℗ 1979 UMG Recordings; A Republic Records Release
| Released | September 1, 1979 |
| Duration | 28m 17s |
| Record Label | Universal Records |
| Genre | Country |
Making A Name For Myself
Roger Miller, Harry Bluestone
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
The Hat
Roger Miller; Harry Bluestone |
2:13 | |||
|
1.2
|
If I Ever Fall In Love
Roger Miller; Harry Bluestone |
3:54 | |||
|
1.3
|
Ringing Up Rosie
Roger Miller; Harry Bluestone |
2:32 | |||
|
1.4
|
Freedom
Roger Miller; Harry Bluestone |
3:03 | |||
|
1.5
|
Hey, Would You Hold It Down?
Roger Miller; Harry Bluestone |
2:41 | |||
|
1.6
|
It's A Miracle That You're Mine
Roger Miller; Harry Bluestone |
2:11 | |||
|
1.7
|
Pleasing The Crowd
Roger Miller; Harry Bluestone |
3:53 | |||
|
1.8
|
Disco Man
Roger Miller; Harry Bluestone |
3:21 | |||
|
1.9
|
Old Friends
Roger Miller; Harry Bluestone |
2:23 | |||
|
1.10
|
The Opera Ain't Over 'Till The Fat Lady Sings
Roger Miller; Harry Bluestone |
2:06 |
MCA Nashville presents Roger Miller's 1979 album Making A Name For Myself as part of a series of exciting new re-releases from the beloved Country star!
Over the course of his wildly successful four-decade long career, Country Music Hall of Famer, Roger Miller, recorded and released hundreds of songs across 19 studio albums, including a remarkable 52 singles. Best known for his chart-topping hits "King of the Road," "Dang Me," "Chug-A-Lug" and "England Swings" from the mid-1960s Nashville sound era, Miller released his debut album, Roger And Out, in 1964 on Smash Records after several years of playing with, and becoming a hit songwriter for country greats like George Jones, Jimmy Dean, Ray Price, Ernest Tubb, and Faron Young, along with releasing a dozen singles of his own. On the strength of the back-to-back hits "Dang Me" and "Chug-A-Lug," the album was a smash and set the stage for a peerless career that included 11 Grammy Awards, two Tony Awards, Academy of Country Music's Pioneer Award, multiple hit records, several movie soundtracks, a television show, induction into Nashville Songwriters Hall of Fame, and so much more.
96 kHz / 24-bit PCM – Universal Records Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.33 -1.23 to -0.22 | -19.03 -22.05 to -16.51 | -15.36 -17.30 to -13.10 | 13 11 to 14 | |
| 1 | The Hat | -0.22 | -17.70 | -14.1 | 12 |
| 2 | If I Ever Fall In Love | -1.23 | -20.83 | -17.3 | 12 |
| 3 | Ringing Up Rosie | -0.23 | -16.51 | -13.3 | 11 |
| 4 | Freedom | -0.23 | -20.17 | -16.3 | 13 |
| 5 | Hey, Would You Hold It Down? | -0.22 | -19.60 | -16.0 | 13 |
| 6 | It's A Miracle That You're Mine | -0.22 | -19.44 | -16.4 | 14 |
| 7 | Pleasing The Crowd | -0.22 | -18.83 | -15.4 | 13 |
| 8 | Disco Man | -0.22 | -16.65 | -13.1 | 11 |
| 9 | Old Friends | -0.22 | -22.05 | -16.4 | 13 |
| 10 | The Opera Ain't Over 'Till The Fat Lady Sings | -0.23 | -18.51 | -15.3 | 13 |