℗ 2022 BR-Klassik
| Released | June 17, 2022 |
| Duration | 54m 02s |
| Record Label | BR-Klassik |
| Catalogue No. | 900816 |
| Genre | Classical (Orchestral) |
Sibelius: Symphony No. 2 in D Major, Op. 43 (Rehearsal Excerpts)
Friedrich Schloffer, Mariss Jansons, Bavarian Radio Symphony Orchestra
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
Symphony No. 2 in D Major, Op. 43 (Rehearsal Excerpts)
|
|||||
|
1.1
|
I. Allegretto (Dirigenten bei der Probe - Einleitung)
Jean Sibelius; Friedrich Schloffer; Mariss Jansons; Bavarian Radio Symphony Orchestra |
0:34 | |||
|
1.2
|
I. Allegretto (Die Naturbilder der Symphonie)
Jean Sibelius; Friedrich Schloffer; Mariss Jansons; Bavarian Radio Symphony Orchestra |
1:24 | |||
|
1.3
|
I. Allegretto (Es kommt etwas wirklich besondere)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
6:10 | |||
|
1.4
|
I. Allegretto (Flüstern, geheimnisvoll)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
2:59 | |||
|
1.5
|
I. Allegretto (Von Anfang, bitte)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
5:20 | |||
|
1.6
|
I. Allegretto (Vorsicht, das ist nicht zusammen)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
3:46 | |||
|
1.7
|
I. Allegretto (Viel leiser...Viel zu laut)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
5:49 | |||
|
1.8
|
I. Allegretto (Nur die Trompeten)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
2:53 | |||
|
1.9
|
I. Allegretto (Die Naturbilder müssen durchsichtige Musik sein)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
3:47 | |||
|
1.10
|
II. Tempo andante, ma rubato (Bei der Arbeit am langsamen Satz)
Jean Sibelius; Friedrich Schloffer; Mariss Jansons; Bavarian Radio Symphony Orchestra |
5:35 | |||
|
1.11
|
II. Tempo andante, ma rubato (Eine schwierige Stelle für das Ensemble)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
5:38 | |||
|
1.12
|
II. Tempo andante, ma rubato (Eine Andacht)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
3:09 | |||
|
1.13
|
II. Tempo andante, ma rubato (Takt 92)
Jean Sibelius; Mariss Jansons; Bavarian Radio Symphony Orchestra |
3:36 | |||
|
1.14
|
II. Tempo andante, ma rubato (Die Arbeit am Klang ist der Schlüssel zum Ausdruck)
Jean Sibelius; Friedrich Schloffer; Mariss Jansons; Bavarian Radio Symphony Orchestra |
3:22 | |||
|
Digital Booklet
|
|||||
What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. "Conductors in Rehearsal" is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The first set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie im Gasteig, taken from different phases of the collaboration between Mariss Jansons’ work with the BRSO.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Track 2 – contains material which has been processed by a perceptual audio coding algorithm
Track 2 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.12 -2.03 to -1.00 | -22.64 -27.55 to -18.82 | -18.89 -22.60 to -15.70 | 14 10 to 17 | |
| 1 | I. Allegretto (Dirigenten bei der Probe - Einleitung) | -1.00 | -18.82 | -15.8 | 11 |
| 2 | I. Allegretto (Die Naturbilder der Symphonie) | -2.03 | -24.54 | -21.0 | 15 |
| 3 | I. Allegretto (Es kommt etwas wirklich besondere) | -1.00 | -25.36 | -22.1 | 16 |
| 4 | I. Allegretto (Flüstern, geheimnisvoll) | -1.00 | -24.92 | -21.3 | 17 |
| 5 | I. Allegretto (Von Anfang, bitte) | -1.00 | -22.58 | -19.2 | 14 |
| 6 | I. Allegretto (Vorsicht, das ist nicht zusammen) | -1.00 | -24.95 | -21.3 | 17 |
| 7 | I. Allegretto (Viel leiser...Viel zu laut) | -1.00 | -19.49 | -15.7 | 10 |
| 8 | I. Allegretto (Nur die Trompeten) | -1.00 | -20.43 | -16.8 | 12 |
| 9 | I. Allegretto (Die Naturbilder müssen durchsichtige Musik sein) | -1.00 | -20.75 | -17.5 | 12 |
| 10 | II. Tempo andante, ma rubato (Bei der Arbeit am langsamen Satz) | -1.00 | -25.62 | -21.7 | 17 |
| 11 | II. Tempo andante, ma rubato (Eine schwierige Stelle für das Ensemble) | -1.00 | -20.15 | -16.2 | 11 |
| 12 | II. Tempo andante, ma rubato (Eine Andacht) | -1.60 | -27.55 | -22.6 | 17 |
| 13 | II. Tempo andante, ma rubato (Takt 92) | -1.00 | -21.04 | -16.8 | 11 |
| 14 | II. Tempo andante, ma rubato (Die Arbeit am Klang ist der Schlüssel zum Ausdruck) | -1.00 | -20.70 | -16.4 | 12 |