℗ 2022 Roadrunner Records, Inc
| Released | June 10, 2022 |
| Duration | 49m 51s |
| Record Label | Roadrunner Records |
| Genre | Metal (Rock) |
Scoring The End Of The World
Motionless In White
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Meltdown EXPLICIT
Motionless In White |
4:28 | |||
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1.2
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Sign Of Life
Motionless In White |
3:40 | |||
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1.3
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Werewolf
Motionless In White |
3:32 | |||
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1.4
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Porcelain EXPLICIT
Motionless In White |
3:36 | |||
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1.5
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Slaughterhouse (feat. Bryan Garris Of Knocked Loose) EXPLICIT
Motionless In White; Bryan Garris; Knocked Loose |
4:23 | |||
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1.6
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Masterpiece
Motionless In White |
3:26 | |||
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1.7
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Cause Of Death
Motionless In White |
4:03 | |||
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1.8
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We Become The Night
Motionless In White |
3:31 | |||
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1.9
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Burned At Both Ends II
Motionless In White |
3:57 | |||
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B.F.B.T.G.
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|||||
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1.10
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Corpse Nation EXPLICIT
Motionless In White |
3:34 | |||
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1.11
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Cyberhex (feat. Lindsay Schoolcraft)
Motionless In White; Lindsay Schoolcraft |
4:35 | |||
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1.12
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Red, White & Boom (feat. Caleb Shomo) EXPLICIT
Motionless In White; Caleb Shomo |
3:18 | |||
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1.13
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Scoring The End Of The World (feat. Mick Gordon)
Motionless In White; Mick Gordon |
3:48 | |||
Roadrunner Records band Motionless In White release their anxiously awaited new full-length album, Scoring The End of the World. On single “Cyberhex,” an ominous synth melody snaps like the click of a trigger into a pummelling glitchy guitar riff as vocalist Chris Motionless warns, “There’s no tomorrow.” His apocalyptic verses give way to a robotic sample, “Initiate Cyberhex,” before the cataclysmically catchy chorus takes hold. Strings pierce the militaristic bridge, and screams cut through the chaos. In what may be their most cinematic visual yet, the story of the song comes to life on-screen under Olson’s deft direction. Scoring The End of the World fully encompasses the expanse of the band’s dynamic, deep, and dark vision, and marks the band’s first full-length body of work in three years since 2019’s Disguise. The latter has quietly made a major impact on rock music and culture.
48 kHz / 24-bit PCM – Roadrunner Records Studio Masters
Tracks 1-10, 12, 13 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-10, 12, 13 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.15 -0.15 to -0.15 | -8.20 -8.82 to -7.73 | -5.18 -5.60 to -4.70 | 4 3 to 4 | |
| 1 | Meltdown | -0.15 | -8.08 | -5.0 | 4 |
| 2 | Sign Of Life | -0.15 | -8.07 | -5.1 | 4 |
| 3 | Werewolf | -0.15 | -8.28 | -5.3 | 4 |
| 4 | Porcelain | -0.15 | -8.32 | -5.6 | 4 |
| 5 | Slaughterhouse (feat. Bryan Garris Of Knocked Loose) | -0.15 | -7.79 | -4.9 | 4 |
| 6 | Masterpiece | -0.15 | -8.68 | -5.5 | 4 |
| 7 | Cause Of Death | -0.15 | -7.73 | -4.7 | 4 |
| 8 | We Become The Night | -0.15 | -8.09 | -5.4 | 4 |
| 9 | Burned At Both Ends II | -0.15 | -8.20 | -5.0 | 3 |
| 10 | Corpse Nation | -0.15 | -8.27 | -5.1 | 4 |
| 11 | Cyberhex (feat. Lindsay Schoolcraft) | -0.15 | -8.37 | -5.4 | 4 |
| 12 | Red, White & Boom (feat. Caleb Shomo) | -0.15 | -8.82 | -5.4 | 4 |
| 13 | Scoring The End Of The World (feat. Mick Gordon) | -0.15 | -7.88 | -4.9 | 4 |