Organ Great Classics
Raymond Daveluy, Gaston Arel, Anthony Newman, Bernard Lagace
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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Das Orgelbüchlein, BWV 599-644
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1.1
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O Mensch, bewein dein Sunde gross, BWV 622
Johann Sebastian Bach; Raymond Daveluy |
5:14 | |||
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6 Chorale Preludes "Schübler-Chorales"
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1.2
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Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach; Gaston Arel |
4:10 | |||
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10 Pieces for Organ
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1.3
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Toccata in B Minor
Eugène Gigout; Raymond Daveluy |
3:22 | |||
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1.4
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Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam by G. Meyerbeer, S259/R380
Franz Liszt; Raymond Daveluy |
3:26 | |||
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Organ Symphony No. 5 in F Minor, Op. 42 No. 1
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1.5
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V. Toccata
Charles-Marie Widor; Raymond Daveluy |
6:08 | |||
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1.6
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Toccata and Fugue in D Minor, BWV 565
Johann Sebastian Bach; Raymond Daveluy |
10:08 | |||
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Livre d'orgue
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1.7
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No. 4. Chants d'oiseaux (Birdsongs)
Olivier Messiaen; Anthony Newman |
5:51 | |||
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1.8
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No. 1. Reprises par interversion (Reprises by inversion)
Olivier Messiaen; Anthony Newman |
4:39 | |||
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Hexachordum Apollinis
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1.9
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Aria Sebaldina in F Minor (POP 6)
Johann Pachelbel; Bernard Lagace |
6:40 | |||
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1.10
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Chaconne No. 6 in F Minor
Johann Pachelbel; Bernard Lagace |
5:14 | |||
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Toccata, Adagio & Fugue in C Major, BWV 564
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1.11
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Toccata
Johann Sebastian Bach; Gaston Arel |
5:35 | |||
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1.12
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Adagio
Johann Sebastian Bach; Gaston Arel |
4:08 | |||
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1.13
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Fugue
Johann Sebastian Bach; Gaston Arel |
5:34 | |||
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1.14
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Partite diverse sopra Sei gegrusset, Jesu gutig, BWV 768
Johann Sebastian Bach; Gaston Arel |
19:04 | |||
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Digital Booklet
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Acclaimed organists Anthony Newman, Gaston Arel, Raymond Daveluy and Bernard Lagacé present masterpieces by Bach, Gigout, Liszt, Widor, Messiaen and Pachelbel on this double album compilation of recordings made in the 1960s and ‘70s.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD – 2xHD Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology available at the time of its production. As such, it is offered as a high-resolution documentation of a historical release. For the 2xHD transfer of this recording, the original 1/4”, 15 ips NAB master tapes were played on a Nagra-T modified with high end tube playback electronics, wired with OCC silver cable from the playback head direct to a Telefunken EF806 tube. The Nagra-T has one of the best transports ever made, having four direct drive motors, two pinch rollers and a tape tension head. An analogue transfer to DSD 256 (11.2 MHz) was done using Merging Horus/Hapi A/D converter and a dCS Vivaldi clock. Each format (96 kHz, 192 kHz, DSD 2.8 MHz and DSD 5.6 MHz) was created from that transfer. Each high-res sampling and A & B comparisons were made with the original LP, using the KRONOS turntable with a BLACK BEAUTY tone arm. 2xHD mastering: René Laflamme and André Perry 2xHD executive producer: André Perry
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology available at the time of its production. As such, it is offered as a high-resolution documentation of a historical release. For the 2xHD transfer of this recording, the original 1/4”, 15 ips NAB master tapes were played on a Nagra-T modified with high end tube playback electronics, wired with OCC silver cable from the playback head direct to a Telefunken EF806 tube. The Nagra-T has one of the best transports ever made, having four direct drive motors, two pinch rollers and a tape tension head. An analogue transfer to DSD 256 (11.2 MHz) was done using Merging Horus/Hapi A/D converter and a dCS Vivaldi clock. Each format (96 kHz, 192 kHz, DSD 2.8 MHz and DSD 5.6 MHz) was created from that transfer. Each high-res sampling and A & B comparisons were made with the original LP, using the KRONOS turntable with a BLACK BEAUTY tone arm. 2xHD mastering: René Laflamme and André Perry 2xHD executive producer: André Perry
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.24 -9.97 to 0.00 | -22.12 -28.37 to -18.09 | -19.01 -25.10 to -15.00 | 11 10 to 14 | |
| 1 | O Mensch, bewein dein Sunde gross, BWV 622 | -2.69 | -18.09 | -15.7 | 10 |
| 2 | Wachet auf, ruft uns die Stimme, BWV 645 | -5.30 | -21.02 | -18.8 | 11 |
| 3 | Toccata in B Minor | -0.45 | -18.96 | -15.2 | 12 |
| 4 | Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam by G. Meyerbeer, S259/R380 | -1.52 | -24.47 | -21.8 | 14 |
| 5 | V. Toccata | -0.24 | -18.57 | -15.0 | 11 |
| 6 | Toccata and Fugue in D Minor, BWV 565 | -0.59 | -20.41 | -17.0 | 12 |
| 7 | No. 4. Chants d'oiseaux (Birdsongs) | -6.38 | -25.42 | -21.5 | 11 |
| 8 | No. 1. Reprises par interversion (Reprises by inversion) | -6.59 | -25.45 | -22.2 | 11 |
| 9 | Aria Sebaldina in F Minor (POP 6) | -9.97 | -28.37 | -25.1 | 11 |
| 10 | Chaconne No. 6 in F Minor | -7.20 | -25.27 | -23.1 | 10 |
| 11 | Toccata | -3.46 | -21.87 | -18.9 | 12 |
| 12 | Adagio | -0.69 | -19.27 | -15.8 | 10 |
| 13 | Fugue | -0.33 | -21.52 | -18.2 | 12 |
| 14 | Partite diverse sopra Sei gegrusset, Jesu gutig, BWV 768 | 0.00 | -20.92 | -17.8 | 12 |