Charles-Marie Widor: Solo Organ Works
Joseph Nolan
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite latine, Op. 86
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1.1
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I. Praeludium
Joseph Nolan |
5:54 | |||
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1.2
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II. Beatus vir
Joseph Nolan |
5:06 | |||
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1.3
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III. Lamento
Joseph Nolan |
4:18 | |||
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1.4
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IV. Ave Maris Stella
Joseph Nolan |
5:18 | |||
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1.5
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V. Adagio
Joseph Nolan |
6:09 | |||
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1.6
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VI. Lauda Sion
Joseph Nolan |
7:27 | |||
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Trois Nouvelles Pièces, Op. 87
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1.7
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No. 1. Classique d’hier
Joseph Nolan |
5:33 | |||
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1.8
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No. 2. Mystique
Joseph Nolan |
4:27 | |||
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1.9
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No. 3. Classique d’audjourd’hui
Joseph Nolan |
3:51 | |||
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Bach's Memento
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1.10
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I. Pastorale
Joseph Nolan |
3:32 | |||
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1.11
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II. Miserere mei domine
Joseph Nolan |
5:15 | |||
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1.12
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III. Aria
Joseph Nolan |
3:07 | |||
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1.13
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IV. Marche du Veilleur de Nuit
Joseph Nolan |
3:42 | |||
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1.14
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V. Sicilienne
Joseph Nolan |
2:38 | |||
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1.15
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VI. Mattheus – Final
Joseph Nolan |
6:28 | |||
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1.16
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Marche Americaine (Transcribed by Marcel Dupré)
Joseph Nolan |
3:54 | |||
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Conte d'avril (suite), Op. 64 Livre II
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1.17
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No. 8. Marche Nuptiale
Joseph Nolan |
5:48 | |||
“[Joseph Nolan] has a natural, fluent feel for Widor's highly melodic writing.”
- The Australian
Made a Chevalier of the Order of French Arts and Letters for his services to French Music in 2016, English organist Joseph Nolan here performs solo organ works by the composer Charles-Marie Widor. Playing on historical Cavaillé-Coll organs from the churches of St Sernin (Toulouse), St. François-de Sales (Lyon), and La Madeleine (Paris), this is a unique exploration of Widor’s compositions beyond his famous toccatas.
88.2 kHz / 24-bit PCM – Signum Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.07 -17.02 to -0.05 | -26.14 -31.84 to -20.34 | -23.55 -29.60 to -16.30 | 11 7 to 13 | |
| 1 | I. Praeludium | -6.90 | -25.37 | -22.8 | 11 |
| 2 | II. Beatus vir | -11.24 | -30.92 | -28.4 | 11 |
| 3 | III. Lamento | -9.51 | -28.18 | -25.9 | 11 |
| 4 | IV. Ave Maris Stella | -7.53 | -25.67 | -23.5 | 11 |
| 5 | V. Adagio | -10.46 | -27.37 | -25.2 | 10 |
| 6 | VI. Lauda Sion | -0.05 | -20.34 | -16.3 | 12 |
| 7 | No. 1. Classique d’hier | -9.62 | -25.43 | -23.4 | 10 |
| 8 | No. 2. Mystique | -10.30 | -28.12 | -25.8 | 10 |
| 9 | No. 3. Classique d’audjourd’hui | -6.33 | -23.58 | -21.0 | 11 |
| 10 | I. Pastorale | -16.77 | -31.84 | -29.6 | 8 |
| 11 | II. Miserere mei domine | -7.85 | -25.27 | -22.7 | 11 |
| 12 | III. Aria | -14.50 | -30.32 | -28.2 | 9 |
| 13 | IV. Marche du Veilleur de Nuit | -7.59 | -26.01 | -23.4 | 11 |
| 14 | V. Sicilienne | -17.02 | -31.43 | -29.5 | 7 |
| 15 | VI. Mattheus – Final | -0.54 | -20.57 | -16.7 | 12 |
| 16 | Marche Americaine (Transcribed by Marcel Dupré) | -0.91 | -21.91 | -19.0 | 12 |
| 17 | No. 8. Marche Nuptiale | -0.08 | -22.02 | -18.9 | 13 |