℗ 2022 Divine Art
Released June 10, 2022
Duration 2h 21m 31s
Record Label Divine Art
Catalogue No. DDA21238
Genre Classical (Cello)
 

J.S. Bach: Cello Suites Nos. 1-6, BWV 1007-1012

Marina Tarasova

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Cello Suite No. 1 in G Major, BWV 1007  
1.1
I. Prélude
Johann Sebastian Bach; Marina Tarasova
1:33
1.2
II. Allemande
Johann Sebastian Bach; Marina Tarasova
2:51
1.3
III. Courante
Johann Sebastian Bach; Marina Tarasova
2:22
1.4
IV. Sarabande
Johann Sebastian Bach; Marina Tarasova
2:36
1.5
V. Menuets I & II
Johann Sebastian Bach; Marina Tarasova
3:57
1.6
VI. Gigue
Johann Sebastian Bach; Marina Tarasova
1:23
Cello Suite No. 2 in D Minor, BWV 1008  
1.7
I. Prélude
Johann Sebastian Bach; Marina Tarasova
3:29
1.8
II. Allemande
Johann Sebastian Bach; Marina Tarasova
2:50
1.9
III. Courante
Johann Sebastian Bach; Marina Tarasova
1:48
1.10
IV. Sarabande
Johann Sebastian Bach; Marina Tarasova
5:20
1.11
V. Menuets I & II
Johann Sebastian Bach; Marina Tarasova
3:53
1.12
VI. Gigue
Johann Sebastian Bach; Marina Tarasova
2:37
Cello Suite No. 6 in D Major, BWV 1012  
1.13
I. Prélude
Johann Sebastian Bach; Marina Tarasova
5:55
1.14
II. Allemande
Johann Sebastian Bach; Marina Tarasova
9:12
1.15
III. Courante
Johann Sebastian Bach; Marina Tarasova
4:14
1.16
IV. Sarabande
Johann Sebastian Bach; Marina Tarasova
5:10
1.17
V. Gavottes I & II
Johann Sebastian Bach; Marina Tarasova
5:38
1.18
VI. Gigue
Johann Sebastian Bach; Marina Tarasova
4:26
Cello Suite No. 3 in C Major, BWV 1009  
2.1
I. Prélude
Johann Sebastian Bach; Marina Tarasova
3:07
2.2
II. Allemande
Johann Sebastian Bach; Marina Tarasova
3:16
2.3
III. Courante
Johann Sebastian Bach; Marina Tarasova
3:00
2.4
IV. Sarabande
Johann Sebastian Bach; Marina Tarasova
4:08
2.5
V. Bourrées I & II
Johann Sebastian Bach; Marina Tarasova
4:49
2.6
VI. Gigue
Johann Sebastian Bach; Marina Tarasova
2:51
Cello Suite No. 4 in E-Flat Major, BWV 1010  
2.7
I. Prélude
Johann Sebastian Bach; Marina Tarasova
4:26
2.8
II. Allemande
Johann Sebastian Bach; Marina Tarasova
3:30
2.9
III. Courante
Johann Sebastian Bach; Marina Tarasova
3:48
2.10
IV. Sarabande
Johann Sebastian Bach; Marina Tarasova
4:37
2.11
V. Bourrées I & II
Johann Sebastian Bach; Marina Tarasova
5:47
2.12
VI. Gigue
Johann Sebastian Bach; Marina Tarasova
2:42
Cello Suite No. 5 in C Minor, BWV 1011  
2.13
I. Prélude
Johann Sebastian Bach; Marina Tarasova
6:27
2.14
II. Allemande
Johann Sebastian Bach; Marina Tarasova
5:26
2.15
III. Courante
Johann Sebastian Bach; Marina Tarasova
3:01
2.16
IV. Sarabande
Johann Sebastian Bach; Marina Tarasova
2:48
2.17
V. Gavottes I & II
Johann Sebastian Bach; Marina Tarasova
6:11
2.18
VI. Gigue
Johann Sebastian Bach; Marina Tarasova
2:23
Digital Booklet
The Six Suites for Solo Cello by J S Bach composed around 1720, are generally regarded as the first and greatest masterpieces ever written for the instrument. Their scope is vast and ingenious. Although most of the time, only one note is played, occasional chords and masterful melodies imply harmony and counterpoint. The Suites have been performed and recorded countless times over the last 100 years, with a variety of interpretative approaches. These approaches, until recently, could often be rather academic and formal, as it used to be thought that baroque music was mostly about form. The present cellist takes a radically opposing approach, one which is inspirational and which infuses the works with vitality and spirit. Marina Tarasova is a world-renowned cellist with many recordings to her name for Musical Concepts and Northern Flowers among other labels, and this is her first recording for Divine Art. She has won international competitions in Prague, Florence and Paris and has a wide repertoire covering works of composers from the 17th century to the 20th century.
44.1 kHz / 24-bit PCM – Divine Art Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.53
-4.66 to -0.50
-21.02
-23.91 to -19.00
-18.47
-21.60 to -16.60
11
9 to 14
1.1
I. Prélude
-2.38-20.80-18.211
1.2
II. Allemande
-2.60-21.33-18.912
1.3
III. Courante
-3.27-20.42-17.911
1.4
IV. Sarabande
-0.50-21.80-19.213
1.5
V. Menuets I & II
-3.29-22.48-19.812
1.6
VI. Gigue
-2.49-19.56-16.911
1.7
I. Prélude
-0.94-19.89-17.411
1.8
II. Allemande
-2.51-20.80-18.311
1.9
III. Courante
-3.79-22.54-19.812
1.10
IV. Sarabande
-4.12-22.02-19.310
1.11
V. Menuets I & II
-3.05-23.01-20.313
1.12
VI. Gigue
-1.57-20.22-17.811
1.13
I. Prélude
-2.10-20.95-18.312
1.14
II. Allemande
-2.47-22.82-20.112
1.15
III. Courante
-3.31-23.42-20.813
1.16
IV. Sarabande
-2.60-20.86-18.211
1.17
V. Gavottes I & II
-1.57-20.67-17.713
1.18
VI. Gigue
-1.51-20.07-17.412
2.1
I. Prélude
-2.95-20.14-17.811
2.2
II. Allemande
-4.66-21.35-19.011
2.3
III. Courante
-3.68-23.91-21.614
2.4
IV. Sarabande
-3.08-22.45-19.912
2.5
V. Bourrées I & II
-3.33-23.77-21.012
2.6
VI. Gigue
-1.05-19.28-16.911
2.7
I. Prélude
-1.43-19.06-16.711
2.8
II. Allemande
-2.82-22.14-19.712
2.9
III. Courante
-2.87-21.45-19.011
2.10
IV. Sarabande
-1.96-20.12-17.511
2.11
V. Bourrées I & II
-1.24-20.82-18.412
2.12
VI. Gigue
-2.12-19.21-16.810
2.13
I. Prélude
-2.29-19.36-17.111
2.14
II. Allemande
-0.82-19.00-16.611
2.15
III. Courante
-3.52-20.05-17.611
2.16
IV. Sarabande
-4.20-21.38-18.39
2.17
V. Gavottes I & II
-2.28-20.27-17.811
2.18
VI. Gigue
-2.89-19.43-16.811

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