Bartłomiej Pękiel: Vocal & Chamber Ensemble Works
Marta Niedźwiecka, Wrocław Baroque Ensemble, Andrzej Kosendiak
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Missa a 14
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1.1
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Kyrie
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:25 | |||
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1.2
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Gloria
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
3:16 | |||
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Canon a 6
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1.3
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I. Tres canones simul cantantur
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:00 | |||
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Missa senza cerimonie I
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1.4
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I: Kyrie
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:48 | |||
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1.5
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I: Gloria
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:05 | |||
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1.6
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I: Credo
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:59 | |||
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1.7
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I: Sanctus
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:00 | |||
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1.8
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I: Agnus Dei
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:41 | |||
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Canon a 6
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1.9
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II. Aliud. Sex vocibus I
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:22 | |||
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Missa paschalis
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1.10
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Kyrie
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:47 | |||
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1.11
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Gloria
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
3:35 | |||
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1.12
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Credo
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
7:03 | |||
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1.13
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Sanctus
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:37 | |||
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1.14
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Agnus Dei
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:06 | |||
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Canon a 6
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1.15
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III. Aliud. Sex vocibus II
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:21 | |||
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Missa senza le cerimonie II
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1.16
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II: Kyrie
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
0:40 | |||
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1.17
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II: Gloria
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:30 | |||
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1.18
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II: Credo
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:51 | |||
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1.19
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II: Sanctus
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:18 | |||
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1.20
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II: Agnus Dei
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:13 | |||
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1.21
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Fugue
Bartłomiej Pękiel; Marta Niedźwiecka |
1:18 | |||
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Missa la lombardesca
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1.22
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Kyrie
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:33 | |||
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1.23
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Gloria
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
4:02 | |||
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1.24
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Credo
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
6:55 | |||
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1.25
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Sanctus
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
2:21 | |||
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1.26
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Agnus Dei
Bartłomiej Pękiel; Wrocław Baroque Ensemble; Andrzej Kosendiak |
1:08 | |||
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Digital Booklet
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Andrzej Kosendiak leads the Wrocław Baroque Ensemble and harpsichordist Marta Niedźwiecka on this second album dedicated to Bartlomiej Pekiel, a composer who served the court of Vasa. This installment is devoted to masses, a form present in European music since the Middle Ages. Mass cycles presented here are diverse in style, demonstrating with how much variety 17th century composers approached the genre, even within their own body of work. The programme includes examples of two "utility" masses, formally very simple, based on a dialogue between two groups of singers. At the opposite extreme is the elaborate mass cycle referring to the two main stylistic tendencies of 17th century music: the first is known as the prima pratica and derives from the old Palestrinian polyphony, while the second is the concert style, seen as very modern at the time, represented by the Missa a 14 and the Missa Concertata. All these works brought together on a single release present Pekiel both as a creator versed in different composition techniques and as the head of the ensemble.
96 kHz / 24-bit PCM – CD Accord Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.19 -7.25 to -0.10 | -21.96 -23.82 to -19.62 | -18.99 -21.00 to -16.70 | 11 9 to 13 | |
| 1 | Kyrie | -0.10 | -20.51 | -17.2 | 12 |
| 2 | Gloria | -0.11 | -20.33 | -17.3 | 13 |
| 3 | I. Tres canones simul cantantur | -5.51 | -23.29 | -20.1 | 11 |
| 4 | I: Kyrie | -1.84 | -19.62 | -16.7 | 9 |
| 5 | I: Gloria | -1.88 | -22.32 | -19.3 | 12 |
| 6 | I: Credo | -2.47 | -22.03 | -19.1 | 12 |
| 7 | I: Sanctus | -0.95 | -21.27 | -18.2 | 13 |
| 8 | I: Agnus Dei | -1.57 | -21.02 | -17.9 | 11 |
| 9 | II. Aliud. Sex vocibus I | -6.68 | -23.44 | -20.7 | 11 |
| 10 | Kyrie | -4.82 | -22.30 | -19.6 | 10 |
| 11 | Gloria | -1.59 | -21.79 | -19.1 | 12 |
| 12 | Credo | -5.64 | -22.37 | -19.9 | 11 |
| 13 | Sanctus | -5.67 | -22.26 | -19.5 | 11 |
| 14 | Agnus Dei | -6.28 | -22.43 | -20.0 | 10 |
| 15 | III. Aliud. Sex vocibus II | -7.25 | -23.82 | -21.0 | 11 |
| 16 | II: Kyrie | -4.69 | -21.59 | -18.3 | 10 |
| 17 | II: Gloria | -3.31 | -23.35 | -20.3 | 11 |
| 18 | II: Credo | -2.21 | -23.23 | -20.4 | 13 |
| 19 | II: Sanctus | -0.90 | -22.47 | -19.4 | 11 |
| 20 | II: Agnus Dei | -4.32 | -23.72 | -20.8 | 12 |
| 21 | Fugue | -6.48 | -23.69 | -21.0 | 9 |
| 22 | Kyrie | -1.06 | -20.05 | -16.7 | 12 |
| 23 | Gloria | -1.45 | -20.69 | -17.5 | 12 |
| 24 | Credo | -1.14 | -21.01 | -17.9 | 12 |
| 25 | Sanctus | -2.30 | -20.78 | -17.5 | 11 |
| 26 | Agnus Dei | -2.81 | -21.56 | -18.3 | 10 |