℗ 2017 Cobra Entertainment LLC
Released | April 28, 2017 |
Duration | 4h 22m 59s |
Record Label | Cobra Entertainment LLC |
Genre | Classical |
Ride of the Valkyries: 50 Must-Have German Opera Classics
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
The Valkyrie, WWV 86B
|
|||||
1.1
|
Act III: Ride of the Valkyries
Richard Wagner; Budapest Symphony Orchestra; György Lehel |
5:17 | |||
Fidelio, Op. 72
|
|||||
1.2
|
Act I: "O welche Lust" (Prisoner's Chorus)
Ludwig van Beethoven; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
3:41 | |||
The Magic Flute, K. 620
|
|||||
1.3
|
Act II: "Der Hölle Rache" (The Queen of the Night's Aria)
Wolfgang Amadeus Mozart; Sumi Jo; Berlin Radio Symphony Orchestra; Roberto Paternostro |
2:58 | |||
Tsar and Carpenter
|
|||||
1.4
|
Act III: Dance of the Clogs
Albert Lortzing; Bratislava Philharmonic Orchestra; Kurt Wöss |
3:33 | |||
The Merry Widows Of Windsor
|
|||||
1.5
|
Act III: "O süßer Mond" (Moon Chorus)
Otto Nicolai; Bulgarian National Choir, Sofia Philharmonic Orchestra; Georgi Robev |
3:31 | |||
The Mastersingers of Nuremberg, WWV 96
|
|||||
1.6
|
Overture
Richard Wagner; Wiener Symphoniker; Yuri Ahronovitch |
10:45 | |||
Der Freischütz
|
|||||
1.7
|
Act III: "Wir winden dir den Jungfernkranz" (Bridal Chorus)
Carl Maria von Weber; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
3:08 | |||
The Magic Flute, K. 620
|
|||||
1.8
|
Act I: "Dies Bildnis ist bezaubernd schön" (Tamino's Aria)
Wolfgang Amadeus Mozart; Munich Radio Orchestra; Kurt Eichhorn |
4:31 | |||
Fidelio, Op. 72
|
|||||
1.9
|
Act I: "Ha, welch ein Augenblick" (Pizarro's Aria)
Ludwig van Beethoven; Bulgarian National Choir; Bulgarian Symphony Orchestra; Ettore Gracis |
3:16 | |||
Hänsel und Gretel
|
|||||
1.10
|
Overture
Engelbert Humperdinck; Royal Philharmonic Orchestra; Norman Shetler |
7:50 | |||
The Magic Flute, K. 620
|
|||||
1.11
|
Act I: "Der Vogelfänger bin ich ja" (Papageno's Aria)
Wolfgang Amadeus Mozart; Hermann Prey; Bratislava Philharmonic Orchestra; Kurt Wöss |
2:54 | |||
Der Freischütz
|
|||||
1.12
|
Act III: "Was gleicht wohl auf Erden" (Huntsmen's Chorus)
Carl Maria von Weber; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
2:42 | |||
The Abduction from the Seraglio, K. 384
|
|||||
1.13
|
Act II: "Wenn der Freude Tränen fließen" (Belmonte's Aria)
Wolfgang Amadeus Mozart; VariJerrold van der Schaaf; Frankfurt Radio Symphony Orchestra; Marcello Viotti |
5:10 | |||
Lohengrin, WWV 75
|
|||||
1.14
|
Act III: "Treulich geführt" (Prelude and Bride Chorus)
Richard Wagner; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgy Robev |
9:18 | |||
Martha
|
|||||
1.15
|
Overture
Friedrich von Flotow; Budapest Symphony Orchestra; Tamas Pal |
8:24 | |||
Tannhäuser, WWV 70
|
|||||
1.16
|
Act III: "Wie Todesahnung" (Wolfram's Song)
Richard Wagner; Hermann Prey; Orchester der Philharmonie Bratislava; Kurt Wöss |
4:58 | |||
The Merry Wives of Windsor
|
|||||
1.17
|
Act III: "Ihr Elfen weiß" (Fairy's Choir)
Otto Nicolai; Sofia Philharmonic Orchestra; Georgi Robev |
1:31 | |||
The Magic Flute K. 620
|
|||||
1.18
|
Act II: "Ach, ich fühl's es ist verschwunden" (Pamina's Aria)
Wolfgang Amadeus Mozart; Petra Maria Schnitzer; Sofia Symphony Orchestra; Dimiter Dimitrov |
3:52 | |||
1.19
|
Preziosa: "Im Wald die Sonn erwacht" (Gypsy Choir)
Carl Maria von Weber; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
3:08 | |||
The Flying Dutchman, WWV 63
|
|||||
1.20
|
Overture
Richard Wagner; Budapest Symphony Orchestra; György Lehel |
9:48 | |||
1.21
|
Act I: "Summ und brumm" (Song of the Spinner)
Richard Wagner; Sofia Philharmonic Orchestra; Georgy Robev |
4:57 | |||
The Flying Dutchman WWV 63
|
|||||
1.22
|
Act II: "Traft ihr das Schiff" (Senta's Ballade)
Richard Wagner; Sylvia Sass; Hungarian State Opera Chorus; Hungarian State Opera Orchestra; András Kórodi |
7:32 | |||
The Flying Dutchman, WWV 63
|
|||||
1.23
|
Act III: "Steuermann, lass die Wacht!" (Sailors' Choir)
Richard Wagner; Bulgarian National Choir;Sofia Philharmonic Orchestra; Georgy Robev |
3:59 | |||
Der Wildschütz
|
|||||
1.24
|
Overture
Albert Lortzing; Plovdiv Philharmonic Orchestra; Rouslan Raichev |
6:32 | |||
The Magic Flute, K. 620
|
|||||
1.25
|
Act II: "O Isis und Osiris" (Chorus of the Priests)
Wolfgang Amadeus Mozart; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
3:05 | |||
1.26
|
Act I: "Du feines Täubchen nur herein" (Trio)
Wolfgang Amadeus Mozart; Petra Maria Schnitzer; Christian Bauer James E. Stith; Sofia Symphony Orchestra; Dimiter Dimitrov |
1:53 | |||
1.27
|
Act I: "Bei Männern welche Liebe fühlen" (Duet Pamina & Papageno)
Wolfgang Amadeus Mozart; Petra Maria Schnitzer; James E. Stith; Sofia Symphony Orchestra; Dimiter Dimitrov |
3:03 | |||
1.28
|
Act II: "Ein Mädchen oder Weibchen" (Papageno's Aria)
Wolfgang Amadeus Mozart; Hermann Prey; Bratislava Philharmonic Orchestra; Kurt Wöss |
4:19 | |||
1.29
|
Act II: "In diesen heil'gen Hallen" (Sarastro's Aria)
Wolfgang Amadeus Mozart; Nicola Ghiuselev; Sofia Philharmonic Orchestra; Rouslan Raichev |
4:17 | |||
1.30
|
Act II: "Heil sei euch Geweihten" (Final Chorus)
Wolfgang Amadeus Mozart; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
2:42 | |||
Fidelio, Op. 72
|
|||||
1.31
|
Overture
Ludwig van Beethoven; Budapest Symphony Orchestra; Tamas Pal |
6:18 | |||
A Night in Granada
|
|||||
1.32
|
Act II: "Schon die Abendglocken klangen" (Chorus)
Conradin Kreutzer; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
3:04 | |||
Tannhäuser, WWV 70
|
|||||
1.33
|
Act II: "Freudig begrüßen wir die edle Halle" (Entrance of the Guests at Wartburg)
Richard Wagner; Chor der Bayerischen; Staatsoper Orchester der Bayerischen Staatsoper; Hanns-Martin Schneidt |
5:58 | |||
1.34
|
Act II: "Dich teure Halle grüß ich wieder" (Elisabeth's Aria)
Richard Wagner; Sylvia Sass; Hungarian State Opera Orchestra; András Kórodi |
3:04 | |||
1.35
|
Act III: "Beglückt darf nun dich, O Heimat, ich schauen" (Pilgrims Choir)
Richard Wagner; Chor der Philharmonie; Bratislava Orchester der Philharmonie Bratislava; Kurt Wöss |
5:22 | |||
1.36
|
Act III: "Allmächt'ge Jungfrau" (Elisabeth's Prayer)
Richard Wagner; Sylvia Sass; Hungarian State Opera Orchestra; András Kórodi |
5:12 | |||
The Barber of Bagdad
|
|||||
1.37
|
Overture
Peter Cornelius; Berlin Radio Symphony Orchestra; Hanns-Martin Schneidt |
8:47 | |||
The Abduction from the Seraglio, K. 384
|
|||||
1.38
|
Act I: "Solche hergelauf'nen Laffen" (Osmin's Aria)
Wolfgang Amadeus Mozart; Kurt Rydl; Frankfurt Radio Symphony Orchestra; Marcello Viotti |
4:17 | |||
1.39
|
Act I: "Singt dem großen Bassa Lieder" (The Janissaries' Chorus)
Wolfgang Amadeus Mozart; RIAS Chamber Choir; Berlin Radio Symphony Orchestra; Hanns-Martin Schneidt |
1:39 | |||
1.40
|
Act II: "Martern aller Arten" (Konstanze's Aria)
Wolfgang Amadeus Mozart; Sylvia Greenberg; Frankfurt Radio Symphony Orchestra; Marcello Viotti |
8:58 | |||
Fidelio, Op. 72
|
|||||
1.41
|
Act I: March
Ludwig van Beethoven; Budapest Symphony Orchestra; Tamas Pal |
2:23 | |||
Euryanthe, Op. 81
|
|||||
1.42
|
"Die Tale dampfen" (Huntsmen's Chorus)
Carl Maria von Weber; Bulgarian National Choir; Sofia Philharmonic Orchestra; Georgi Robev |
1:32 | |||
Lohengrin, WWV 75
|
|||||
1.43
|
Overture
Richard Wagner; Budapest Symphony Orchestra; György Lehel |
6:51 | |||
Parsifal, WWV 111
|
|||||
1.44
|
Act III: "Geleiten wir" (Chorus of the Knights)
Richard Wagner; Chor des Leipziger Rundfunks; Rundfunk-Sinfonieorchester Leipzig; Herbert Kegel |
3:26 | |||
The Rheingold, WWV 86A
|
|||||
1.45
|
"Entry of the Gods at Walhall" (Finale)
Richard Wagner; Sofia Symphony Orchestra; Vassil Kazandjiev |
7:27 | |||
The Valkyrie WWV 86B
|
|||||
1.46
|
Act III: Wotans Farewell and Magic Fire Music
Richard Wagner; Nicola Ghiuselev;Plovdiv Philharmonic Orchestra; Rouslan Raichev |
16:49 | |||
Siegfried, WWV 86C
|
|||||
1.47
|
Act I: "Hoho! Hoho! Hohei!" (Siegfried's Scene)
Richard Wagner; Reiner Goldberg; Günter Kurth; Staatskapelle Berlin; Siegfried Kurz |
6:13 | |||
Twilight of the Gods, WWV 86D
|
|||||
1.48
|
Act III: Siegfried's Death and Funeral March
Richard Wagner; Sofia Radio Symphony Orchestra; Vassil Kazandjiew |
6:50 | |||
Tristan and Isolde
|
|||||
1.49
|
WWV 90: "Mild und leise" (Isoldes Liebestod Finale)
Richard Wagner; Various Artists |
5:59 | |||
Salome, Op. 54
|
|||||
1.50
|
Act I: Dance of the Seven Veils
Richard Strauss; Berlin Radio Symphony Orchestra; Hanns-Martin Schneidt |
10:16 |
Some of the world's top orchestras, choirs and conductors are assembled on this lavish package containing more than four hours of German opera classics from Wagner, Mozart, Beethoven, Richard Strauss and several others.
44.1 kHz / 24-bit PCM – Cobra Entertainment LLC Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.50 -4.09 to -0.75 | -23.74 -29.44 to -18.66 | -19.42 -24.20 to -15.80 | 14 11 to 17 | |
1 | Act III: Ride of the Valkyries | -1.47 | -21.98 | -18.6 | 12 |
2 | Act I: "O welche Lust" (Prisoner's Chorus) | -1.44 | -23.82 | -18.7 | 12 |
3 | Act II: "Der Hölle Rache" (The Queen of the Night's Aria) | -1.47 | -21.83 | -17.9 | 13 |
4 | Act III: Dance of the Clogs | -1.51 | -24.23 | -19.8 | 14 |
5 | Act III: "O süßer Mond" (Moon Chorus) | -1.46 | -21.28 | -18.1 | 12 |
6 | Overture | -1.68 | -19.71 | -15.8 | 11 |
7 | Act III: "Wir winden dir den Jungfernkranz" (Bridal Chorus) | -1.48 | -25.13 | -21.2 | 15 |
8 | Act I: "Dies Bildnis ist bezaubernd schön" (Tamino's Aria) | -1.45 | -24.58 | -19.5 | 14 |
9 | Act I: "Ha, welch ein Augenblick" (Pizarro's Aria) | -1.45 | -21.23 | -16.8 | 11 |
10 | Overture | -1.45 | -26.14 | -22.2 | 15 |
11 | Act I: "Der Vogelfänger bin ich ja" (Papageno's Aria) | -1.49 | -26.40 | -22.0 | 17 |
12 | Act III: "Was gleicht wohl auf Erden" (Huntsmen's Chorus) | -1.46 | -21.40 | -18.2 | 12 |
13 | Act II: "Wenn der Freude Tränen fließen" (Belmonte's Aria) | -1.47 | -27.95 | -23.2 | 16 |
14 | Act III: "Treulich geführt" (Prelude and Bride Chorus) | -1.53 | -24.79 | -20.3 | 14 |
15 | Overture | -1.47 | -22.99 | -18.3 | 13 |
16 | Act III: "Wie Todesahnung" (Wolfram's Song) | -1.46 | -23.09 | -19.1 | 14 |
17 | Act III: "Ihr Elfen weiß" (Fairy's Choir) | -1.46 | -25.72 | -22.0 | 12 |
18 | Act II: "Ach, ich fühl's es ist verschwunden" (Pamina's Aria) | -1.47 | -25.79 | -21.4 | 16 |
19 | Preziosa: "Im Wald die Sonn erwacht" (Gypsy Choir) | -1.47 | -23.62 | -19.0 | 14 |
20 | Overture | -1.46 | -24.00 | -19.6 | 13 |
21 | Act I: "Summ und brumm" (Song of the Spinner) | -1.44 | -23.03 | -19.5 | 14 |
22 | Act II: "Traft ihr das Schiff" (Senta's Ballade) | -1.47 | -23.68 | -18.6 | 14 |
23 | Act III: "Steuermann, lass die Wacht!" (Sailors' Choir) | -1.49 | -22.54 | -18.5 | 13 |
24 | Overture | -0.75 | -25.49 | -20.4 | 15 |
25 | Act II: "O Isis und Osiris" (Chorus of the Priests) | -1.50 | -21.84 | -17.5 | 12 |
26 | Act I: "Du feines Täubchen nur herein" (Trio) | -4.09 | -28.31 | -24.2 | 14 |
27 | Act I: "Bei Männern welche Liebe fühlen" (Duet Pamina & Papageno) | -1.46 | -23.92 | -19.6 | 13 |
28 | Act II: "Ein Mädchen oder Weibchen" (Papageno's Aria) | -1.46 | -26.49 | -21.9 | 17 |
29 | Act II: "In diesen heil'gen Hallen" (Sarastro's Aria) | -1.43 | -22.94 | -18.5 | 14 |
30 | Act II: "Heil sei euch Geweihten" (Final Chorus) | -1.46 | -22.37 | -18.3 | 13 |
31 | Overture | -1.46 | -22.26 | -18.1 | 13 |
32 | Act II: "Schon die Abendglocken klangen" (Chorus) | -1.46 | -24.61 | -18.7 | 14 |
33 | Act II: "Freudig begrüßen wir die edle Halle" (Entrance of the Guests at Wartburg) | -1.45 | -24.13 | -20.3 | 14 |
34 | Act II: "Dich teure Halle grüß ich wieder" (Elisabeth's Aria) | -1.46 | -21.37 | -16.6 | 12 |
35 | Act III: "Beglückt darf nun dich, O Heimat, ich schauen" (Pilgrims Choir) | -1.46 | -24.04 | -18.5 | 13 |
36 | Act III: "Allmächt'ge Jungfrau" (Elisabeth's Prayer) | -1.45 | -24.84 | -19.5 | 13 |
37 | Overture | -1.48 | -23.09 | -19.2 | 13 |
38 | Act I: "Solche hergelauf'nen Laffen" (Osmin's Aria) | -1.44 | -25.62 | -21.2 | 15 |
39 | Act I: "Singt dem großen Bassa Lieder" (The Janissaries' Chorus) | -1.47 | -20.75 | -16.6 | 12 |
40 | Act II: "Martern aller Arten" (Konstanze's Aria) | -1.48 | -24.91 | -21.0 | 14 |
41 | Act I: March | -1.46 | -21.39 | -18.2 | 13 |
42 | "Die Tale dampfen" (Huntsmen's Chorus) | -1.49 | -18.66 | -15.9 | 11 |
43 | Overture | -1.47 | -29.44 | -24.0 | 16 |
44 | Act III: "Geleiten wir" (Chorus of the Knights) | -1.49 | -21.82 | -18.1 | 12 |
45 | "Entry of the Gods at Walhall" (Finale) | -1.46 | -24.31 | -19.9 | 13 |
46 | Act III: Wotans Farewell and Magic Fire Music | -1.45 | -23.63 | -19.4 | 13 |
47 | Act I: "Hoho! Hoho! Hohei!" (Siegfried's Scene) | -1.45 | -22.73 | -18.9 | 13 |
48 | Act III: Siegfried's Death and Funeral March | -1.44 | -23.64 | -18.3 | 13 |
49 | WWV 90: "Mild und leise" (Isoldes Liebestod Finale) | -1.42 | -22.64 | -17.8 | 12 |
50 | Act I: Dance of the Seven Veils | -1.32 | -27.01 | -22.3 | 17 |