℗ ℗ 2017 Marvel Music, Inc.
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1.1
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Showtime, A-holes
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:28 | ||
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1.2
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vs. The Abilisk
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:35 | ||
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1.3
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The Mantis Touch
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:54 | ||
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1.4
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Space Chase
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:21 | ||
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1.5
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Family History
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:49 | ||
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1.6
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Groot Expectations
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:57 | ||
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1.7
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Mammalian Bodies
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:51 | ||
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1.8
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Starhawk
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:49 | ||
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1.9
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Two-Time-Galaxy Savers
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:01 | ||
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1.10
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I Know Who You Are
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
4:20 | ||
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1.11
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Ego
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:47 | ||
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1.12
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Kraglin and Drax
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:34 | ||
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1.13
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The Expansion
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:05 | ||
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1.14
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Mary Poppins and the Rat
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:08 | ||
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1.15
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Gods
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:28 | ||
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1.16
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Dad
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:28 | ||
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1.17
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A Total Hasselhoff
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:02 | ||
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1.18
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Sisters
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:05 | ||
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1.19
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Guardians of the Frickin' Galaxy
Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:00 | ||
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Total Playing Time 43:42
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American film composer Tyler Bates returns to the Guardians of the Galaxy franchise with this score, recorded at Abbey Road Studios. Once again, director James Gunn shot some scenes to music Tyler had already written, rather than the more typical process of composing the soundtrack after the fact to match the visuals.
44.1 kHz / 24-bit PCM – Hollywood Records Studio Masters