℗ 2017 Tonkunstler Orchestra
Released | April 28, 2017 |
Duration | 1h 15m 12s |
Record Label | Tonkunstler Orchestra |
Genre | Classical |
Tribute to Leonard Bernstein
Tonkünstler Orchester, Yutaka Sado
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Candide
|
|||||
1.1
|
Overture
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
4:30 | |||
Symphonic Dances from West Side Story
|
|||||
1.2
|
I. Prologue
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
4:30 | |||
1.3
|
II. Somewhere
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
4:20 | |||
1.4
|
III. Scherzo
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
1:29 | |||
1.5
|
IV. Mambo
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
2:23 | |||
1.6
|
V. Cha-cha
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
0:58 | |||
1.7
|
VI. Meeting Scene
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
0:49 | |||
1.8
|
VII. Fugue on "Cool"
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
4:01 | |||
1.9
|
VIII. Rumble
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
2:07 | |||
1.10
|
IX. Finale
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
3:11 | |||
On the Waterfront Suite
|
|||||
1.11
|
I. Andante (with dignity) - Presto barbaro
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
3:11 | |||
1.12
|
II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
2:26 | |||
1.13
|
III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
4:28 | |||
1.14
|
IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
5:03 | |||
1.15
|
V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
2:40 | |||
1.16
|
VI. A tempo (Poco più sostenuto)
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
2:00 | |||
Fancy Free
|
|||||
1.17
|
Big Stuff Blues
Leonard Bernstein; Leonard Bernstein; Thissy Thiers; Dicky Tarrach |
0:35 | |||
1.18
|
Enter Three Sailors
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
3:05 | |||
1.19
|
Scene at the Bar
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
1:46 | |||
1.20
|
Enter Two Girls
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
2:57 | |||
1.21
|
Pas de deux
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
3:12 | |||
1.22
|
Competition Scene
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
3:16 | |||
1.23
|
Variation 1. Galop
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
1:29 | |||
1.24
|
Variation 2. Waltz
Leonard Bernstein; Tonkünstler Orchester; Yutaka Sado |
2:39 | |||
1.25
|
Variation 3. Danzon
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
2:54 | |||
1.26
|
Finale
Leonard Bernstein; Bruno Fontaine; Tonkünstler Orchester; Yutaka Sado |
5:13 | |||
Digital Booklet
|
Yutaka Sado leads the Tonkunstler Orchestra on this tribute to Leonard Bernstein, recorded in Austria. A highlight of the delightful programme is the Symphonic Dances from West Side Story along with the exclusive track Big Stuff Blues from the Fancy Free ballet.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Tonkunstler Orchestra Studio Masters
Track 17 – 48 kHz / 24-bit PCM
Track 17 – 48 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.68 -22.77 to -0.08 | -30.12 -45.30 to -21.56 | -25.99 -41.50 to -18.40 | 14 8 to 16 | |
1 | Overture | -1.06 | -24.24 | -20.1 | 14 |
2 | I. Prologue | -2.51 | -25.52 | -20.7 | 15 |
3 | II. Somewhere | -9.20 | -33.87 | -29.7 | 15 |
4 | III. Scherzo | -6.97 | -34.68 | -31.5 | 15 |
5 | IV. Mambo | -0.19 | -21.56 | -18.4 | 14 |
6 | V. Cha-cha | -15.97 | -40.43 | -37.7 | 15 |
7 | VI. Meeting Scene | -22.77 | -45.30 | -41.5 | 10 |
8 | VII. Fugue on "Cool" | -1.78 | -24.68 | -19.4 | 14 |
9 | VIII. Rumble | -2.50 | -27.41 | -22.3 | 16 |
10 | IX. Finale | -15.56 | -37.61 | -34.1 | 12 |
11 | I. Andante (with dignity) - Presto barbaro | -2.11 | -28.25 | -22.1 | 14 |
12 | II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima | -0.26 | -25.10 | -21.5 | 16 |
13 | III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento | -1.52 | -35.75 | -31.4 | 15 |
14 | IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso | -9.74 | -31.37 | -27.1 | 12 |
15 | V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso | -4.67 | -30.79 | -23.5 | 14 |
16 | VI. A tempo (Poco più sostenuto) | -0.16 | -24.49 | -19.9 | 14 |
17 | Big Stuff Blues | -6.61 | -34.54 | -38.7 | 8 |
18 | Enter Three Sailors | -4.74 | -26.62 | -22.8 | 14 |
19 | Scene at the Bar | -15.52 | -37.01 | -33.1 | 12 |
20 | Enter Two Girls | -5.42 | -29.39 | -24.4 | 15 |
21 | Pas de deux | -2.45 | -28.84 | -22.9 | 14 |
22 | Competition Scene | -4.05 | -26.42 | -22.4 | 14 |
23 | Variation 1. Galop | -0.69 | -23.83 | -20.5 | 14 |
24 | Variation 2. Waltz | -5.93 | -29.62 | -25.0 | 14 |
25 | Variation 3. Danzon | -5.16 | -29.46 | -25.1 | 15 |
26 | Finale | -0.08 | -26.29 | -20.0 | 15 |