℗ 2022 BR-Klassik
| Released | June 3, 2022 |
| Duration | 53m 55s |
| Record Label | BR-Klassik |
| Catalogue No. | 900815 |
| Genre | Classical (Orchestral) |
Beethoven: Symphony No. 5 in C Minor, Op. 67 (Rehearsal Excerpts)
Bavarian Radio Symphony Orchestra, Mariss Jansons, Friedrich Schloffer
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Symphony No. 5 in C Minor, Op. 67 (Rehearsal Excerpts)
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1.1
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I. Allegro con brio (Dirigenten bei der Probe. Einleitung)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
0:45 | |||
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1.2
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Das Schicksalsmotiv
Friedrich Schloffer |
1:27 | |||
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1.3
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I. Allegro con brio (Der Sieg der Finsternis)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:17 | |||
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1.4
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I. Allegro con brio (Ein bisschen mehr Aufregung)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
5:15 | |||
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1.5
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I. Allegro con brio (Die Exposition zum zweiten Mal)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:58 | |||
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1.6
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Die Musik zum Sprechen bringen
Friedrich Schloffer |
1:19 | |||
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1.7
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I. Allegro con brio (Absolute Abstraktion)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:16 | |||
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1.8
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I. Allegro con brio (Das ist Beethovens Überraschung)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:22 | |||
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1.9
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Handwerk und Kunst kann man nicht trennen
Friedrich Schloffer |
1:02 | |||
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1.10
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I. Allegro con brio (Härtere Schläge, bitte)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:36 | |||
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1.11
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I. Allegro con brio (Singen - Frage - Antwort)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:20 | |||
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1.12
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Der Triumph der Finsternis
Friedrich Schloffer |
0:46 | |||
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1.13
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II. Andante con moto (Der zweite Satz)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
5:41 | |||
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1.14
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II. Andante con moto (Erinnern Sie sich an diese drei Noten)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:29 | |||
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1.15
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II. Andante con moto (Ein bisschen klingt das wie eine Etüde)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:14 | |||
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1.16
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II. Andante con moto (Und jetzt das ganze Orchester)
Bavarian Radio Symphony Orchestra; Mariss Jansons |
5:08 | |||
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Digital Booklet
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What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. "Conductors in Rehearsal" is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The first set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie im Gasteig, taken from different phases of the collaboration between Mariss Jansons’ work with the BRSO.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Tracks 1-16 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Tracks 2, 6, 9, 12 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 1-16 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Tracks 2, 6, 9, 12 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.32 -4.53 to -1.00 | -23.16 -26.94 to -18.07 | -19.54 -23.30 to -14.70 | 14 10 to 16 | |
| 1 | I. Allegro con brio (Dirigenten bei der Probe. Einleitung) | -1.00 | -18.07 | -14.7 | 10 |
| 2 | Das Schicksalsmotiv | -3.05 | -23.56 | -19.9 | 14 |
| 3 | I. Allegro con brio (Der Sieg der Finsternis) | -3.74 | -26.41 | -22.9 | 15 |
| 4 | I. Allegro con brio (Ein bisschen mehr Aufregung) | -1.00 | -23.13 | -19.3 | 14 |
| 5 | I. Allegro con brio (Die Exposition zum zweiten Mal) | -1.00 | -22.15 | -18.3 | 13 |
| 6 | Die Musik zum Sprechen bringen | -3.77 | -22.60 | -19.2 | 13 |
| 7 | I. Allegro con brio (Absolute Abstraktion) | -1.43 | -21.71 | -17.5 | 12 |
| 8 | I. Allegro con brio (Das ist Beethovens Überraschung) | -1.00 | -22.96 | -18.9 | 13 |
| 9 | Handwerk und Kunst kann man nicht trennen | -4.20 | -23.18 | -19.8 | 14 |
| 10 | I. Allegro con brio (Härtere Schläge, bitte) | -3.44 | -26.94 | -23.3 | 16 |
| 11 | I. Allegro con brio (Singen - Frage - Antwort) | -1.00 | -18.17 | -15.0 | 11 |
| 12 | Der Triumph der Finsternis | -4.53 | -23.76 | -20.3 | 13 |
| 13 | II. Andante con moto (Der zweite Satz) | -2.12 | -25.04 | -20.9 | 15 |
| 14 | II. Andante con moto (Erinnern Sie sich an diese drei Noten) | -1.00 | -23.30 | -19.7 | 14 |
| 15 | II. Andante con moto (Ein bisschen klingt das wie eine Etüde) | -3.49 | -24.79 | -21.6 | 14 |
| 16 | II. Andante con moto (Und jetzt das ganze Orchester) | -1.43 | -24.80 | -21.4 | 15 |