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La Sofonisba, Wq. 5
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1.1
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Se in campo armato
Christoph Willibald Gluck; Sonia Prina |
4:44 | |||
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Demofoonte, Wq. 3
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1.2
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Sperai vicino il lido
Christoph Willibald Gluck; Sonia Prina |
8:20 | |||
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Cleonice, Wq. 2 (Demetrio)
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1.3
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"Demetrio": Dal suo gentil sembiante
Christoph Willibald Gluck; Sonia Prina |
7:17 | |||
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La Semiramide riconosciuta, Wq. 13
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1.4
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Sinfonia
Christoph Willibald Gluck; Sonia Prina |
6:39 | |||
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La Sofonisba, Wq. 5
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1.5
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Nobil onda
Christoph Willibald Gluck; Sonia Prina |
8:11 | |||
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Ezio, Wq. 15
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1.6
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Se fedele mi brama il regnante
Christoph Willibald Gluck; Sonia Prina |
7:04 | |||
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Ippolito, Wq. 9
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1.7
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Se tu vedessi come vegg'io
Christoph Willibald Gluck; Sonia Prina |
7:14 | |||
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La Semiramide riconosciuta, Wq. 13
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1.8
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Tradita, sprezzata
Christoph Willibald Gluck; Sonia Prina |
3:49 | |||
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Ipermestra, Wq. 7
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1.9
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Sinfonia
Christoph Willibald Gluck; Sonia Prina |
5:05 | |||
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La Sofonisba, Wq. 5
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1.10
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M'opprime, m'affanna
Christoph Willibald Gluck; Sonia Prina |
2:19 | |||
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Telemaco, Wq. 34
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1.11
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Ah! Non turbi il mio riposo
Christoph Willibald Gluck; Sonia Prina |
6:07 | |||
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Ezio, Wq. 15
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1.12
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Se il fulmine sospendi, se ottengo il tuo perdono
Christoph Willibald Gluck; Sonia Prina |
4:11 | |||
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Digital Booklet
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Sonia Prina, one of the leading altos of her generation, teams up with the Milanese laBarocca ensemble conducted by Ruben Jais for her first full-scale opera recital recording which includes several world premieres. There is definitely no lack of heroic roles in the Gluckian catalogue apart from the very famous Orfeo: many memorable parts were assigned by the composer for the alto voice (either male castratos or female contraltos) and it is precisely this repertoire, rarely performed today, which is celebrated here by Prina and the orchestra.
48 kHz / 24-bit PCM – Glossa Studio Masters
Recorded in Milan (Auditorium di Milano), Italy, between September 2015 and June 2016 Engineered and produced by Stefano Barzan Mastered at Tranquilo Studio, Milan Assistant: Cinzia Guareschi Executive producer: Carlos Céster Booklet essay by Giovanni Andrea Sechi
Recorded in Milan (Auditorium di Milano), Italy, between September 2015 and June 2016 Engineered and produced by Stefano Barzan Mastered at Tranquilo Studio, Milan Assistant: Cinzia Guareschi Executive producer: Carlos Céster Booklet essay by Giovanni Andrea Sechi
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.54 -0.95 to -0.50 | -19.74 -21.73 to -17.35 | -16.48 -18.10 to -14.20 | 13 12 to 14 | |
| 1 | Se in campo armato | -0.50 | -19.50 | -16.2 | 13 |
| 2 | Sperai vicino il lido | -0.50 | -20.40 | -17.3 | 13 |
| 3 | "Demetrio": Dal suo gentil sembiante | -0.50 | -20.50 | -17.3 | 12 |
| 4 | Sinfonia | -0.95 | -21.73 | -18.1 | 13 |
| 5 | Nobil onda | -0.50 | -20.41 | -17.4 | 14 |
| 6 | Se fedele mi brama il regnante | -0.50 | -18.52 | -15.4 | 12 |
| 7 | Se tu vedessi come vegg'io | -0.50 | -19.23 | -16.0 | 12 |
| 8 | Tradita, sprezzata | -0.51 | -19.04 | -15.7 | 12 |
| 9 | Sinfonia | -0.50 | -21.57 | -18.1 | 14 |
| 10 | M'opprime, m'affanna | -0.50 | -17.35 | -14.3 | 12 |
| 11 | Ah! Non turbi il mio riposo | -0.50 | -21.10 | -17.7 | 13 |
| 12 | Se il fulmine sospendi, se ottengo il tuo perdono | -0.51 | -17.57 | -14.2 | 12 |