℗ 2022 Toccata Classics
| Released | July 1, 2022 |
| Duration | 57m 54s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0646 |
| Genre | Classical (Orchestral) |
Derek B. Scott: Orchestral Music, Vol. 2
Liepāja Symphony Orchestra, Paul Mann
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 1 in A-Flat Major, Op. 23 (Version for Orchestra)
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1.1
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I. Allegro moderato
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
6:20 | |||
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1.2
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II. Adagio
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
6:43 | |||
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1.3
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III. Scherzo. Allegro vivace ma non troppo
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
2:59 | |||
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1.4
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IV. Finale. Allegro
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
7:12 | |||
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Symphony No. 2 in G Minor, Op. 26 (Version for Orchestra)
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1.5
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I. Allegro
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
6:08 | |||
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1.6
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II. Adagio
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
7:09 | |||
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1.7
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III. Scherzo. Allegretto
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
3:34 | |||
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1.8
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IV. Finale. Andante con moto – Allegro
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
6:57 | |||
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1.9
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The Silver Sword, Op. 39
Derek B. Scott; Liepāja Symphony Orchestra; Paul Mann |
10:52 | |||
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Digital Booklet
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Derek Scott, born in Birmingham in 1950, has an international reputation as an historian of the British music hall and other forms of light entertainment. But he is an outstanding composer in his own right, his music treading a fine line between a very English whimsy and a profoundly felt and natural response to his (often Celtic) subject matter. These works reveal a master craftsman and natural tunesmith, who manages to unite good humour, unerring technique and deep feeling in music of immediate appeal. His two symphonies – originally written for brass band – embody a return to the formal, Classical clarity of Haydn, though expressed with the satisfyingly beefy textures of the modern orchestra. He lists among his influences Shostakovich and Sibelius and, less predictably, The Beatles and The Kinks.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.99 -3.25 to -0.71 | -24.14 -27.11 to -22.43 | -19.56 -23.10 to -17.60 | 14 13 to 16 | |
| 1 | I. Allegro moderato | -0.71 | -24.36 | -20.4 | 15 |
| 2 | II. Adagio | -0.71 | -26.32 | -20.9 | 16 |
| 3 | III. Scherzo. Allegro vivace ma non troppo | -0.71 | -23.08 | -18.4 | 14 |
| 4 | IV. Finale. Allegro | -0.71 | -23.20 | -19.3 | 14 |
| 5 | I. Allegro | -0.71 | -24.17 | -19.7 | 15 |
| 6 | II. Adagio | -0.71 | -23.82 | -18.4 | 13 |
| 7 | III. Scherzo. Allegretto | -0.71 | -22.80 | -17.6 | 13 |
| 8 | IV. Finale. Andante con moto – Allegro | -0.71 | -22.43 | -18.2 | 14 |
| 9 | The Silver Sword, Op. 39 | -3.25 | -27.11 | -23.1 | 14 |