℗ 2022 ATMA Classique
Released May 20, 2022
Duration 1h 09m 36s
Record Label Les Disques ATMA Inc.
Genre Classical
 

Mythes

Ariane Brisson, Olivier Hébert-Bouchard

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
The Lark Ascending (trans. for flute and piano)
Ralph Vaughan Williams; Ariane Brisson; Olivier Hébert-Bouchard
15:33
Sonatine, M. 40  
1.2
I. Modéré (trans. for flute and piano)
Maurice Ravel; Ariane Brisson; Olivier Hébert-Bouchard
4:06
1.3
II. Mouvement de menuet (trans. for flute and piano)
Maurice Ravel; Ariane Brisson; Olivier Hébert-Bouchard
3:00
1.4
III. Animé (trans. for flute and piano)
Maurice Ravel; Ariane Brisson; Olivier Hébert-Bouchard
3:44
A Tale  
1.5
I. Con moto – andante (trans. for flute and piano)
Leoš Janáček; Ariane Brisson; Olivier Hébert-Bouchard
4:56
1.6
II. Con moto – adagio (trans. for flute and piano)
Leoš Janáček; Ariane Brisson; Olivier Hébert-Bouchard
3:40
1.7
III. Allegro (trans. for flute and piano)
Leoš Janáček; Ariane Brisson; Olivier Hébert-Bouchard
2:40
1.8
Prélude à l'après-midi d'un faune, L. 86 (Trans. for flute and piano)
Claude Debussy; Ariane Brisson; Olivier Hébert-Bouchard
10:51
Myths for violin and piano, Op. 30  
1.9
I. The Fountain of Arethusa (trans. for flute and piano)
Karol Szymanowski; Ariane Brisson; Olivier Hébert-Bouchard
6:10
1.10
II. Narcissus (trans. for flute and piano)
Karol Szymanowski; Ariane Brisson; Olivier Hébert-Bouchard
7:14
1.11
III. Dryads and Pan (trans. for flute and piano)
Karol Szymanowski; Ariane Brisson; Olivier Hébert-Bouchard
7:42
Digital Booklet
Ariane Brisson, flutist, and Olivier Hébert-Bouchard, pianist, present Mythes, an album of transcriptions of works by Claude Debussy, Leoš Janáček, Maurice Ravel, Karol Szymanowski, and Ralph Vaughan Williams. Inspired by the magical, mythical world of sprites and fairies, the program includes Debussy’s Prélude à l’après-midi d’un faune in an arrangement by Gustave Samazeuilh; Janáček’s Pohadka (A Fairy Tale); and Ravel’s Sonatine pour piano in transcriptions by Ariane Brisson; along with Vaughan Williams’ Lark Ascending, and Szymanowski’s Mythes for violin and piano, Op. 30 both transcribed by Ariane Brisson. “I have always loved those moments where reality and fantasy embrace one another,” says Ariane Brisson. “I drew inspiration from the idea of playing on ambiguity: from the ethereal to the magical.”
96 kHz / 24-bit PCM – Les Disques ATMA Inc. Studio Masters
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-1.89
-3.22 to -0.56
-25.13
-27.40 to -22.64
14
12 to 15
1
The Lark Ascending (trans. for flute and piano)
-2.62-27.3015
2
I. Modéré (trans. for flute and piano)
-3.22-25.7613
3
II. Mouvement de menuet (trans. for flute and piano)
-3.08-26.7814
4
III. Animé (trans. for flute and piano)
-0.56-22.6413
5
I. Con moto – andante (trans. for flute and piano)
-0.90-24.3814
6
II. Con moto – adagio (trans. for flute and piano)
-3.14-24.2912
7
III. Allegro (trans. for flute and piano)
-1.44-24.7014
8
Prélude à l'après-midi d'un faune, L. 86 (Trans. for flute and piano)
-2.82-27.4015
9
I. The Fountain of Arethusa (trans. for flute and piano)
-1.47-24.0013
10
II. Narcissus (trans. for flute and piano)
-0.63-24.4614
11
III. Dryads and Pan (trans. for flute and piano)
-0.97-24.7014

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