1 |
Showtime, A-holes Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:28 | ||
2 |
vs. The Abilisk Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:35 | ||
3 |
The Mantis Touch Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:54 | ||
4 |
Space Chase Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:21 | ||
5 |
Family History Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:49 | ||
6 |
Groot Expectations Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:57 | ||
7 |
Mammalian Bodies Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:51 | ||
8 |
Starhawk Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:49 | ||
9 |
Two-Time-Galaxy Savers Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:01 | ||
10 |
I Know Who You Are Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
4:20 | ||
11 |
Ego Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:47 | ||
12 |
Kraglin and Drax Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:34 | ||
13 |
The Expansion Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:05 | ||
14 |
Mary Poppins and the Rat Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
3:08 | ||
15 |
Gods Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:28 | ||
16 |
Dad Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:28 | ||
17 |
A Total Hasselhoff Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:02 | ||
18 |
Sisters Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
2:05 | ||
19 |
Guardians of the Frickin' Galaxy Tyler Bates; The Metro Voices; Gavin Greenway; Timothy Williams |
1:00 | ||
Total Playing Time 43:42
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American film composer Tyler Bates returns to the Guardians of the Galaxy franchise with this score, recorded at Abbey Road Studios. Once again, director James Gunn shot some scenes to music Tyler had already written, rather than the more typical process of composing the soundtrack after the fact to match the visuals.
44.1 kHz / 24-bit PCM – Hollywood Records Studio Masters