1.1
|
32.63n 117.14w
Anathema |
1:18 | |||
1.2
|
Leaving It Behind
Anathema |
4:27 | |||
1.3
|
Endless Ways
Anathema |
5:49 | |||
1.4
|
The Optimist
Anathema |
5:37 | |||
1.5
|
San Francisco
Anathema |
4:59 | |||
1.6
|
Springfield
Anathema |
5:49 | |||
1.7
|
Ghosts
Anathema |
4:17 | |||
1.8
|
Can't Let Go
Anathema |
5:00 | |||
1.9
|
Close Your Eyes
Anathema |
3:39 | |||
1.10
|
Wildfires
Anathema |
5:40 | |||
1.11
|
Back to the Start
Anathema |
11:41 |
"[Producer Tony Doogan] suggested that we record as a live band, which we hadn’t done for years. Having played a few tunes on the last tour, we were ready for that. Tony wanted to capture that energy you can only get with everyone facing each other… It makes a big difference."
- Vincent Cavanagh, Anathema
British alt-rockers Anathema return with their progressive, dreamy post-rock sound on The Optimist, an eleven track effort that continues the group’s two decade-long musical evolution. Their mastery at crafting powerful songs is palpable on tracks like lead-single Springfield which erupts out of minimalistic drums, ethereal vocals and contemplative piano.
96 kHz / 24-bit PCM – Kscope Studio Masters
Tracks 1, 5 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 5 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.42 -7.77 to -0.10 | -16.11 -28.99 to -12.76 | -12.33 -25.50 to -8.90 | 8 6 to 13 | |
1 | 32.63n 117.14w | -7.77 | -28.99 | -25.5 | 13 |
2 | Leaving It Behind | -0.10 | -12.76 | -10.3 | 8 |
3 | Endless Ways | -0.20 | -13.15 | -8.9 | 7 |
4 | The Optimist | -0.20 | -13.78 | -8.9 | 6 |
5 | San Francisco | -1.10 | -16.12 | -12.8 | 8 |
6 | Springfield | -0.10 | -14.62 | -10.1 | 8 |
7 | Ghosts | -3.70 | -16.48 | -13.4 | 7 |
8 | Can't Let Go | -0.10 | -12.76 | -9.4 | 8 |
9 | Close Your Eyes | -1.80 | -19.13 | -16.4 | 10 |
10 | Wildfires | -0.20 | -13.81 | -10.0 | 6 |
11 | Back to the Start | -0.40 | -15.65 | -9.9 | 8 |