℗ 2022 Solo Musica
Released | May 27, 2022 |
Duration | 1h 14m 24s |
Record Label | Solo Musica |
Catalogue No. | SM399 |
Genre | Classical (Piano) |
Franz Liszt: Schubert & Wagner Transcriptions
Jean-Nicolas Diatkine
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
12 Lieder von Franz Schubert, S. 558 (Excerpts)
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1.1
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No. 2, Auf dem Wasser zu singen (After Schubert's D. 774)
Franz Liszt; Jean-Nicolas Diatkine |
4:29 | |||
1.2
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No. 8, Gretchen am Spinnrade (After Schubert's D. 118)
Franz Liszt; Jean-Nicolas Diatkine |
4:28 | |||
1.3
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No. 10, Rastlose Liebe (After Schubert's D. 138)
Franz Liszt; Jean-Nicolas Diatkine |
1:38 | |||
1.4
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No. 12, Ave Maria (After Schubert's D. 839)
Franz Liszt; Jean-Nicolas Diatkine |
5:25 | |||
1.5
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No. 4, Erlkönig (After Schubert's D. 328)
Franz Liszt; Jean-Nicolas Diatkine |
3:56 | |||
Schwanengesang, S. 560 (Excerpts) (After Schubert's D. 957)
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1.6
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No. 1, Liebesbotschaft
Franz Liszt; Jean-Nicolas Diatkine |
3:11 | |||
1.7
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No. 4, Ständchen
Franz Liszt; Jean-Nicolas Diatkine |
5:49 | |||
1.8
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No. 8, Der Atlas
Franz Liszt; Jean-Nicolas Diatkine |
2:31 | |||
1.9
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No. 13, Der Doppelgänger
Franz Liszt; Jean-Nicolas Diatkine |
4:30 | |||
1.10
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Ballade No. 2 in B Minor, S. 171
Franz Liszt; Jean-Nicolas Diatkine |
13:56 | |||
1.11
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Isoldes Liebestod aus Tristan und Isolde, S. 447 (After Wagner's WWV 90)
Franz Liszt; Jean-Nicolas Diatkine |
6:55 | |||
1.12
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Elsas Brautzug zum Münster, S. 445 No. 1 (After Wagner's WWV 75)
Franz Liszt; Jean-Nicolas Diatkine |
3:58 | |||
1.13
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Pilgerchor aus Tannhäuser, S. 443 (After Wagner's WWV 70)
Franz Liszt; Jean-Nicolas Diatkine |
5:14 | |||
1.14
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Feierlicher Marsch zum Heiligen Gral aus Parsifal, S. 450 (After Wagner's WWV 111)
Franz Liszt; Jean-Nicolas Diatkine |
8:24 |
Some of Jean-Nicolas Diatkine's singer friends have ended their careers, but their magic is irreplaceable in his eyes, or rather in his ears. He misses them, just as he misses the Schubert, Schumann and Brahms songs they sang. Well, there is only one person who can compensate for this loss, and his name is Franz Liszt. The main aim of transcriptions was to make orchestral works known to a wider audience, at a time when there were far fewer orchestras, and public access to symphony concerts was very limited. But Liszt gives transcriptions a new meaning: he puts the orchestra into the piano, since his style is particularly suited to outsized extravagance. Thus he opens up unprecedented pianistic possibilities, where virtuosity is no longer mere exhibitionism but rather transformed into the art of illusion. His arrangements of Wagner are so convincing that they become his own personal creations. Laurent Bessières, piano tuner at the Paris Philharmonic, suggested for this recording a Schiedmayer piano of 1916 made in Stuttgart, which he had completely rebuilt in collaboration with Antoine Letessier-Salmon, director of the French National Centre for Scientific Research, and Stephen Paulello, piano maker and inventor of the strings that bear his name. This instrument has almost never been used in concert, however excellent work by Laurent Bessières convinced us to try it out in this very special repertoire.
96 kHz / 24-bit PCM – Solo Musica Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.95 -10.54 to -0.03 | -26.56 -31.22 to -21.84 | -22.52 -27.90 to -18.60 | 14 12 to 17 | |
1 | No. 2, Auf dem Wasser zu singen (After Schubert's D. 774) | -3.91 | -24.91 | -21.6 | 13 |
2 | No. 8, Gretchen am Spinnrade (After Schubert's D. 118) | 0.00 | -25.48 | -21.5 | 16 |
3 | No. 10, Rastlose Liebe (After Schubert's D. 138) | -1.46 | -21.84 | -18.6 | 12 |
4 | No. 12, Ave Maria (After Schubert's D. 839) | -7.35 | -29.32 | -26.4 | 13 |
5 | No. 4, Erlkönig (After Schubert's D. 328) | -2.59 | -24.45 | -21.4 | 13 |
6 | No. 1, Liebesbotschaft | -10.54 | -29.62 | -26.8 | 12 |
7 | No. 4, Ständchen | -3.56 | -31.14 | -27.9 | 17 |
8 | No. 8, Der Atlas | -0.03 | -22.41 | -19.6 | 14 |
9 | No. 13, Der Doppelgänger | -4.29 | -29.93 | -23.8 | 15 |
10 | Ballade No. 2 in B Minor, S. 171 | 0.00 | -24.87 | -20.2 | 16 |
11 | Isoldes Liebestod aus Tristan und Isolde, S. 447 (After Wagner's WWV 90) | 0.00 | -24.60 | -19.4 | 15 |
12 | Elsas Brautzug zum Münster, S. 445 No. 1 (After Wagner's WWV 75) | -6.35 | -31.22 | -26.1 | 14 |
13 | Pilgerchor aus Tannhäuser, S. 443 (After Wagner's WWV 70) | -3.03 | -27.28 | -22.6 | 13 |
14 | Feierlicher Marsch zum Heiligen Gral aus Parsifal, S. 450 (After Wagner's WWV 111) | -0.38 | -24.75 | -19.4 | 14 |