℗ 2022 Getting Out Our Dreams/Def Jam Recordings, a division of UMG Recordings
| Released | June 3, 2022 |
| Duration | 48m 53s |
| Record Label | Getting Out Our Dreams Inc |
| Genre | Alternative |
You Can’t Kill Me [Edited / Clean]
070 Shake
Available in 176.4 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Web
070 Shake |
2:06 | |||
|
1.2
|
Invited
070 Shake |
2:42 | |||
|
1.3
|
History
070 Shake |
4:51 | |||
|
1.4
|
Medicine
070 Shake |
3:15 | |||
|
1.5
|
Skin and Bones
070 Shake |
3:34 | |||
|
1.6
|
Blue Velvet
070 Shake |
4:36 | |||
|
1.7
|
Cocoon
070 Shake |
3:21 | |||
|
1.8
|
Body
070 Shake; Christine and the Queens |
3:30 | |||
|
1.9
|
Wine & Spirits
070 Shake |
3:16 | |||
|
1.10
|
Come Back Home
070 Shake |
5:02 | |||
|
1.11
|
Vibrations
070 Shake |
3:41 | |||
|
1.12
|
Purple Walls
070 Shake |
2:50 | |||
|
1.13
|
Stay
070 Shake |
2:43 | |||
|
1.14
|
Se Fue La Luz
070 Shake |
3:26 |
“An emo-rap Dark Side Of The Moon…suggests Enya and Pink Floyd as much as Frank Ocean.”
- Rolling Stone
070 Shake releases her highly-anticipated sophomore album You Can’t Kill Me via G.O.O.D. Music/Def Jam Recordings. Shake first began teasing the project at the end of April, when she released the title of the album and lead single “Skin and Bones,” which is produced by Dave Hamelin and mixed and mastered by Mike Dean.
In 2020, 070 Shake released her celebrated debut album Modus Vivendi, which Pitchfork described as “a refreshingly new take on eclectic, lovesick soul music,” and includes the stand-out tracks “Guilty Conscience,” “Morrow,” and “Under The Moon.” Last year, she released multiple collaborative singles including the GENER8ION team-up “Neo Surf,” which arrived with cinematic visuals directed by Romain Gavras and “Lose My Cool” featuring NLE Choppa. Earlier this year, Shake was recruited by Madonna for a remix of her iconic track “Frozen.”
176.4 kHz / 24-bit PCM – Getting Out Our Dreams Inc Studio Masters
Tracks 13, 14 – 48 kHz / 24-bit PCM, mastered in 176.4 kHz / 24-bit Tracks 1, 4, 5, 8-10 – 88.2 kHz / 24-bit PCM, mastered in 176.4 kHz / 24-bit Tracks 2, 3, 6, 7, 11, 12 – 44.1 kHz / 24-bit PCM, mastered in 176.4 kHz / 24-bit
Tracks 13, 14 – 48 kHz / 24-bit PCM, mastered in 176.4 kHz / 24-bit Tracks 1, 4, 5, 8-10 – 88.2 kHz / 24-bit PCM, mastered in 176.4 kHz / 24-bit Tracks 2, 3, 6, 7, 11, 12 – 44.1 kHz / 24-bit PCM, mastered in 176.4 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.20 -0.20 to -0.20 | -11.26 -12.70 to -9.80 | -9.44 -10.70 to -8.10 | 5 4 to 6 | |
| 1 | Web | -0.20 | -12.70 | -9.8 | 6 |
| 2 | Invited | -0.20 | -10.84 | -9.5 | 5 |
| 3 | History | -0.20 | -11.07 | -9.8 | 4 |
| 4 | Medicine | -0.20 | -12.01 | -10.1 | 5 |
| 5 | Skin and Bones | -0.20 | -10.11 | -8.1 | 5 |
| 6 | Blue Velvet | -0.20 | -12.13 | -10.7 | 5 |
| 7 | Cocoon | -0.20 | -11.38 | -10.2 | 5 |
| 8 | Body | -0.20 | -11.10 | -9.1 | 6 |
| 9 | Wine & Spirits | -0.20 | -12.37 | -10.1 | 5 |
| 10 | Come Back Home | -0.20 | -11.06 | -9.6 | 5 |
| 11 | Vibrations | -0.20 | -11.86 | -8.8 | 5 |
| 12 | Purple Walls | -0.20 | -10.06 | -8.6 | 5 |
| 13 | Stay | -0.20 | -11.14 | -8.9 | 5 |
| 14 | Se Fue La Luz | -0.20 | -9.80 | -8.8 | 4 |