℗ 2017 Capitol Records, LLC
| Released | July 16, 1982 |
| Duration | 39m 41s |
| Record Label | Capitol Records |
| Genre | Rock |
|
1.1
|
Come On, Come On
Billy Idol |
4:00 | |||
|
1.2
|
White Wedding (Pt. 1)
Billy Idol |
4:12 | |||
|
1.3
|
Hot In The City
Billy Idol |
3:39 | |||
|
1.4
|
Dead On Arrival
Billy Idol |
3:54 | |||
|
1.5
|
Nobody's Business
Billy Idol |
4:08 | |||
|
1.6
|
Love Calling
Billy Idol |
4:57 | |||
|
1.7
|
Hole In The Wall
Billy Idol |
4:11 | |||
|
1.8
|
Shooting Stars
Billy Idol |
4:35 | |||
|
1.9
|
It's So Cruel
Billy Idol |
5:15 | |||
|
1.10
|
Congo Man
Billy Idol |
0:50 |
Billboard 200 - #45, 1983
Billboard Hot 100 - #23, 1982 - Hot In The City
Billboard Hot 100 - #36, 1983 - White Wedding
"... rocks as hard as the first side of Caribou for three cuts, including a hit single and White Wedding, a call to innocence regained as desperate and persuasive as Start Me Up ... B."
- Robert Christgau
"Four Stars ... Idol has moved into mainstream power rock. The LP is full of energetic, straight-ahead rock & roll and it looks like Idol may have finally found a comfortable niche. Idol has a gritty, aggressive voice, suggesting a hybrid of Bruce Springsteen, Lou Reed and Dave Clark. He's backed by a first-rate band of New York musicians who give his songs musical depth while keeping up a relentless pace ... Idol's combination of rock & roll energy and pop melodies makes this a very satisfying album."
- Rolling Stone
Billy Idol's self-titled debut album from 1982 is his career breakthrough, with US sales exceeding half-a-million copies and timeless hit singles and video channel staples White Wedding and Hot In The City. Fusing punk, rock and new wave, this landmark album has inspired musicians and fans alike.
96 kHz / 24-bit PCM – Capitol Records Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.63 -2.20 to -0.08 | -18.34 -24.04 to -16.69 | -15.37 -20.40 to -13.40 | 12 11 to 14 | |
| 1 | Come On, Come On | -0.13 | -16.69 | -13.5 | 12 |
| 2 | White Wedding (Pt. 1) | -0.62 | -17.76 | -14.8 | 12 |
| 3 | Hot In The City | -0.31 | -16.98 | -13.4 | 11 |
| 4 | Dead On Arrival | -0.36 | -17.15 | -14.2 | 12 |
| 5 | Nobody's Business | -0.24 | -17.87 | -14.8 | 13 |
| 6 | Love Calling | -0.08 | -17.97 | -15.5 | 13 |
| 7 | Hole In The Wall | -0.78 | -17.64 | -14.9 | 11 |
| 8 | Shooting Stars | -1.15 | -18.52 | -15.6 | 12 |
| 9 | It's So Cruel | -0.42 | -18.74 | -16.6 | 13 |
| 10 | Congo Man | -2.20 | -24.04 | -20.4 | 14 |