenberg; Bogdan Laketic |
1:08 | |||
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1.7
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No. 4, Rasch, aber leicht
Arnold Schoenberg; Bogdan Laketic |
0:26 | |||
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1.8
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No. 5, Etwas rasch
Arnold Schoenberg; Bogdan Laketic |
0:31 | |||
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1.9
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No. 6, Sehr langsam
Arnold Schoenberg; Bogdan Laketic |
1:21 | |||
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Keyboard Sonata in E Minor, Hob. XVI:34 (Arr. for Accordion)
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1.10
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I. Presto
Franz Joseph Haydn; Bogdan Laketic |
3:48 | |||
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1.11
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II. Adagio
Franz Joseph Haydn; Bogdan Laketic |
3:55 | |||
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1.12
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III. Finale. Molto vivace
Franz Joseph Haydn; Bogdan Laketic |
3:10 | |||
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1.13
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Figuren, Induktionen
Dirk D’ase; Bogdan Laketic |
16:09 | |||
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Soirées de Vienne, S. 427 "Valses-caprices d'après François Schubert"
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1.14
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No. 6, Allegro con strepito (Arr. for Accordion)
Franz Liszt; Bogdan Laketic |
6:09 | |||
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Digital Booklet
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The accordion has long had a reputation as an instrument for folk music and of street musicians. Its technical and cultural evolution can be neatly traced from its very invention in 1829 by Cyrill Demian in his apartment on Vienna’s Mariahilfer Straße, No. 43, to this day. The accordionist Bogdan Laketic, who lives in Vienna, dedicates his debut album “Made in Vienna” to this, “his” city, choosing works by composers who are also directly connected with Vienna. Thus, the Sonatas for Piano in A flat major, Hob. XVI:46 and in E minor, Hob. XVI:34 by Joseph Haydn, the Six little Piano Pieces Op. 19 by Arnold Schönberg and the Soirées de Vienne, S 427 No. 6 by Franz Liszt are interpreted in his own arrangements. Also based in Vienna is the Belgian composer Dirk D'Ase, who in 2011 composed Figuren/Induktionen, in which the diversity of the accordion's sound once again comes into play.
48 kHz / 24-bit PCM – Gramola Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.67 -9.61 to -0.25 | -23.06 -30.55 to -18.26 | -18.49 -25.30 to -12.60 | 12 8 to 15 | |
| 1 | I. Allegro moderato | -0.26 | -21.75 | -18.3 | 14 |
| 2 | II. Adagio | -2.78 | -24.07 | -20.4 | 13 |
| 3 | III. Finale. Presto | -0.27 | -20.74 | -17.4 | 13 |
| 4 | No. 1, Leicht, zart | -1.85 | -23.78 | -19.5 | 13 |
| 5 | No. 2, Langsam | -6.53 | -30.55 | -24.9 | 10 |
| 6 | No. 3, Sehr langsame | -0.25 | -18.26 | -12.6 | 9 |
| 7 | No. 4, Rasch, aber leicht | -0.25 | -20.06 | -14.3 | 9 |
| 8 | No. 5, Etwas rasch | -0.26 | -21.28 | -16.0 | 8 |
| 9 | No. 6, Sehr langsam | -9.61 | -29.37 | -25.3 | 11 |
| 10 | I. Presto | -0.26 | -21.26 | -17.5 | 14 |
| 11 | II. Adagio | -0.26 | -22.44 | -18.6 | 14 |
| 12 | III. Finale. Molto vivace | -0.26 | -21.36 | -17.9 | 14 |
| 13 | Figuren, Induktionen | -0.25 | -24.91 | -17.0 | 15 |
| 14 | No. 6, Allegro con strepito (Arr. for Accordion) | -0.25 | -22.98 | -19.2 | 15 |