℗ 1974 © Legacy International
| Released | March 1, 1974 |
| Duration | 43m 26s |
| Record Label | Legacy International |
| Genre | Classical |
The Artistry of Wanda Landowska
Wanda Landowska
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Sonata No. 18 in D Major, K. 576
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1.1
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I. Allegro
Wolfgang Amadeus Mozart; Wanda Landowska |
4:49 | |||
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1.2
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II. Adagio
Wolfgang Amadeus Mozart; Wanda Landowska |
4:22 | |||
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1.3
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III. Allegretto
Wolfgang Amadeus Mozart; Wanda Landowska |
3:59 | |||
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1.4
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Valses Viennoises
Joseph Lanner; Wanda Landowska |
3:58 | |||
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Piano Sonata No. 12 in A Flat Major, Op. 26 "Funeral March"
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1.5
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I. Andante con variazioni
Ludwig van Beethoven; Wanda Landowska |
7:26 | |||
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1.6
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II. Scherzo - Molto allegro
Ludwig van Beethoven; Wanda Landowska |
2:17 | |||
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1.7
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III. Marcia funebre sulla morte d'un eroe - Maestoso andante
Ludwig van Beethoven; Wanda Landowska |
7:43 | |||
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1.8
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Andante in F Major, WoO 57, "Andante favori"
Ludwig van Beethoven; Wanda Landowska |
8:52 | |||
Polish-French harpsichordist Wanda Landowska played a key role in reviving the popularity of her instrument in the early 20th century, and was the first person to record Bach’s Goldberg Variations on the harpsichord. Her poetic insight as an interpreter is celebrated in this collection, which features her performances of Mozart’s Sonata No. 18 in D Major, Joseph Lanner’s Valse Viennoises and Beethoven’s Piano Sonata No. 12 in A Flat Major.
44.1 kHz / 24-bit PCM – Legacy International Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.64 -4.33 to -1.18 | -21.66 -23.63 to -20.14 | -18.99 -21.00 to -17.50 | 12 11 to 13 | |
| 1 | I. Allegro | -1.21 | -20.91 | -18.2 | 12 |
| 2 | II. Adagio | -4.33 | -22.98 | -20.3 | 12 |
| 3 | III. Allegretto | -2.34 | -20.14 | -17.5 | 11 |
| 4 | Valses Viennoises | -2.24 | -21.05 | -18.3 | 12 |
| 5 | I. Andante con variazioni | -4.08 | -22.55 | -19.9 | 11 |
| 6 | II. Scherzo - Molto allegro | -2.52 | -20.68 | -18.1 | 11 |
| 7 | III. Marcia funebre sulla morte d'un eroe - Maestoso andante | -1.18 | -21.34 | -18.6 | 13 |
| 8 | Andante in F Major, WoO 57, "Andante favori" | -3.23 | -23.63 | -21.0 | 13 |