℗ 2022 New Focus Recordings
| Released | June 17, 2022 |
| Duration | 36m 43s |
| Record Label | New Focus Recordings |
| Catalogue No. | FCR333 |
| Genre | Classical (Contemporary Era) |
James Kallembach: Antigone
Lorelei Ensemble, Beth Willer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Antigone
|
|||||
|
1.1
|
Prologue
James Kallembach; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:45 | |||
|
Antigone, Pt. 1, Two Sisters
|
|||||
|
1.2
|
During the Time of the Great War
James Kallembach; Sophocles; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:01 | |||
|
1.3
|
My Dear Sister
James Kallembach; Sophocles; Christina English; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:26 | |||
|
1.4
|
Who Could Be Sure
James Kallembach; Sophie Scholl; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:17 | |||
|
1.5
|
Everywhere and at All Times
James Kallembach; The White Rose Pamphlet; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:57 | |||
|
Antigone, Pt. 2, The Arrest of Antigone
|
|||||
|
1.6
|
Then, Creon, Knowing That the People
James Kallembach; Sophocles; Sarah Brailey; Rebecca Myers Hoke; Arwen Myers; Stephanie Kacoyanis; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
3:00 | |||
|
1.7
|
O, Numberless Wonders
James Kallembach; Sophocles; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
4:37 | |||
|
1.8
|
Then, Suddenly, a Sentry Approached
James Kallembach; Sophocles; Rebecca Myers Hoke; Arwen Myers; Stephanie Kacoyanis; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
1:02 | |||
|
1.9
|
But, Lo, What Dark Sign
James Kallembach; Sophocles; Sarah Brailey; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
1:34 | |||
|
1.10
|
Yea, for These Laws
James Kallembach; Sophie Scholl; Sophocles; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
1:25 | |||
|
1.11
|
The state Is Never an End
James Kallembach; The White Rose Pamphlet; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:19 | |||
|
Antigone, Pt. 3, The Death of Antigone
|
|||||
|
1.12
|
Farewell My Friends, My Countrymen
James Kallembach; Sophocles; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
2:17 | |||
|
1.13
|
It Seems so, and Will Be so
James Kallembach; The White Rose Pamphlet; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
1:24 | |||
|
1.14
|
Sophie’s Dream
James Kallembach; Sophie Scholl; Sarah Brailey; Sophie Michaux; Lorelei Ensemble; Caleb van der Swaagh; Lisa Caravan; Michael Unterman; Jonathan Dexter; Beth Willer |
6:39 | |||
|
Digital Booklet
|
|||||
Lorelei Ensemble, a critically acclaimed choir of women's voices, releases an EP of James Kellembach's "Antigone." Merging Sophocles original dramatic framework with texts from the Nazi opposition group White Rose in Munich in the 1940s, Kellembach expresses the timeless nature of resistance. James K allembach’s works have been commissioned and performed by Brooklyn Art Song Society, Chorus pro Musica Boston, Lorelei Ensemble, Lydian Quartet, San Francisco Symphony, and Seraphic Fire, among others. He has received honors from ASCAP, ACDA, American Composers’ Forum, Pacific Chorale, ALEA III in Boston, and VocalEssence. He has written extensively for the voice, producing a large catalogue of song cycles and oratorios for voices and instruments. His St. John Passion, Four Romantic Songs, Most Sacred Body, and Antigone have been commercially recorded. The Boston Musical Intelligencer praised him as “a colorful and imaginative orchestrator, word painter, and provider of singable lyrical lines” who could “wring emotion from a dictionary.”
96 kHz / 24-bit PCM – New Focus Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.87 -4.40 to -0.51 | -19.83 -26.21 to -16.12 | -15.71 -22.70 to -11.80 | 11 9 to 15 | |
| 1 | Prologue | -0.51 | -19.00 | -15.6 | 10 |
| 2 | During the Time of the Great War | -0.51 | -17.46 | -13.6 | 10 |
| 3 | My Dear Sister | -1.58 | -25.17 | -21.1 | 15 |
| 4 | Who Could Be Sure | -0.51 | -16.63 | -12.5 | 9 |
| 5 | Everywhere and at All Times | -0.51 | -19.85 | -16.2 | 11 |
| 6 | Then, Creon, Knowing That the People | -0.51 | -20.69 | -16.9 | 13 |
| 7 | O, Numberless Wonders | -0.51 | -16.92 | -13.4 | 10 |
| 8 | Then, Suddenly, a Sentry Approached | -0.52 | -20.43 | -14.4 | 10 |
| 9 | But, Lo, What Dark Sign | -0.51 | -20.62 | -16.3 | 12 |
| 10 | Yea, for These Laws | -0.51 | -17.28 | -13.1 | 10 |
| 11 | The state Is Never an End | -4.40 | -26.21 | -22.7 | 14 |
| 12 | Farewell My Friends, My Countrymen | -0.51 | -16.12 | -11.8 | 9 |
| 13 | It Seems so, and Will Be so | -0.52 | -21.13 | -16.3 | 11 |
| 14 | Sophie’s Dream | -0.51 | -20.11 | -16.1 | 11 |