℗ 2022 Stuart Greenbaum
| Released | August 12, 2022 |
| Duration | 57m 33s |
| Record Label | ABC Classic |
| Catalogue No. | ABCL0025D |
| Genre | Classical (Chamber) |
Stuart Greenbaum: a Trillion Miles of Darkness
David Griffiths
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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A Trillion Miles of Darkness – Sonata for Clarinet and Piano
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1.1
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I. Desolate
Stuart Greenbaum; David Griffiths; Timothy Young |
6:41 | |||
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1.2
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II. Celestial
Stuart Greenbaum; David Griffiths; Timothy Young |
9:07 | |||
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1.3
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III. Alone, unto the End of the World
Stuart Greenbaum; David Griffiths; Timothy Young |
6:31 | |||
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1.4
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Life Cycles
Stuart Greenbaum; David Griffiths |
3:08 | |||
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1.5
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Cloud Eight
Stuart Greenbaum; David Griffiths; Ken Murray |
7:07 | |||
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1.6
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Going Home
Stuart Greenbaum; David Griffiths; Ken Murray |
4:02 | |||
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Dance Music for Concert Halls
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1.7
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Interlude
Stuart Greenbaum; David Griffiths |
1:03 | |||
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Three Places for a New Millennium
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1.8
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I. In Orbit
Stuart Greenbaum; David Griffiths; Timothy Young |
2:58 | |||
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1.9
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II. Departure Lounge
Stuart Greenbaum; David Griffiths; Timothy Young |
3:08 | |||
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1.10
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III. In Traffic
Stuart Greenbaum; David Griffiths; Timothy Young |
1:28 | |||
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Études for Daydreamers
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1.11
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I. 1 or 2 Old Mints in My Pocket
Stuart Greenbaum; David Griffiths; Timothy Young |
1:04 | |||
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1.12
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II. 3 or 4 Laps around the Back Oval
Stuart Greenbaum; David Griffiths; Timothy Young |
2:40 | |||
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1.13
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III. 5 or 6 Overdue Library Books
Stuart Greenbaum; David Griffiths; Timothy Young |
2:09 | |||
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1.14
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IV. 7 or 8 to be in before 9
Stuart Greenbaum; David Griffiths; Timothy Young |
2:03 | |||
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1.15
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Waiting for the Green Man
Stuart Greenbaum; David Griffiths; Timothy Young |
2:10 | |||
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Mondrian Interiors
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1.16
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VII. Composition with Yellow Lines
Stuart Greenbaum; David Griffiths; Timothy Young |
2:14 | |||
A Trillion Miles of Darkness is an album of soulful, evocative new music featuring the clarinet. At its centre is Greenbaum’s Sonata for Clarinet – a work of plangent atmospheric sound; a journey that subsumes the listener. Clarinetist David Griffith’s interpretation is bespoke, masterful. With associate artists Timothy Young and Ken Murray, the album provides a rewarding arc of chamber music.
This is Greenbaum’s 10th solo album, captured in high definition at 96k/24b and recorded in the superb acoustics of Hanson Dyer Hall in November 2021, supported by The Melbourne Conservatorium of Music within the Faculty of Fine Arts and Music at The University of Melbourne.
Stuart Greenbaum holds a position at the Melbourne Conservatorium of Music (The University of Melbourne) as Professor and Head of Composition. He is the author of over 230 works including 25 sonatas, five piano trios, seven string quartets, five concertos, five symphonies and two operas.
96 kHz / 24-bit PCM – ABC Classic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.18 -7.41 to -1.03 | -24.31 -28.68 to -19.84 | -20.14 -25.00 to -16.10 | 12 10 to 15 | |
| 1 | I. Desolate | -7.41 | -27.55 | -25.0 | 12 |
| 2 | II. Celestial | -1.65 | -28.68 | -23.2 | 15 |
| 3 | III. Alone, unto the End of the World | -1.03 | -23.93 | -19.9 | 14 |
| 4 | Life Cycles | -3.03 | -24.41 | -18.7 | 11 |
| 5 | Cloud Eight | -1.82 | -24.88 | -20.9 | 13 |
| 6 | Going Home | -3.85 | -23.42 | -19.8 | 11 |
| 7 | Interlude | -3.66 | -22.99 | -18.2 | 12 |
| 8 | I. In Orbit | -3.83 | -24.46 | -20.7 | 11 |
| 9 | II. Departure Lounge | -6.46 | -26.57 | -21.5 | 11 |
| 10 | III. In Traffic | -1.03 | -19.84 | -16.1 | 11 |
| 11 | I. 1 or 2 Old Mints in My Pocket | -5.42 | -24.12 | -20.9 | 11 |
| 12 | II. 3 or 4 Laps around the Back Oval | -3.28 | -22.43 | -18.7 | 10 |
| 13 | III. 5 or 6 Overdue Library Books | -2.31 | -23.05 | -19.2 | 11 |
| 14 | IV. 7 or 8 to be in before 9 | -1.03 | -20.14 | -17.0 | 11 |
| 15 | Waiting for the Green Man | -1.03 | -25.69 | -19.4 | 15 |
| 16 | VII. Composition with Yellow Lines | -4.03 | -26.82 | -23.1 | 12 |