℗ 2022 New Focus Recordings
| Released | May 27, 2022 |
| Duration | 45m 53s |
| Record Label | New Focus Recordings |
| Catalogue No. | FCR328 |
| Genre | Classical (Contemporary Era) |
Steven Ricks: Assemblage Chamber
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Heavy with Sonata
|
|||||
|
1.1
|
I. Plotting Our Next (Dance) Move
Steven Ricks; Aubrey Woods; Alex Woods; Jason Hardink |
1:44 | |||
|
1.2
|
Ii. Sarah’s Gigabit Broadband
Steven Ricks; Aubrey Woods; Alex Woods; Jason Hardink |
4:09 | |||
|
1.3
|
Iii. I’ll Amend the Current Trend
Steven Ricks; Aubrey Woods; Alex Woods; Jason Hardink |
5:30 | |||
|
1.4
|
Reconstructing the Lost Improvisations of Aldo Pilestri (1683–1727)
Steven Ricks; counter)induction; Daniel Lippel; Miranda Cuckson; Jessica Meyer; Caleb van der Swaagh; Benjamin Fingland |
14:18 | |||
|
Piece for Mixed Quartet
|
|||||
|
1.5
|
I. Dance of Spheres
Steven Ricks; Nova Chamber Music Players; Gerald Elias; Hasse Borup; Walter Haman; Jason Hardink |
3:56 | |||
|
1.6
|
Ii. Baroque Assemblage
Steven Ricks; Nova Chamber Music Players; Gerald Elias; Hasse Borup; Walter Haman; Jason Hardink |
3:54 | |||
|
1.7
|
Assemblage Chamber
Steven Ricks; Steven Ricks |
12:22 | |||
|
Digital Booklet
|
|||||
Composer Steven Ricks' "Assemblage Chamber" features three chamber works that incorporate elements of the Baroque into Ricks' glitchy, collage oriented textures. An eclectic artist who is active in electronic music and free improvisation in addition to through-composed acoustic work, Ricks filters Baroque influences through his omnivorous style, responding at the end of the recording with an electronic reaction piece, a reckoning with incorporating older material from the vantage point of 2022. "Assemblage Chamber" features performances by counter)induction, the Nova Chamber Players, Aubrey Woods, Alex Woods, and Jason Hardink.
96 kHz / 24-bit PCM – New Focus Recordings Studio Masters
Track 7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.38 -4.02 to -0.10 | -22.44 -23.95 to -20.89 | -18.40 -19.60 to -16.80 | 13 12 to 15 | |
| 1 | I. Plotting Our Next (Dance) Move | -4.02 | -23.95 | -19.4 | 13 |
| 2 | Ii. Sarah’s Gigabit Broadband | -1.12 | -21.32 | -17.4 | 12 |
| 3 | Iii. I’ll Amend the Current Trend | -1.19 | -23.80 | -19.4 | 15 |
| 4 | Reconstructing the Lost Improvisations of Aldo Pilestri (1683–1727) | -1.97 | -23.49 | -19.6 | 14 |
| 5 | I. Dance of Spheres | -0.10 | -21.20 | -16.9 | 13 |
| 6 | Ii. Baroque Assemblage | -0.10 | -20.89 | -16.8 | 13 |
| 7 | Assemblage Chamber | -1.18 | -22.44 | -19.3 | 14 |