℗ 2017 ATMA Classique
 

Bach: Pour l'éternité - Cantatas, BWV 4, 106, 9 & 181

Odéi Bilodeau, Elaine Lachica, Philippe Gagné, Drew Santini, Montréal Baroque, Eric Milnes

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Christ lag in Todes Banden, BWV 4  
1
Sinfonia
Johann Sebastian Bach; Montréal Baroque; Eric Milnes
1:17
2
Versus 1: Christ lag in Todes Banden (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
3:48
3
Versus 2: Duet: Den Tod niemand zwingen kunnt (Soprano, Alto)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Montréal Baroque; Eric Milnes
4:11
4
Versus 3: Air: Jesus Christus, Gottes Sohn (Tenor)
Johann Sebastian Bach; Philippe Gagné; Montréal Baroque; Eric Milnes
2:02
5
Versus 4: Es war ein wunderlicher Krieg (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
2:24
6
Versus 5: Air: Hier ist das rechte Osterlamm (Bass, Chorus)
Johann Sebastian Bach; Drew Santini; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Montréal Baroque; Eric Milnes
3:14
7
Versus 6: Duet: So feieren wir das hohe Fest (Soprano, Tenor, Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Philippe Gagné; Elaine Lachica; Drew Santini; Montréal Baroque; Eric Milnes
1:30
8
Versus 7: Chorale: Wir essen und wir leben wohl (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
0:54
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus"  
9
Sonatina
Johann Sebastian Bach; Montréal Baroque; Eric Milnes
2:33
10
Arioso - Aria: Gottes Zeit ist die allerbeste Zeit - Arioso: Ach Herr, lehre uns bedenken (Tenor) - Bestelle dein Haus (Bass) - Es ist der alte Bund (Bass, Soprano)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
8:40
11
Aria: In deinen hande befehle ich meinen Geist (Alto) - Aria: Heute wirst du mit mir im Paradies sein (Bass, Alto)
Johann Sebastian Bach; Elaine Lachica; Drew Santini; Montréal Baroque; Eric Milnes
6:32
12
Glorie, Lob, Ehr und Herrlichkeit (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
2:39
Es ist das Heil uns kommen her, BWV 9  
13
Es ist das Heil uns kommen her (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
4:58
14
Recitative: Gott gab uns ein Gesetz (Bass)
Johann Sebastian Bach; Drew Santini; Montréal Baroque; Eric Milnes
1:10
15
Aria: Wir waren schon zu tief gesunken (Tenor)
Johann Sebastian Bach; Philippe Gagné; Montréal Baroque; Eric Milnes
6:08
16
Recitative: Doch musste das Gesetz erfullet werden (Bass)
Johann Sebastian Bach; Drew Santini; Montréal Baroque; Eric Milnes
1:07
17
Duet: Herr, du siehst statt guter Werke (Soprano, Alto)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Montréal Baroque; Eric Milnes
7:03
18
Recitative: Wenn wir die Sund aus dem Gesetz erkennen (Bass)
Johann Sebastian Bach; Drew Santini; Montréal Baroque; Eric Milnes
1:16
19
Chorale: Ob sich's anliess, als wollt er nicht (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
0:51
Leichtgesinnte Flattergeister, BWV 181  
20
Aria: Leichtgesinnte Flattergeister (Bass)
Johann Sebastian Bach; Drew Santini; Montréal Baroque; Eric Milnes
3:04
21
Recitative: O ungluckselger Stand verkehrter Seelen (Alto)
Johann Sebastian Bach; Elaine Lachica; Montréal Baroque; Eric Milnes
1:29
22
Aria: Der schadlichen Dornen unendliche Zahl (Tenor)
Johann Sebastian Bach; Philippe Gagné; Montréal Baroque; Eric Milnes
2:38
23
Recitative: Von diesen wird die Kraft erstickt (Soprano)
Johann Sebastian Bach; Odéi Bilodeau; Montréal Baroque; Eric Milnes
0:38
24
Lass, Hochster, uns zu allen Zeiten (Chorus)
Johann Sebastian Bach; Odéi Bilodeau; Elaine Lachica; Philippe Gagné; Drew Santini; Montréal Baroque; Eric Milnes
4:37
Digital Booklet
Total Playing Time    74:43
Pour l’éternité is the seventh volume of a cycle of J.S. Bach’s sacred cantatas and as the title suggests, these works performed by the Montréal Baroque under Eric Milnes evoke the quest for the great beyond. Cantata BWV 4 was written for Easter Sunday, while the choral Cantata BWV 9 was composed for the sixth Sunday after Trinity. Unlike the cantatas created for Sunday liturgy, Cantata BWV 106 is a setting of Biblical and other texts selected to serve as a meditation on the death of Christ. Written for the Sexagesima Sunday, the second Sunday before Ash Wednesday, the short Cantata BWV 181 promises the salvation of the believer.
96 kHz / 24-bit PCM – ATMA Classique Studio Masters

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