℗ 2022 Napalm Records Handels Gmbh
| Released | September 2, 2022 |
| Duration | 49m 02s |
| Record Label | Napalm Records Handels |
| Catalogue No. | NPR1204D |
| Genre | Metal (Death) |
|
1.1
|
Black Moon
Defacing God |
2:10 | |||
|
1.2
|
The Invocation Pt. I "Lilith"
Defacing God |
4:40 | |||
|
1.3
|
The Resurrection
Defacing God |
4:31 | |||
|
1.4
|
The Invocation Pt. II "Jezebel"
Defacing God |
3:06 | |||
|
1.5
|
The Invocation Pt. III "abyzou"
Defacing God |
3:08 | |||
|
1.6
|
Rise of the Trinity
Defacing God |
4:38 | |||
|
1.7
|
The End of Times
Defacing God |
4:13 | |||
|
1.8
|
Echoes from Fulda
Defacing God |
4:29 | |||
|
1.9
|
Death Followed Like a Plague
Defacing God |
4:07 | |||
|
1.10
|
Enslaved EXPLICIT
Defacing God |
5:17 | |||
|
1.11
|
In the Land of Rain and Sorrow
Defacing God |
4:41 | |||
|
1.12
|
Into the Mist of Memories
Defacing God |
4:02 |
"The story of Lilith is one woven into millennia of legends and tales and she’s oft-talked about within metal; Defacing God‘s take is a smart one. As far as debut albums go, this is a solid effort with some excellent ideas..."
- Distorted Sound
Extreme melodic death metal five-piece Defacing God command notice with their hauntingly dark and refreshingly honest debut album, The Resurrection of Lilith, out via Napalm Records. Formed by vocalist Sandie ‘The Lilith’ Gjørtz and co-founder Michael Olsson (drums) in 2015 and inspired by opulent Scandinavian metal traditions, Defacing God base their conceptual themes on the seeping darkness that moves in us all – rooted in occultism and witchcraft, but primarily the mythologically mysterious female demon Lilith and her tales of fervent defiance and perseverance. Through their storytelling, music and aesthetic, the band pulls their listeners into a dark universe of obscure myths, folklore and ancient stories, all the while weaving in often subtle lyrical inspirations from modern societal oppressions and personal demons.
Sonically, Defacing God balance massive extreme melodies with a twist of grandiose orchestration by Lars Vinther, echoing the styles of artists such as Cradle of Filth, Carach Angren and Dimmu Borgir. But rather than blend it with a conventional dose of black metal, the band proudly merges these auras with infernal death metal. Additionally, The Resurrection of Lilith was produced by Jacob Hansen – known for his work with Fleshgod Apocalypse, Volbeat, Evergrey, Epica and countless others.
The Resurrection of Lilith is a multifaceted, grim and bludgeoning escape that spans the arc between raw death metal and symphonic grandiosity with ease, showcasing Defacing God’s ambition to bewitch metal fans around the world with their sonic universe of darkness.
44.1 kHz / 24-bit PCM – Napalm Records Handels Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.08 -1.97 to -1.00 | -10.69 -16.71 to -9.72 | -7.84 -14.10 to -6.90 | 5 5 to 9 | |
| 1 | Black Moon | -1.97 | -16.71 | -14.1 | 9 |
| 2 | The Invocation Pt. I "Lilith" | -1.00 | -9.72 | -6.9 | 5 |
| 3 | The Resurrection | -1.00 | -10.18 | -7.4 | 5 |
| 4 | The Invocation Pt. II "Jezebel" | -1.00 | -9.99 | -6.9 | 5 |
| 5 | The Invocation Pt. III "abyzou" | -1.00 | -10.08 | -7.3 | 5 |
| 6 | Rise of the Trinity | -1.00 | -11.06 | -8.0 | 6 |
| 7 | The End of Times | -1.00 | -10.02 | -7.1 | 5 |
| 8 | Echoes from Fulda | -1.00 | -10.04 | -7.5 | 5 |
| 9 | Death Followed Like a Plague | -1.00 | -10.32 | -7.0 | 5 |
| 10 | Enslaved | -1.00 | -9.95 | -7.3 | 5 |
| 11 | In the Land of Rain and Sorrow | -1.00 | -9.94 | -7.1 | 5 |
| 12 | Into the Mist of Memories | -1.00 | -10.28 | -7.5 | 5 |