℗ 2022 Dynamic
| Released | June 17, 2022 |
| Duration | 1h 04m 46s |
| Record Label | Dynamic |
| Catalogue No. | CDS7952 |
| Genre | Classical (Chamber) |
Sainte-Colombe: Concerts à deux violes esgales, Vol. 1
Paolo Biordi, Francesco Tomei
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concert No. 1 for 2 Violas "Le retrouvé"
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1.1
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I. Le retrouvé
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
4:48 | |||
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1.2
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II. Gigue en caprice
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
0:53 | |||
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Concert No. 18 for 2 Violas "Les bateries"
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1.3
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I. Les bateries
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
3:43 | |||
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1.4
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II. Sarabande en bourrasque
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
1:21 | |||
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Concert No. 53 for 2 Violas "L’aureille"
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1.5
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I. L’aureille
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:55 | |||
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1.6
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II. Courante première
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
1:16 | |||
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1.7
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III. Sarabande
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:01 | |||
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1.8
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IV. Courante deuxième
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
1:20 | |||
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1.9
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Concert No. 45 for 2 Violas "Le cor"
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
3:36 | |||
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Concert No. 44 for 2 Violas "Tombeau"
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1.10
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III. Les pleurs
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:25 | |||
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1.11
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Concert No. 59 for 2 Violas "Le précipité"
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:25 | |||
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Concert No. 39 for 2 Violas "Le resjoui"
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1.12
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I. Le resjoui
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
4:18 | |||
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1.13
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II. Gavote
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
0:57 | |||
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1.14
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Concert No. 60 for 2 Violas "Le majestueux"
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
4:08 | |||
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1.15
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Concert No. 66 for 2 Violas "L'infidelle"
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
3:54 | |||
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Concert No. 6 for 2 Violas "La Duchesse"
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1.16
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I. La Duchesse
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:45 | |||
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1.17
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II. Sarabande lente première
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:42 | |||
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1.18
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III. Sarabande lente deuxième
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
1:52 | |||
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1.19
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Concert No. 61 for 2 Violas "Le varié"
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
3:08 | |||
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Concert No. 28 for 2 Violas "Le passant"
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1.20
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I. Le passant
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
5:26 | |||
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1.21
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II. Gavote
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
1:04 | |||
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Concert No. 7 for 2 Violas "Le pleureux"
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1.22
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I. Sarabande la pleureuse
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
2:51 | |||
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Concert No. 48 for 2 Violas "Le raporté"
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1.23
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III. Chacone raportée
Monsieur de Sainte-Colombe; Paolo Biordi; Francesco Tomei |
4:58 | |||
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Digital Booklet
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Monsieur de Sainte-Colombe’s life is largely shrouded in mystery, and almost nothing was known of his music until these Concerts à deux violes esgales were discovered in Geneva in 1966. Full of inspiration and fantasy, these pieces are often technically very demanding, innovatively deploying the viol’s entire range and putting players to the test in ways that were unprecedented in French viol literature. The sound of the viols is as haunting as the music’s titles are teasingly expressive, and for their extraordinary imagination, originality and rare sonic splendor these works are justly considered one of the great monuments of European Baroque music.
96 kHz / 24-bit PCM – Dynamic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.16 -5.40 to -1.32 | -21.89 -25.08 to -20.27 | -19.00 -22.00 to -17.60 | 12 10 to 13 | |
| 1 | I. Le retrouvé | -2.79 | -21.65 | -18.8 | 12 |
| 2 | II. Gigue en caprice | -3.22 | -22.73 | -19.6 | 12 |
| 3 | I. Les bateries | -1.86 | -21.32 | -18.3 | 12 |
| 4 | II. Sarabande en bourrasque | -5.37 | -23.09 | -20.0 | 12 |
| 5 | I. L’aureille | -3.42 | -22.33 | -19.5 | 12 |
| 6 | II. Courante première | -5.40 | -21.76 | -18.9 | 11 |
| 7 | III. Sarabande | -4.94 | -23.29 | -20.6 | 10 |
| 8 | IV. Courante deuxième | -4.34 | -21.49 | -18.6 | 11 |
| 9 | Concert No. 45 for 2 Violas "Le cor" | -1.34 | -21.47 | -18.5 | 13 |
| 10 | III. Les pleurs | -5.30 | -25.08 | -22.0 | 12 |
| 11 | Concert No. 59 for 2 Violas "Le précipité" | -3.85 | -21.81 | -18.8 | 11 |
| 12 | I. Le resjoui | -2.10 | -21.45 | -18.6 | 12 |
| 13 | II. Gavote | -1.32 | -21.63 | -18.3 | 12 |
| 14 | Concert No. 60 for 2 Violas "Le majestueux" | -2.30 | -20.81 | -18.0 | 12 |
| 15 | Concert No. 66 for 2 Violas "L'infidelle" | -3.06 | -21.42 | -18.5 | 12 |
| 16 | I. La Duchesse | -1.42 | -20.27 | -17.6 | 11 |
| 17 | II. Sarabande lente première | -2.44 | -21.30 | -18.4 | 11 |
| 18 | III. Sarabande lente deuxième | -4.26 | -22.40 | -19.6 | 12 |
| 19 | Concert No. 61 for 2 Violas "Le varié" | -2.97 | -21.46 | -18.5 | 12 |
| 20 | I. Le passant | -2.46 | -21.54 | -19.0 | 12 |
| 21 | II. Gavote | -2.93 | -21.68 | -18.6 | 11 |
| 22 | I. Sarabande la pleureuse | -2.69 | -21.60 | -19.1 | 11 |
| 23 | III. Chacone raportée | -2.97 | -21.98 | -19.3 | 12 |