℗ 2022 Deutsche Grammophon, Berlin
Released | May 20, 2022 |
Duration | 51m 22s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
LYS
Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
White Flowers Take Their Bath
Meredi; Mari Samuelsen; Meredi; Scoring Berlin; Jonathan Stockhammer |
3:06 | |||
1.2
|
Nocturne (Arr. for Solo Violin and Piano)
Dobrinka Tabakova; Mari Samuelsen; Julien Quentin |
3:44 | |||
1.3
|
Signals
Hannah Peel; Ben Corrigan; Mari Samuelsen; Hannah Peel; Scoring Berlin; Jonathan Stockhammer |
4:28 | |||
Plan & Elevation
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1.4
|
IV. The Orangery
Caroline Shaw; Mari Samuelsen; Scoring Berlin |
2:05 | |||
1.5
|
V. The Beech Tree
Caroline Shaw; Mari Samuelsen; Scoring Berlin |
2:10 | |||
1.6
|
Sol Levante
Laura Masotto; Mari Samuelsen; Scoring Berlin |
3:49 | |||
1.7
|
Lightwell
Margaret Hermant; Mari Samuelsen; Margaret Hermant; Fabien Leseure; Scoring Berlin; Jonathan Stockhammer |
3:41 | |||
1.8
|
O vis eternitatis (Arr. Tormod Tvete Vik for Solo Violin and Strings)
Hildegard von Bingen; Mari Samuelsen; Scoring Berlin; Jonathan Stockhammer |
3:25 | |||
1.9
|
Halo (Solo Violin and Strings Version)
Beyoncé Knowles; Ryan Tedder; Evan Bogart; Mari Samuelsen; Scoring Berlin; Jonathan Stockhammer |
3:36 | |||
24 Preludes for Violin and Piano, Op. 46
|
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1.10
|
No. 15 Adagio sognando
Lera Auerbach; Mari Samuelsen; Julien Quentin |
1:43 | |||
1.11
|
Bær (Arr. Knoth for Solo Violin and Strings)
Hildur Guðnadóttir; Max Knoth; Mari Samuelsen; Scoring Berlin; Jonathan Stockhammer |
3:47 | |||
1.12
|
Reverie (Arr. Knoth for Solo Violin, Strings and Electronics)
Hannah Peel; Erland Cooper; Max Knoth; Mari Samuelsen; Hannah Peel; Erland Cooper; Scoring Berlin |
3:03 | |||
1.13
|
La Luce
Hania Rani; Mari Samuelsen; Hania Rani; Dobrawa Czocher; Scoring Berlin; Jonathan Stockhammer |
5:23 | |||
1.14
|
Love Abounds In Everything
Clarice Jensen; Mari Samuelsen; American Contemporary Music Ensemble; Clarice Jensen |
4:20 | |||
1.15
|
Midi (Arr. for Solo Violin and Electronics)
Anna Meredith; Mari Samuelsen; Anna Meredith |
3:02 |
Mari Samuelsen’s latest Deutsche Grammophon album sees a bold new curation of dynamic and original music dedicated and influenced by life and light. LYS – Norwegian for “Light” – presents music by thirteen female composers, from Hildegard von Bingen to Hildur Guðnadóttir, combining specially commissioned works with new arrangements of existing pieces. The fourteen tracks are woven together to create a meditative, and energising playlist on this life-giving phenomenon. The Norwegian violinist’s eclectic programme moves through light’s infinitely subtle qualities to reveal a musical world of boundless shades of emotion and expression.
LYS spans a breadth of styles that mirrors Mari’s openness to music from a multitude of genres and her wholehearted advocacy of new work. It embraces everything from a moving arrangement of the Beyoncé hit "Halo" to music by twelfth-century Benedictine philosopher, mystic and visionary Hildegard of Bingen; from the transcendent stillness of Hania Rani’s "La Luce" and the melancholy sounds of Hildur Guðnadóttir’s "Bær" to the laser-like precision of Anna Meredith’s "Midi" and Laura Masotto’s charming "Sol Levante".
“We humans have so many impressions of light, what light feels like, in good and bad times. I hope that speaks through the music on this album. We instinctively sense the way light affects our feelings, and the influence on our being of dark light, of ‘negative’ light, of the light people talk about just before they die or the ugly light we see from a hospital bed, of shocking laser light and so many other kinds of artificial and natural light. Then you have extreme sunlight, burning down, leaving the land dry and parched. Maybe it’s to do with living in the North or simply with getting older, but these varieties of light touch me now more deeply than ever. All of this was turning over in my mind before I started thinking about who could write the pieces.”
- Mari Samuelsen
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Tracks 1-6, 8, 9, 11-15 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 10 – 48 kHz / 24-bit PCM
Tracks 1-6, 8, 9, 11-15 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 10 – 48 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.39 -14.53 to -0.98 | -21.16 -34.12 to -14.06 | -17.64 -30.10 to -12.20 | 10 8 to 11 | |
1 | White Flowers Take Their Bath | -1.20 | -17.44 | -12.9 | 8 |
2 | Nocturne (Arr. for Solo Violin and Piano) | -7.99 | -26.05 | -22.6 | 10 |
3 | Signals | -1.92 | -21.21 | -18.3 | 11 |
4 | IV. The Orangery | -3.70 | -21.05 | -17.7 | 10 |
5 | V. The Beech Tree | -1.20 | -17.14 | -12.6 | 8 |
6 | Sol Levante | -1.20 | -19.64 | -15.9 | 10 |
7 | Lightwell | -3.97 | -22.49 | -19.1 | 11 |
8 | O vis eternitatis (Arr. Tormod Tvete Vik for Solo Violin and Strings) | -1.20 | -19.12 | -15.4 | 10 |
9 | Halo (Solo Violin and Strings Version) | -1.20 | -17.94 | -14.5 | 10 |
10 | No. 15 Adagio sognando | -14.53 | -34.12 | -30.1 | 11 |
11 | Bær (Arr. Knoth for Solo Violin and Strings) | -1.20 | -19.90 | -16.2 | 11 |
12 | Reverie (Arr. Knoth for Solo Violin, Strings and Electronics) | -3.66 | -22.70 | -19.6 | 10 |
13 | La Luce | -5.75 | -25.70 | -22.8 | 11 |
14 | Love Abounds In Everything | -0.98 | -18.76 | -14.7 | 9 |
15 | Midi (Arr. for Solo Violin and Electronics) | -1.20 | -14.06 | -12.2 | 8 |