℗ 2022 Parlophone Records Limited; A Warner Classics/Erato release,
Released | May 20, 2022 |
Duration | 1h 13m 59s |
Record Label | Warner Classics |
Genre | Classical |
Tanguy: In a Dream
Various Artists
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Quintette pour piano et quatuor à cordes (feat. Suzana Bartal)
Éric Tanguy; Quatuor Diotima; Suzana Bartal |
13:46 | |||
1.2
|
In a Dream, pour violon et piano (feat. Suzana Bartal)
Éric Tanguy; Alexandra Conunova; Suzana Bartal |
8:38 | |||
1.3
|
Spirales, pour violoncelle et piano (feat. Suzana Bartal)
Éric Tanguy; Edgar Moreau; Suzana Bartal |
6:28 | |||
1.4
|
Nachtmusik, pour piano seul
Éric Tanguy; Suzana Bartal |
6:55 | |||
1.5
|
Rhapsodie pour alto et piano (feat. Suzana Bartal)
Éric Tanguy; Lise Berthaud; Suzana Bartal |
10:21 | |||
Sonata Breve, pour violon seul
|
|||||
1.6
|
I. Lyrique
Éric Tanguy; Alexandra Conunova |
3:40 | |||
1.7
|
II. Étrange
Éric Tanguy; Alexandra Conunova |
3:04 | |||
1.8
|
III. Vertigineux
Éric Tanguy; Alexandra Conunova |
2:13 | |||
1.9
|
Lacrymosa, pour clarinette et piano (feat. Suzana Bartal)
Éric Tanguy; Pierre Génisson; Suzana Bartal |
6:54 | |||
1.10
|
Trio pour piano, violon et violoncelle (feat. Edgar Moreau, Rosanne Philippens)
Éric Tanguy; David Kadouch; Edgar Moreau; Rosanne Philippens |
12:00 | |||
Digital Booklet
|
Eric Tanguy’s focus on “imagination, poetry and an interior world” has helped to make him one of the most widely performed French composers of today. Belonging in a line that leads back from his mentor Henri Dutilleux to Messiaen and Debussy, he does not identify with any specific ‘school’ of composition. His aesthetic has also been shaped by the music of Sibelius and his technique is characterised by intricate use of modes. “There is rigour and purpose behind my music,” he says, but I don’t expect the listener to have to decode it … It’s the feeling that matters.”
The album In a Dream takes its title from a piece for violin and piano, one of the eight chamber works on its programme. Composed between 1999 and 2019, they are performed here by violinists Alexandra Conunova and Rosanne Philippens, viola-player Lise Berthaud, cellist Edgar Moreau, clarinettist Pierre Génisson, pianists Suzana Bartal and David Kadouch, and string ensemble Quatuor Diotima.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.27 -6.91 to -0.66 | -26.72 -32.43 to -22.92 | -22.64 -27.20 to -20.00 | 14 13 to 15 | |
1 | Quintette pour piano et quatuor à cordes (feat. Suzana Bartal) | -0.66 | -24.56 | -20.6 | 15 |
2 | In a Dream, pour violon et piano (feat. Suzana Bartal) | -3.90 | -26.98 | -22.6 | 14 |
3 | Spirales, pour violoncelle et piano (feat. Suzana Bartal) | -2.66 | -22.92 | -20.0 | 13 |
4 | Nachtmusik, pour piano seul | -2.76 | -25.68 | -21.4 | 13 |
5 | Rhapsodie pour alto et piano (feat. Suzana Bartal) | -4.30 | -25.93 | -21.8 | 13 |
6 | I. Lyrique | -6.91 | -27.60 | -23.4 | 13 |
7 | II. Étrange | -6.68 | -32.43 | -27.2 | 13 |
8 | III. Vertigineux | -6.16 | -28.44 | -24.6 | 13 |
9 | Lacrymosa, pour clarinette et piano (feat. Suzana Bartal) | -4.86 | -27.39 | -23.4 | 14 |
10 | Trio pour piano, violon et violoncelle (feat. Edgar Moreau, Rosanne Philippens) | -3.86 | -25.29 | -21.4 | 14 |