℗ 2014 LPO
 

Zemlinsky: A Florentine Tragedy - Six Maeterlinck Songs

Petra Lang, Heike Wessels, Sergey Skorokhodov, Albert Dohmen, London Philharmonic Orchestra, Vladimir Jurowski

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
Add to cart
discounted price
 
Eine florentinische Tragödie (A Florentine Tragedy), Op.16  
1.1
Overture
Alexander Zemlinsky; London Philharmonic Orchestra; Vladimir Jurowski
4:45
1.2
So langsam, Weib? (Simone, Bianca)
Alexander Zemlinsky; Albert Dohmen; Heike Wessels; London Philharmonic Orchestra; Vladimir Jurowski
2:11
1.3
Ich heisse Guido Bardi (Guido, Simone)
Alexander Zemlinsky; Sergey Skorokhodov; Albert Dohmen; London Philharmonic Orchestra; Vladimir Jurowski
2:44
1.4
Wo ist mein Bundel? (Simone)
Alexander Zemlinsky; Albert Dohmen; London Philharmonic Orchestra; Vladimir Jurowski
1:55
1.5
Wackrer Simone, genug, ich bitte Euch. (Guido, Simone)
Alexander Zemlinsky; Sergey Skorokhodov; Albert Dohmen; London Philharmonic Orchestra; Vladimir Jurowski
3:08
1.6
Bianca sag, stunde nicht dies kostbar edle Kleid dem Prinzen Guido gut? (Simone, Bianca, Guido)
Alexander Zemlinsky; Albert Dohmen; Heike Wessels; Sergey Skorokhodov; London Philharmonic Orchestra; Vladimir Jurowski
3:30
1.7
Wie, wenn ich die weisse Bianca forderte? (Guido, Simone, Bianca)
Alexander Zemlinsky; Sergey Skorokhodov; Albert Dohmen; Heike Wessels; London Philharmonic Orchestra; Vladimir Jurowski
3:21
1.8
Was gibt es Neues, mein Prinz? (Simone, Guido, Bianca)
Alexander Zemlinsky; Albert Dohmen; Sergey Skorokhodov; Heike Wessels; London Philharmonic Orchestra; Vladimir Jurowski
5:16
1.9
Wie er gleich einem schalen Kramer spricht! (Bianca, Guido, Simone)
Alexander Zemlinsky; Heike Wessels; Sergey Skorokhodov; Albert Dohmen; London Philharmonic Orchestra; Vladimir Jurowski
3:32
1.10
Genug! (Simone, Guido)
Alexander Zemlinsky; Albert Dohmen; Sergey Skorokhodov; London Philharmonic Orchestra; Vladimir Jurowski
5:26
1.11
Was meint der Fleck hier auf dem Tuch? (Simone, Guido)
Alexander Zemlinsky; Albert Dohmen; Sergey Skorokhodov; London Philharmonic Orchestra; Vladimir Jurowski
2:28
1.12
Holdsel'ge Bianca, der schale Kramer lang weilt mich (Guido, Bianca)
Alexander Zemlinsky; Sergey Skorokhodov; Heike Wessels; London Philharmonic Orchestra; Vladimir Jurowski
6:12
1.13
Simone, jetzt muss ich nach Hause gehn! (Guido, Simone)
Alexander Zemlinsky; Sergey Skorokhodov; Albert Dohmen; London Philharmonic Orchestra; Vladimir Jurowski
2:00
1.14
Ei, welch ein Schwert! (Simone, Guido)
Alexander Zemlinsky; Albert Dohmen; Sergey Skorokhodov; London Philharmonic Orchestra; Vladimir Jurowski
2:19
1.15
Bianca, hol mein Schwert! (Simone, Bianca)
Alexander Zemlinsky; Albert Dohmen; Heike Wessels; London Philharmonic Orchestra; Vladimir Jurowski
2:07
1.16
Narr, nimm mir vom Hals deine Wurgefinger! (Guido, Simone)
Alexander Zemlinsky; Sergey Skorokhodov; Albert Dohmen; London Philharmonic Orchestra; Vladimir Jurowski
1:15
1.17
Und jetzt zu dir! (Simone, Bianca)
Alexander Zemlinsky; Albert Dohmen; Heike Wessels; London Philharmonic Orchestra; Vladimir Jurowski
2:17
Six Maeterlinck Songs, Op. 13  
1.18
No. 1. Die drei Schwestern (The Three Sisters)
Alexander Zemlinsky; Petra Lang; London Philharmonic Orchestra; Vladimir Jurowski
4:02
1.19
No. 2. Die Mädchen mit den verbundenen Augen (The Maidens with Bound Eyes)
Alexander Zemlinsky; Petra Lang; London Philharmonic Orchestra; Vladimir Jurowski
2:51
1.20
No. 3. lied der Jungfrau (Song of the Virgin)
Alexander Zemlinsky; Petra Lang; London Philharmonic Orchestra; Vladimir Jurowski
2:14
1.21
No. 4. Als ihr Geliebter schied (When her lover went away)
Alexander Zemlinsky; Petra Lang; London Philharmonic Orchestra; Vladimir Jurowski
1:59
1.22
No. 5. Und kehrt er einst heim (And should he return one day)
Alexander Zemlinsky; Petra Lang; London Philharmonic Orchestra; Vladimir Jurowski
3:11
1.23
No. 6. Sie kam zum Schloss gegangen (She came towards the castle)
Alexander Zemlinsky; Petra Lang; London Philharmonic Orchestra; Vladimir Jurowski
5:18
Digital Booklet
Total Playing Time    74:01
Entranced and inspired by Oscar Wilde’s dark, death-ridden play, Alexander Zemlinsky conjured up his most colourful orchestral canvas in the one-act opera A Florentine Tragedy. Set in 16th century Florence, the opera tells of jealousy, betrayal and ultimately murder. Conductor Vladimir Jurowski and the London Philharmonic Orchestra provide a rich and lavish backdrop for this gripping tale of passion and revenge on this 2014 live release, which also includes Zemlinsky’s haunting, sensuous Six Maeterlinck Songs. The album showcases mezzo-sopranos Petra Lang and Heike Wessels, tenor Sergei Skorokhodov and baritone Albert Dohmen.
44.1 kHz / 24-bit PCM – LPO Studio Masters

Recorded live at Southbank Centre’s Royal Festival Hall, London

For Your Consideration | More ▸

David Maslanka: Music for Wind Ensemble Middle Tennessee State University Wind Ensemble; Reed Thomas; Michael Fleming; Rubén Darío Gómez; C. Allen Kennedy; Manuel Monge-Mata; Martin Gaines
44.1
Tchaikovsky: All-Night Vigil & Other Sacred Choral Works Latvian Radio Choir; Sigvards Klava
96
Flying Solo Janet Hilton
44.1
Tchaikovsky: Symphony No. 5, Op. 64 - The Storm, Op. 76 Polish National Radio Symphony Orchestra; Antoni Wit
44.1
Music for Troubled Times: The English Civil War & Siege of York The Ebor Singers; Paul Gameson
44.1
Bentzon spiller Hartmann Highlights J.P.E. Hartmann; Nikolaj Bentzon
44.1
Pettersson: Vox Humana & 6 Sanger Anna Greelius; Musica Vitae; Daniel Hansson; Conny Thimander; Ensemble SYD; Kristina Hellgren; Jakob Höström; Marie Aström
96
J.S. Bach: Goldberg Variations, BWV 988 (Transcr. for Organ by Cameron Carpenter): Variatio 29 a 1 ovvero 2 Clav. (Single) Cameron Carpenter
96
Journey to Geneva Estelle Revaz; L'Orchestre de Chambre de Geneve; Arie van Beek
96
Brahms: Violin Concerto - Hungarian Dances - Bartók: Rhapsodies Leonidas Kavakos; Gewandhausorchester Leipzig; Riccardo Chailly; Peter Nagy
96
Silfr Vilde&Inga
44.1
Liszt: Harmonies poétiques et religieuses III, S. 173 Adam Tendler; Jenny Lin
96192
Concertino da camera: Saxophone Concerts Pedro Pablo Cámara Toldos; I Musici di Basilea
44.1
WORLD DREAMS Joe Hisaishi; New Japan Philharmonic World Dream Orchestra; Yasushi Ichihara
96
Follow, Poet Mohammed Fairouz; Evan Rogister; Ensemble LPR; Kate Lindsey; Paul Muldoon
96

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions